Memorias Selectivas: Two Films by Spanish Punk Women

The role of women in punk has been dominated by a particular doxa and by repeated acts of omission and misrepresentation. This has certainly been the case in much of the historiography and journalism about Spanish punk/la Movida, where a more nuanced and rigorous narrative about punk/la Movida and...

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Autor principal:	Nuria Triana Toribio
Formato:	article
Lenguaje:	CA EN ES EU FR GL IT PT
Publicado:	Universitat de Barcelona 2017
Materias:	gender punk Spain la Movida la transición Women. Feminism HQ1101-2030.7
Acceso en línea:	https://doaj.org/article/6fd6e1d469a04629898cd643a8bbc841
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id	oai:doaj.org-article:6fd6e1d469a04629898cd643a8bbc841
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spelling	oai:doaj.org-article:6fd6e1d469a04629898cd643a8bbc8412021-11-21T13:11:24ZMemorias Selectivas: Two Films by Spanish Punk Women1136-57812013-9470https://doaj.org/article/6fd6e1d469a04629898cd643a8bbc8412017-10-01T00:00:00Zhttps://revistes.ub.edu/index.php/lectora/article/view/20292https://doaj.org/toc/1136-5781https://doaj.org/toc/2013-9470 The role of women in punk has been dominated by a particular doxa and by repeated acts of omission and misrepresentation. This has certainly been the case in much of the historiography and journalism about Spanish punk/la Movida, where a more nuanced and rigorous narrative about punk/la Movida and its women still needs to be created. This article addresses some discourses that dominate the commemorations of the movement and how they interact in the work of two women who were not simply witnesses but took part in the musical scene: Chus Gutiérrez and Beatriz Alonso Aranzábal. Nuria Triana ToribioUniversitat de BarcelonaarticlegenderpunkSpainla Movidala transiciónWomen. FeminismHQ1101-2030.7CAENESEUFRGLITPTLectora: Revista de Dones i Textualitat, Iss 23 (2017)
institution	DOAJ
collection	DOAJ
language	CA EN ES EU FR GL IT PT
topic	gender punk Spain la Movida la transición Women. Feminism HQ1101-2030.7
spellingShingle	gender punk Spain la Movida la transición Women. Feminism HQ1101-2030.7 Nuria Triana Toribio Memorias Selectivas: Two Films by Spanish Punk Women
description	The role of women in punk has been dominated by a particular doxa and by repeated acts of omission and misrepresentation. This has certainly been the case in much of the historiography and journalism about Spanish punk/la Movida, where a more nuanced and rigorous narrative about punk/la Movida and its women still needs to be created. This article addresses some discourses that dominate the commemorations of the movement and how they interact in the work of two women who were not simply witnesses but took part in the musical scene: Chus Gutiérrez and Beatriz Alonso Aranzábal.
format	article
author	Nuria Triana Toribio
author_facet	Nuria Triana Toribio
author_sort	Nuria Triana Toribio
title	Memorias Selectivas: Two Films by Spanish Punk Women
title_short	Memorias Selectivas: Two Films by Spanish Punk Women
title_full	Memorias Selectivas: Two Films by Spanish Punk Women
title_fullStr	Memorias Selectivas: Two Films by Spanish Punk Women
title_full_unstemmed	Memorias Selectivas: Two Films by Spanish Punk Women
title_sort	memorias selectivas: two films by spanish punk women
publisher	Universitat de Barcelona
publishDate	2017
url	https://doaj.org/article/6fd6e1d469a04629898cd643a8bbc841
work_keys_str_mv	AT nuriatrianatoribio memoriasselectivastwofilmsbyspanishpunkwomen
_version_	1718418830425849856

Memorias Selectivas: Two Films by Spanish Punk Women

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