The Reduce to Dostoevsky’s Artistic Mastery.The Brothers Karamazov and The Devils on the Stage of the Moscow Art Theater and in the Russian Press

The article is dedicated to the history of the Moscow Art Theater productions in 1913–1914 based on F.M. Dostoevsky’s novels The Brothers Karamazov and The Devils, and to the fierce controversy that surrounded them. It analyzes the problem of finding an adequate stage form for the two novels, and th...

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Autor principal: Marina V. Kudimova
Formato: article
Lenguaje:EN
RU
Publicado: Russian Academy of Sciences. A.M. Gorky Institute of World Literature 2021
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Acceso en línea:https://doaj.org/article/70d8ab9d5b2648cba48ea10f2bda888d
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spelling oai:doaj.org-article:70d8ab9d5b2648cba48ea10f2bda888d2021-12-02T18:43:07ZThe Reduce to Dostoevsky’s Artistic Mastery.The Brothers Karamazov and The Devils on the Stage of the Moscow Art Theater and in the Russian Press10.22455/2619-0311-2021-1-193-2312619-03112712-8512https://doaj.org/article/70d8ab9d5b2648cba48ea10f2bda888d2021-03-01T00:00:00Zhttp://dostmirkult.ru/images/2021-1/07_Kudimova_193-231.pdfhttps://doaj.org/toc/2619-0311https://doaj.org/toc/2712-8512The article is dedicated to the history of the Moscow Art Theater productions in 1913–1914 based on F.M. Dostoevsky’s novels The Brothers Karamazov and The Devils, and to the fierce controversy that surrounded them. It analyzes the problem of finding an adequate stage form for the two novels, and the story of the birth of the so-called “Dostoevsky theater” and the Director’s theater, now dominating the stage. Despite Dostoevsky’s great interest in theater and his brother’s witness that the future novelist’s literary activity began with three (unfortunately lost) dramatic works, the writer himself was far from being confident that theatrical productions of his novels could be a success. The founders of the Moscow Art Theater challenged this opinion and proved that Dostoevsky’s novels could write a new page in the history of Russian theater. The article analyzes in detail newspaper and magazine reviews of the performances directed by Vladimir Nemirovich-Danchenko.Marina V. KudimovaRussian Academy of Sciences. A.M. Gorky Institute of World Literaturearticlefyodor dostoevskytheaterperformanceproductionmoscow art theaterkonstantin stanislavskyvladimir nemirovich-danchenkomaksim gorkymaksimilian voloshinnewspapersthe brothers karamazovthe devilsstavroginpavel orlenevSlavic languages. Baltic languages. Albanian languagesPG1-9665ENRUДостоевский и мировая культура: Филологический журнал, Iss 1, Pp 193-231 (2021)
institution DOAJ
collection DOAJ
language EN
RU
topic fyodor dostoevsky
theater
performance
production
moscow art theater
konstantin stanislavsky
vladimir nemirovich-danchenko
maksim gorky
maksimilian voloshin
newspapers
the brothers karamazov
the devils
stavrogin
pavel orlenev
Slavic languages. Baltic languages. Albanian languages
PG1-9665
spellingShingle fyodor dostoevsky
theater
performance
production
moscow art theater
konstantin stanislavsky
vladimir nemirovich-danchenko
maksim gorky
maksimilian voloshin
newspapers
the brothers karamazov
the devils
stavrogin
pavel orlenev
Slavic languages. Baltic languages. Albanian languages
PG1-9665
Marina V. Kudimova
The Reduce to Dostoevsky’s Artistic Mastery.The Brothers Karamazov and The Devils on the Stage of the Moscow Art Theater and in the Russian Press
description The article is dedicated to the history of the Moscow Art Theater productions in 1913–1914 based on F.M. Dostoevsky’s novels The Brothers Karamazov and The Devils, and to the fierce controversy that surrounded them. It analyzes the problem of finding an adequate stage form for the two novels, and the story of the birth of the so-called “Dostoevsky theater” and the Director’s theater, now dominating the stage. Despite Dostoevsky’s great interest in theater and his brother’s witness that the future novelist’s literary activity began with three (unfortunately lost) dramatic works, the writer himself was far from being confident that theatrical productions of his novels could be a success. The founders of the Moscow Art Theater challenged this opinion and proved that Dostoevsky’s novels could write a new page in the history of Russian theater. The article analyzes in detail newspaper and magazine reviews of the performances directed by Vladimir Nemirovich-Danchenko.
format article
author Marina V. Kudimova
author_facet Marina V. Kudimova
author_sort Marina V. Kudimova
title The Reduce to Dostoevsky’s Artistic Mastery.The Brothers Karamazov and The Devils on the Stage of the Moscow Art Theater and in the Russian Press
title_short The Reduce to Dostoevsky’s Artistic Mastery.The Brothers Karamazov and The Devils on the Stage of the Moscow Art Theater and in the Russian Press
title_full The Reduce to Dostoevsky’s Artistic Mastery.The Brothers Karamazov and The Devils on the Stage of the Moscow Art Theater and in the Russian Press
title_fullStr The Reduce to Dostoevsky’s Artistic Mastery.The Brothers Karamazov and The Devils on the Stage of the Moscow Art Theater and in the Russian Press
title_full_unstemmed The Reduce to Dostoevsky’s Artistic Mastery.The Brothers Karamazov and The Devils on the Stage of the Moscow Art Theater and in the Russian Press
title_sort reduce to dostoevsky’s artistic mastery.the brothers karamazov and the devils on the stage of the moscow art theater and in the russian press
publisher Russian Academy of Sciences. A.M. Gorky Institute of World Literature
publishDate 2021
url https://doaj.org/article/70d8ab9d5b2648cba48ea10f2bda888d
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