¿Máquinas de amar? Sexo y violencia en la literatura y el arte norteamericanos de los sesenta

¿Máquinas de amar? Sexo y violencia en la literatura y el arte norteamericanos de los sesenta

This article explores the representation of the female body in American Art in the sixties. From Marcel Duchamp's alter-ego Rose Sélavy to Raimond Carver narrative, sexuality and violence are at stake. The construction of women as love machines by Pop Art and Avant-garde, as well as Mel Ramos a...

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Autor principal: Nieves Alberola Crespo
Formato: article
Lenguaje:CA
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Publicado: Universitat de Barcelona 2010
Materias:
Women. Feminism
HQ1101-2030.7
Acceso en línea:https://doaj.org/article/71dd0f7cb1e44765bbd89e3d4be47c29
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spelling oai:doaj.org-article:71dd0f7cb1e44765bbd89e3d4be47c292021-12-02T19:42:39Z¿Máquinas de amar? Sexo y violencia en la literatura y el arte norteamericanos de los sesenta1136-57812013-9470https://doaj.org/article/71dd0f7cb1e44765bbd89e3d4be47c292010-07-01T00:00:00Zhttp://revistes.ub.edu/index.php/lectora/article/view/6546https://doaj.org/toc/1136-5781https://doaj.org/toc/2013-9470This article explores the representation of the female body in American Art in the sixties. From Marcel Duchamp's alter-ego Rose Sélavy to Raimond Carver narrative, sexuality and violence are at stake. The construction of women as love machines by Pop Art and Avant-garde, as well as Mel Ramos and Eduardo Paolozzi pin-up girls, are considered expressions of violence against women. Alan Jones's disturbing works and films like The Seven Year Itch of Billy Wilder show how the male gaze builds and destroys women. Nieves Alberola CrespoUniversitat de BarcelonaarticleWomen. FeminismHQ1101-2030.7CAENESEUFRGLITPTLectora: Revista de Dones i Textualitat, Iss 8 (2010)
institution DOAJ
collection DOAJ
language CA
EN
ES
EU
FR
GL
IT
PT
topic Women. Feminism
HQ1101-2030.7
spellingShingle Women. Feminism
HQ1101-2030.7
Nieves Alberola Crespo
¿Máquinas de amar? Sexo y violencia en la literatura y el arte norteamericanos de los sesenta
description This article explores the representation of the female body in American Art in the sixties. From Marcel Duchamp's alter-ego Rose Sélavy to Raimond Carver narrative, sexuality and violence are at stake. The construction of women as love machines by Pop Art and Avant-garde, as well as Mel Ramos and Eduardo Paolozzi pin-up girls, are considered expressions of violence against women. Alan Jones's disturbing works and films like The Seven Year Itch of Billy Wilder show how the male gaze builds and destroys women.
format article
author Nieves Alberola Crespo
author_facet Nieves Alberola Crespo
author_sort Nieves Alberola Crespo
title ¿Máquinas de amar? Sexo y violencia en la literatura y el arte norteamericanos de los sesenta
title_short ¿Máquinas de amar? Sexo y violencia en la literatura y el arte norteamericanos de los sesenta
title_full ¿Máquinas de amar? Sexo y violencia en la literatura y el arte norteamericanos de los sesenta
title_fullStr ¿Máquinas de amar? Sexo y violencia en la literatura y el arte norteamericanos de los sesenta
title_full_unstemmed ¿Máquinas de amar? Sexo y violencia en la literatura y el arte norteamericanos de los sesenta
title_sort ¿máquinas de amar? sexo y violencia en la literatura y el arte norteamericanos de los sesenta
publisher Universitat de Barcelona
publishDate 2010
url https://doaj.org/article/71dd0f7cb1e44765bbd89e3d4be47c29
work_keys_str_mv AT nievesalberolacrespo maquinasdeamarsexoyviolenciaenlaliteraturayelartenorteamericanosdelossesenta
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