Nadpisy operowe w Polsce – między teorią a praktyką

Opera Surtitling in Poland: Theory and Practice The article discusses opera surtitling, which has been used in many opera houses around the world for over thirty years. It seems, however, that this particular AVT type has been hardly discussed by both scholars and practitioners. Therefore, it s...

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Autor principal:	Anna Rędzioch‑Korkuz
Formato:	article
Lenguaje:	EN FR PL
Publicado:	Ksiegarnia Akademicka Publishing 2021
Materias:	opera surtitling audiovisual multimodality Translating and interpreting P306-310
Acceso en línea:	https://doaj.org/article/71acd98d03a24db3b212598605d7ee20
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id	oai:doaj.org-article:71acd98d03a24db3b212598605d7ee20
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spelling	oai:doaj.org-article:71acd98d03a24db3b212598605d7ee202021-11-27T13:03:06ZNadpisy operowe w Polsce – między teorią a praktyką10.12797/MOaP.19.2013.22.041689-91212391-6745https://doaj.org/article/71acd98d03a24db3b212598605d7ee202021-07-01T00:00:00Zhttps://journals.akademicka.pl/moap/article/view/1942https://doaj.org/toc/1689-9121https://doaj.org/toc/2391-6745 Opera Surtitling in Poland: Theory and Practice The article discusses opera surtitling, which has been used in many opera houses around the world for over thirty years. It seems, however, that this particular AVT type has been hardly discussed by both scholars and practitioners. Therefore, it seems almost impossible to indicate any widely accepted standards or surtitling paradigms. Consequently, the dichotomy between theory and practice appears unavoidable. It is partly due to a more traditional understanding of translation, which apparently needs to be revisited in order to make surtitling an example of a translation activity aimed at translating a semiotic complex rather than a libretto. Anna Rędzioch‑KorkuzKsiegarnia Akademicka PublishingarticleoperasurtitlingaudiovisualmultimodalityTranslating and interpretingP306-310ENFRPLMiędzy Oryginałem a Przekładem, Vol 19, Iss 4(22) (2021)
institution	DOAJ
collection	DOAJ
language	EN FR PL
topic	opera surtitling audiovisual multimodality Translating and interpreting P306-310
spellingShingle	opera surtitling audiovisual multimodality Translating and interpreting P306-310 Anna Rędzioch‑Korkuz Nadpisy operowe w Polsce – między teorią a praktyką
description	Opera Surtitling in Poland: Theory and Practice The article discusses opera surtitling, which has been used in many opera houses around the world for over thirty years. It seems, however, that this particular AVT type has been hardly discussed by both scholars and practitioners. Therefore, it seems almost impossible to indicate any widely accepted standards or surtitling paradigms. Consequently, the dichotomy between theory and practice appears unavoidable. It is partly due to a more traditional understanding of translation, which apparently needs to be revisited in order to make surtitling an example of a translation activity aimed at translating a semiotic complex rather than a libretto.
format	article
author	Anna Rędzioch‑Korkuz
author_facet	Anna Rędzioch‑Korkuz
author_sort	Anna Rędzioch‑Korkuz
title	Nadpisy operowe w Polsce – między teorią a praktyką
title_short	Nadpisy operowe w Polsce – między teorią a praktyką
title_full	Nadpisy operowe w Polsce – między teorią a praktyką
title_fullStr	Nadpisy operowe w Polsce – między teorią a praktyką
title_full_unstemmed	Nadpisy operowe w Polsce – między teorią a praktyką
title_sort	nadpisy operowe w polsce – między teorią a praktyką
publisher	Ksiegarnia Akademicka Publishing
publishDate	2021
url	https://doaj.org/article/71acd98d03a24db3b212598605d7ee20
work_keys_str_mv	AT annaredziochkorkuz nadpisyoperowewpolscemiedzyteoriaapraktyka
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Nadpisy operowe w Polsce – między teorią a praktyką

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