¿Máquinas de amar? Sexo y violencia en la literatura y el arte norteamericanos de los sesenta
This article explores the representation of the female body in American Art in the sixties. From Marcel Duchamp's alter-ego Rose Sélavy to Raimond Carver narrative, sexuality and violence are at stake. The construction of women as love machines by Pop Art and Avant-garde, as well as Mel Ramos a...
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| Formato: | article |
| Lenguaje: | CA EN ES EU FR GL IT PT |
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Universitat de Barcelona
2010
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| Acceso en línea: | https://doaj.org/article/71dd0f7cb1e44765bbd89e3d4be47c29 |
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| Sumario: | This article explores the representation of the female body in American Art in the sixties. From Marcel Duchamp's alter-ego Rose Sélavy to Raimond Carver narrative, sexuality and violence are at stake. The construction of women as love machines by Pop Art and Avant-garde, as well as Mel Ramos and Eduardo Paolozzi pin-up girls, are considered expressions of violence against women. Alan Jones's disturbing works and films like The Seven Year Itch of Billy Wilder show how the male gaze builds and destroys women.
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