Trespassing Boundaries in Wuthering Heights

The Spatial Turn as a transdisciplinary phenomenon in the Humanities was established in the 1990s, and, especially in the last few decades, geography seems to have pervaded critical analysis and language. According to contemporary geographical and environmental perspectives, the setting in narrat...

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Autor principal:	Brazzelli, Nicoletta
Formato:	article
Lenguaje:	DE EN ES FR IT NL PT RU
Publicado:	Edizioni Ca’ Foscari 2021
Materias:	Boundaries. Emily Brontë. Literary geography. Nature. Wuthering Heights. Language and Literature P Language. Linguistic theory. Comparative grammar P101-410
Acceso en línea:	https://doaj.org/article/72e7e664e3364027ac2baf1ced785917
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id	oai:doaj.org-article:72e7e664e3364027ac2baf1ced785917
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spelling	oai:doaj.org-article:72e7e664e3364027ac2baf1ced7859172021-11-18T11:17:48ZTrespassing Boundaries in Wuthering Heights2499-156210.30687/AnnOc/2499-1562/2021/09/005https://doaj.org/article/72e7e664e3364027ac2baf1ced7859172021-09-01T00:00:00Zhttps://edizionicafoscari.unive.it4/riviste/annali-di-ca-foscari-serie-occidentale/2021/55/trespassing-boundaries-in-wuthering-heights/https://doaj.org/toc/2499-1562 The Spatial Turn as a transdisciplinary phenomenon in the Humanities was established in the 1990s, and, especially in the last few decades, geography seems to have pervaded critical analysis and language. According to contemporary geographical and environmental perspectives, the setting in narratives is not only a background defining the place where the plot is located but a complex system that is central to the construction of literary texts. Wuthering Heights (1847) provides an excellent case study. Emily Brontë’s novel is certainly characterized by its topography. Although different sources had been collected by the writer from a wide range of models across the country in Yorkshire, they were then reassembled to form a landscape that is both familiar and uncanny, self-consistent and reminiscent of real buildings and sceneries. Besides, the dynamics between displacement, departures and arrivals and the seeming immobility of the landscape is a crucial pattern of the novel. In Wuthering Heights, the natural world of the moors and its geographies are reminders of history and memory. Brontë’s weaving together of emotional stories into the moorlands suggests a mutual exchange between nature and culture. The writer constructs a textured geography representing the cycles of change, family history, and passion that have created that space. Brazzelli, NicolettaEdizioni Ca’ FoscariarticleBoundaries. Emily Brontë. Literary geography. Nature. Wuthering Heights.Language and LiteraturePLanguage. Linguistic theory. Comparative grammarP101-410DEENESFRITNLPTRUAnnali di Ca’ Foscari. Serie Occidentale, Vol 55, Iss 55, Pp - (2021)
institution	DOAJ
collection	DOAJ
language	DE EN ES FR IT NL PT RU
topic	Boundaries. Emily Brontë. Literary geography. Nature. Wuthering Heights. Language and Literature P Language. Linguistic theory. Comparative grammar P101-410
spellingShingle	Boundaries. Emily Brontë. Literary geography. Nature. Wuthering Heights. Language and Literature P Language. Linguistic theory. Comparative grammar P101-410 Brazzelli, Nicoletta Trespassing Boundaries in Wuthering Heights
description	The Spatial Turn as a transdisciplinary phenomenon in the Humanities was established in the 1990s, and, especially in the last few decades, geography seems to have pervaded critical analysis and language. According to contemporary geographical and environmental perspectives, the setting in narratives is not only a background defining the place where the plot is located but a complex system that is central to the construction of literary texts. Wuthering Heights (1847) provides an excellent case study. Emily Brontë’s novel is certainly characterized by its topography. Although different sources had been collected by the writer from a wide range of models across the country in Yorkshire, they were then reassembled to form a landscape that is both familiar and uncanny, self-consistent and reminiscent of real buildings and sceneries. Besides, the dynamics between displacement, departures and arrivals and the seeming immobility of the landscape is a crucial pattern of the novel. In Wuthering Heights, the natural world of the moors and its geographies are reminders of history and memory. Brontë’s weaving together of emotional stories into the moorlands suggests a mutual exchange between nature and culture. The writer constructs a textured geography representing the cycles of change, family history, and passion that have created that space.
format	article
author	Brazzelli, Nicoletta
author_facet	Brazzelli, Nicoletta
author_sort	Brazzelli, Nicoletta
title	Trespassing Boundaries in Wuthering Heights
title_short	Trespassing Boundaries in Wuthering Heights
title_full	Trespassing Boundaries in Wuthering Heights
title_fullStr	Trespassing Boundaries in Wuthering Heights
title_full_unstemmed	Trespassing Boundaries in Wuthering Heights
title_sort	trespassing boundaries in wuthering heights
publisher	Edizioni Ca’ Foscari
publishDate	2021
url	https://doaj.org/article/72e7e664e3364027ac2baf1ced785917
work_keys_str_mv	AT brazzellinicoletta trespassingboundariesinwutheringheights
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Trespassing Boundaries in Wuthering Heights

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