Semiological analysis of Polish theater posters

Through the application of semiological analysis to theater posters made by two Polish authors, the paper uncovers signs, meanings, codes and specifics of the „Polish school of poster-making“ and contemporary Polish posters. Aside from this, I suggest a methodological framework for studying the issu...

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Autores principales:	Jelena Nikolić, Uroš Nedeljković
Formato:	article
Lenguaje:	EN FR SR
Publicado:	University of Belgrade 2016
Materias:	Anthropology GN1-890
Acceso en línea:	https://doaj.org/article/7245cecc9158478f84fd7185f0794dd7
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spelling	oai:doaj.org-article:7245cecc9158478f84fd7185f0794dd72021-12-02T00:30:02ZSemiological analysis of Polish theater posters0353-15892334-8801https://doaj.org/article/7245cecc9158478f84fd7185f0794dd72016-02-01T00:00:00Zhttp://eap-iea.org/index.php/eap/article/view/8https://doaj.org/toc/0353-1589https://doaj.org/toc/2334-8801Through the application of semiological analysis to theater posters made by two Polish authors, the paper uncovers signs, meanings, codes and specifics of the „Polish school of poster-making“ and contemporary Polish posters. Aside from this, I suggest a methodological framework for studying the issue of coding and shaping a theater poster as a culturally specific form of visual communication. The aesthetic and semiotic outlook of the Polish theater posters which were chosen is analyzed using the semiological method which highlights their differences and similarities. By pointing out the system of codes through the examples given here, a graphic designer is informed about the existence and the possibilities of a more systematic approach to shaping a theater poster.Jelena NikolićUroš NedeljkovićUniversity of BelgradearticleAnthropologyGN1-890ENFRSREtnoantropološki Problemi, Vol 10, Iss 1, Pp 113-133 (2016)
institution	DOAJ
collection	DOAJ
language	EN FR SR
topic	Anthropology GN1-890
spellingShingle	Anthropology GN1-890 Jelena Nikolić Uroš Nedeljković Semiological analysis of Polish theater posters
description	Through the application of semiological analysis to theater posters made by two Polish authors, the paper uncovers signs, meanings, codes and specifics of the „Polish school of poster-making“ and contemporary Polish posters. Aside from this, I suggest a methodological framework for studying the issue of coding and shaping a theater poster as a culturally specific form of visual communication. The aesthetic and semiotic outlook of the Polish theater posters which were chosen is analyzed using the semiological method which highlights their differences and similarities. By pointing out the system of codes through the examples given here, a graphic designer is informed about the existence and the possibilities of a more systematic approach to shaping a theater poster.
format	article
author	Jelena Nikolić Uroš Nedeljković
author_facet	Jelena Nikolić Uroš Nedeljković
author_sort	Jelena Nikolić
title	Semiological analysis of Polish theater posters
title_short	Semiological analysis of Polish theater posters
title_full	Semiological analysis of Polish theater posters
title_fullStr	Semiological analysis of Polish theater posters
title_full_unstemmed	Semiological analysis of Polish theater posters
title_sort	semiological analysis of polish theater posters
publisher	University of Belgrade
publishDate	2016
url	https://doaj.org/article/7245cecc9158478f84fd7185f0794dd7
work_keys_str_mv	AT jelenanikolic semiologicalanalysisofpolishtheaterposters AT urosnedeljkovic semiologicalanalysisofpolishtheaterposters
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Semiological analysis of Polish theater posters

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