EKSISTENSI KRITIK TEATER DI MEDIA CETAK: SEBUAH TINJAUAN KRITIS
This research aim to as follows: a) wish to know the writing format criticize theatre in mass media print; b) wish to know the elementary difference among or between criticism masterpiece writed by critic of have background to of actor of theatre with have background to of have background to of jour...
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Institut Seni Indonesia Surakarta
2016
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| Acceso en línea: | https://doaj.org/article/6fe3c6c465dc4892af3ec5ac3daca298 |
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oai:doaj.org-article:6fe3c6c465dc4892af3ec5ac3daca2982021-11-26T03:25:50ZEKSISTENSI KRITIK TEATER DI MEDIA CETAK: SEBUAH TINJAUAN KRITIS1412-41812685-287X10.33153/dewaruci.v6i2.925https://doaj.org/article/6fe3c6c465dc4892af3ec5ac3daca2982016-01-01T00:00:00Zhttps://jurnal.isi-ska.ac.id/index.php/dewaruci/article/view/925https://doaj.org/toc/1412-4181https://doaj.org/toc/2685-287XThis research aim to as follows: a) wish to know the writing format criticize theatre in mass media print; b) wish to know the elementary difference among or between criticism masterpiece writed by critic of have background to of actor of theatre with have background to of have background to of journalist. The result of research got by some conclusion of following. Writer of critic of theatre from journalist more emphasizing of aspect of event of show of theatre fulfilling journalistic standard which concept 5W+1H (what, where, when, who, why and how). Nuance differ very felt at critics of theatre of masterpiece of all observer of theatre which is non journalist of like Putu Wijaya, Afrizal Malna and Syu’ bah Asa. In their analisys theatre staging can lay open most of all theatre aspect. Every aspect laid open by detail. Keywords: theatre of criticism, theatre, journalist, artistic, artNur SahidInstitut Seni Indonesia SurakartaarticleFine ArtsNIDDewa Ruci: Jurnal Pengkajian dan Penciptaan Seni, Vol 6, Iss 2 (2016) |
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DOAJ |
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Fine Arts N |
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Fine Arts N Nur Sahid EKSISTENSI KRITIK TEATER DI MEDIA CETAK: SEBUAH TINJAUAN KRITIS |
| description |
This research aim to as follows: a) wish to know the writing format criticize theatre in mass media print; b) wish to know the elementary difference among or between criticism masterpiece writed by critic of have background to of actor of theatre with have background to of have background to of journalist. The result of research got by some conclusion of following. Writer of critic of theatre from journalist more emphasizing of aspect of event of show of theatre fulfilling journalistic standard which concept 5W+1H (what, where, when, who, why and how). Nuance
differ very felt at critics of theatre of masterpiece of all observer of theatre which is non journalist of like Putu Wijaya, Afrizal Malna and Syu’ bah Asa. In their analisys theatre staging can lay open most of all theatre aspect. Every aspect laid open by detail.
Keywords: theatre of criticism, theatre, journalist, artistic, art |
| format |
article |
| author |
Nur Sahid |
| author_facet |
Nur Sahid |
| author_sort |
Nur Sahid |
| title |
EKSISTENSI KRITIK TEATER DI MEDIA CETAK: SEBUAH TINJAUAN KRITIS |
| title_short |
EKSISTENSI KRITIK TEATER DI MEDIA CETAK: SEBUAH TINJAUAN KRITIS |
| title_full |
EKSISTENSI KRITIK TEATER DI MEDIA CETAK: SEBUAH TINJAUAN KRITIS |
| title_fullStr |
EKSISTENSI KRITIK TEATER DI MEDIA CETAK: SEBUAH TINJAUAN KRITIS |
| title_full_unstemmed |
EKSISTENSI KRITIK TEATER DI MEDIA CETAK: SEBUAH TINJAUAN KRITIS |
| title_sort |
eksistensi kritik teater di media cetak: sebuah tinjauan kritis |
| publisher |
Institut Seni Indonesia Surakarta |
| publishDate |
2016 |
| url |
https://doaj.org/article/6fe3c6c465dc4892af3ec5ac3daca298 |
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AT nursahid eksistensikritikteaterdimediacetaksebuahtinjauankritis |
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1718409907308331008 |