Sonic Becomings: Rhythmic Encounters in Interspecies Improvisation
David Rothenberg, a philosophy professor and Jazz musician, has been improvising with nonhuman animals for years, among his playing partners are birds and whales, known to be territorial animals. As Deleuze and Guattari propose that the origin of art is precisely the territorialising animal and more...
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De Gruyter
2021
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oai:doaj.org-article:713146232bae42eab02b1618428bba202021-12-05T14:11:00ZSonic Becomings: Rhythmic Encounters in Interspecies Improvisation2543-887510.1515/opphil-2020-0173https://doaj.org/article/713146232bae42eab02b1618428bba202021-10-01T00:00:00Zhttps://doi.org/10.1515/opphil-2020-0173https://doaj.org/toc/2543-8875David Rothenberg, a philosophy professor and Jazz musician, has been improvising with nonhuman animals for years, among his playing partners are birds and whales, known to be territorial animals. As Deleuze and Guattari propose that the origin of art is precisely the territorialising animal and more a function of nature than a specifically human cultural achievement, their concept of territory and rhythm offers a non-anthropocentric way of looking at these encounters. Rothenberg’s sonic experiments in resonance and interspecies interaction do not rely on language, thus I argue that the human and the nonhuman animals form a temporary joint territory via sonic rhythms and engage in a mutual becoming by forming a rhizome. His sound thinking practice thus also helps in decentralising further anthropocentric models of music and art.Collenberg LouisaDe Gruyterarticlesound thinkingsonic thinkinganimal studiesrhizomedeterritorialisationartinterspecies improvisationinterspecies musicPhilosophy (General)B1-5802ENOpen Philosophy, Vol 4, Iss 1, Pp 224-230 (2021) |
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sound thinking sonic thinking animal studies rhizome deterritorialisation art interspecies improvisation interspecies music Philosophy (General) B1-5802 |
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sound thinking sonic thinking animal studies rhizome deterritorialisation art interspecies improvisation interspecies music Philosophy (General) B1-5802 Collenberg Louisa Sonic Becomings: Rhythmic Encounters in Interspecies Improvisation |
description |
David Rothenberg, a philosophy professor and Jazz musician, has been improvising with nonhuman animals for years, among his playing partners are birds and whales, known to be territorial animals. As Deleuze and Guattari propose that the origin of art is precisely the territorialising animal and more a function of nature than a specifically human cultural achievement, their concept of territory and rhythm offers a non-anthropocentric way of looking at these encounters. Rothenberg’s sonic experiments in resonance and interspecies interaction do not rely on language, thus I argue that the human and the nonhuman animals form a temporary joint territory via sonic rhythms and engage in a mutual becoming by forming a rhizome. His sound thinking practice thus also helps in decentralising further anthropocentric models of music and art. |
format |
article |
author |
Collenberg Louisa |
author_facet |
Collenberg Louisa |
author_sort |
Collenberg Louisa |
title |
Sonic Becomings: Rhythmic Encounters in Interspecies Improvisation |
title_short |
Sonic Becomings: Rhythmic Encounters in Interspecies Improvisation |
title_full |
Sonic Becomings: Rhythmic Encounters in Interspecies Improvisation |
title_fullStr |
Sonic Becomings: Rhythmic Encounters in Interspecies Improvisation |
title_full_unstemmed |
Sonic Becomings: Rhythmic Encounters in Interspecies Improvisation |
title_sort |
sonic becomings: rhythmic encounters in interspecies improvisation |
publisher |
De Gruyter |
publishDate |
2021 |
url |
https://doaj.org/article/713146232bae42eab02b1618428bba20 |
work_keys_str_mv |
AT collenberglouisa sonicbecomingsrhythmicencountersininterspeciesimprovisation |
_version_ |
1718371479993712640 |