Surrealims fragments and dreaminess in the graphic proposal of Antonio Bonet. From Paris to Buenos Aires: 1936-1939

By the late 30’s, avoiding the military conflict taking place in Spain and the later that would take place in Europe, Antonio Bonet arrived to Buenos Aires with the purpose of leading the architectonic vanguard. In order to achieve that aim he was formed with the experiences lived along with Josep L...

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Autores principales:	Andrés Tabera Roldán, Mariano González Presencio
Formato:	article
Lenguaje:	ES
Publicado:	Universitat Politècnica de València 2021
Materias:	antonio bonet surrealismo grupo austral arquitectura moderna Architecture NA1-9428
Acceso en línea:	https://doaj.org/article/71cb29f9080d4d188d2ab6436daab9d3
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id	oai:doaj.org-article:71cb29f9080d4d188d2ab6436daab9d3
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spelling	oai:doaj.org-article:71cb29f9080d4d188d2ab6436daab9d32021-11-19T11:44:03ZSurrealims fragments and dreaminess in the graphic proposal of Antonio Bonet. From Paris to Buenos Aires: 1936-19391133-61372254-610310.4995/ega.2021.14970https://doaj.org/article/71cb29f9080d4d188d2ab6436daab9d32021-11-01T00:00:00Zhttps://polipapers.upv.es/index.php/EGA/article/view/14970https://doaj.org/toc/1133-6137https://doaj.org/toc/2254-6103By the late 30’s, avoiding the military conflict taking place in Spain and the later that would take place in Europe, Antonio Bonet arrived to Buenos Aires with the purpose of leading the architectonic vanguard. In order to achieve that aim he was formed with the experiences lived along with Josep Lluis Sert and Le Corbusier and the ones lived with painter and architect Roberto Matta Echaurren in Paris. Due to this relationship the drawings that Bonet carried to Argentina could come to life. The aim of this article is to reveal the surrealistic key components which are found in Bonet’s work of those years by analyzing those drawings (some of them unpublished) and the collages that were with him in his journey. His concerns will be tried to be guessed as well as his inevitable contradictions.Andrés Tabera RoldánMariano González PresencioUniversitat Politècnica de Valènciaarticleantonio bonetsurrealismogrupo australarquitectura modernaArchitectureNA1-9428ESEGA , Vol 26, Iss 43, Pp 154-167 (2021)
institution	DOAJ
collection	DOAJ
language	ES
topic	antonio bonet surrealismo grupo austral arquitectura moderna Architecture NA1-9428
spellingShingle	antonio bonet surrealismo grupo austral arquitectura moderna Architecture NA1-9428 Andrés Tabera Roldán Mariano González Presencio Surrealims fragments and dreaminess in the graphic proposal of Antonio Bonet. From Paris to Buenos Aires: 1936-1939
description	By the late 30’s, avoiding the military conflict taking place in Spain and the later that would take place in Europe, Antonio Bonet arrived to Buenos Aires with the purpose of leading the architectonic vanguard. In order to achieve that aim he was formed with the experiences lived along with Josep Lluis Sert and Le Corbusier and the ones lived with painter and architect Roberto Matta Echaurren in Paris. Due to this relationship the drawings that Bonet carried to Argentina could come to life. The aim of this article is to reveal the surrealistic key components which are found in Bonet’s work of those years by analyzing those drawings (some of them unpublished) and the collages that were with him in his journey. His concerns will be tried to be guessed as well as his inevitable contradictions.
format	article
author	Andrés Tabera Roldán Mariano González Presencio
author_facet	Andrés Tabera Roldán Mariano González Presencio
author_sort	Andrés Tabera Roldán
title	Surrealims fragments and dreaminess in the graphic proposal of Antonio Bonet. From Paris to Buenos Aires: 1936-1939
title_short	Surrealims fragments and dreaminess in the graphic proposal of Antonio Bonet. From Paris to Buenos Aires: 1936-1939
title_full	Surrealims fragments and dreaminess in the graphic proposal of Antonio Bonet. From Paris to Buenos Aires: 1936-1939
title_fullStr	Surrealims fragments and dreaminess in the graphic proposal of Antonio Bonet. From Paris to Buenos Aires: 1936-1939
title_full_unstemmed	Surrealims fragments and dreaminess in the graphic proposal of Antonio Bonet. From Paris to Buenos Aires: 1936-1939
title_sort	surrealims fragments and dreaminess in the graphic proposal of antonio bonet. from paris to buenos aires: 1936-1939
publisher	Universitat Politècnica de València
publishDate	2021
url	https://doaj.org/article/71cb29f9080d4d188d2ab6436daab9d3
work_keys_str_mv	AT andrestaberaroldan surrealimsfragmentsanddreaminessinthegraphicproposalofantoniobonetfromparistobuenosaires19361939 AT marianogonzalezpresencio surrealimsfragmentsanddreaminessinthegraphicproposalofantoniobonetfromparistobuenosaires19361939
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Surrealims fragments and dreaminess in the graphic proposal of Antonio Bonet. From Paris to Buenos Aires: 1936-1939

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