De la portée politique des œuvres d’art. Bourdieu sur le chemin de Francfort
It is often thought that the two critical sociologies of art, that of Pierre Bourdieu and that of the Frankfurt School, are unrelated (due to the effective absence of quotations of the critical theory on the part of Pierre Bourdieu). However, there are important affinities in the way in which Pierre...
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Association Internationale des Sociologues de Langue Française
2021
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oai:doaj.org-article:720b10baac834f6d9f58551864f250632021-12-02T09:53:44ZDe la portée politique des œuvres d’art. Bourdieu sur le chemin de Francfort1992-265510.4000/sociologies.17113https://doaj.org/article/720b10baac834f6d9f58551864f250632021-11-01T00:00:00Zhttp://journals.openedition.org/sociologies/17113https://doaj.org/toc/1992-2655It is often thought that the two critical sociologies of art, that of Pierre Bourdieu and that of the Frankfurt School, are unrelated (due to the effective absence of quotations of the critical theory on the part of Pierre Bourdieu). However, there are important affinities in the way in which Pierre Bourdieu thinks the conflictive potential of artistic creation: if the myth of the "uncreated creator" is overcome, and if, as in the cases of Gustave Flaubert or Édouard Manet, the artistic creation deconstructs the principles of vision and division of the social world, it takes on political meanings. This proposal finds important echoes in Frankfurt School, between the critique of the illusion of the "bourgeois genius", as in Max Horkheimer and Theodor W. Adorno’s review of the myth of Ulysses and the sirens, and the hopes placed in Arnold Schönberg's musical revolution.Federico TarragoniAssociation Internationale des Sociologues de Langue FrançaisearticleBourdieuFrankfurt SchoolartpoliticsrevolutionSociology (General)HM401-1281FRSociologies (2021) |
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Bourdieu Frankfurt School art politics revolution Sociology (General) HM401-1281 |
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Bourdieu Frankfurt School art politics revolution Sociology (General) HM401-1281 Federico Tarragoni De la portée politique des œuvres d’art. Bourdieu sur le chemin de Francfort |
| description |
It is often thought that the two critical sociologies of art, that of Pierre Bourdieu and that of the Frankfurt School, are unrelated (due to the effective absence of quotations of the critical theory on the part of Pierre Bourdieu). However, there are important affinities in the way in which Pierre Bourdieu thinks the conflictive potential of artistic creation: if the myth of the "uncreated creator" is overcome, and if, as in the cases of Gustave Flaubert or Édouard Manet, the artistic creation deconstructs the principles of vision and division of the social world, it takes on political meanings. This proposal finds important echoes in Frankfurt School, between the critique of the illusion of the "bourgeois genius", as in Max Horkheimer and Theodor W. Adorno’s review of the myth of Ulysses and the sirens, and the hopes placed in Arnold Schönberg's musical revolution. |
| format |
article |
| author |
Federico Tarragoni |
| author_facet |
Federico Tarragoni |
| author_sort |
Federico Tarragoni |
| title |
De la portée politique des œuvres d’art. Bourdieu sur le chemin de Francfort |
| title_short |
De la portée politique des œuvres d’art. Bourdieu sur le chemin de Francfort |
| title_full |
De la portée politique des œuvres d’art. Bourdieu sur le chemin de Francfort |
| title_fullStr |
De la portée politique des œuvres d’art. Bourdieu sur le chemin de Francfort |
| title_full_unstemmed |
De la portée politique des œuvres d’art. Bourdieu sur le chemin de Francfort |
| title_sort |
de la portée politique des œuvres d’art. bourdieu sur le chemin de francfort |
| publisher |
Association Internationale des Sociologues de Langue Française |
| publishDate |
2021 |
| url |
https://doaj.org/article/720b10baac834f6d9f58551864f25063 |
| work_keys_str_mv |
AT federicotarragoni delaporteepolitiquedesœuvresdartbourdieusurlechemindefrancfort |
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1718397952096993280 |