Popular Culture in the Muslim World
Popular Culture in Medieval Cairo. By Boaz Shoshan. Cambridge, UK and New York Press Syndicate of the University of Cambridge, 1993.148 pp. Struggle and Survival in the Modern Middle East. By Edmund Burke, III (ed.). Berkeley, CA: University of California Press, 1993,400 pp. Living Islam: From Sama...
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International Institute of Islamic Thought
1996
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oai:doaj.org-article:75c7a5dd1a024918a6c491147b89e2e42021-12-02T17:26:08ZPopular Culture in the Muslim World10.35632/ajis.v13i1.23372690-37332690-3741https://doaj.org/article/75c7a5dd1a024918a6c491147b89e2e41996-04-01T00:00:00Zhttps://www.ajis.org/index.php/ajiss/article/view/2337https://doaj.org/toc/2690-3733https://doaj.org/toc/2690-3741 Popular Culture in Medieval Cairo. By Boaz Shoshan. Cambridge, UK and New York Press Syndicate of the University of Cambridge, 1993.148 pp. Struggle and Survival in the Modern Middle East. By Edmund Burke, III (ed.). Berkeley, CA: University of California Press, 1993,400 pp. Living Islam: From Samarkand to Stornoway. By Akbar Ahmed. New York: Facts on File, Inc., 1994.224 pp. One of the many expressions of the postmodernist revolt against the modernist western establishment is said to be its popular culture. The theoretical literature produced across this cultural divide often characterizes it in terms of two extremes: as a supreme expression of the true aspirations of the heretofore underprivileged masses or as a weapon in the hands of the traditionally powerful political, social, and economic elites. The latter use it as a tool with which to manipulate the masses for their own respective agendas. A constant refrain of Hitler invoking Nazi supremacy over all humanity, as well as our own self-serving politicians doing their own thing in the name of the “intelligent and well-informed will of the American people,” are only two of many examples of this instrument’s ubiquitous use. The Multiple Uses of Popular Culture The vast grey area between these two margins includes umpteen other descriptions of popular culture, such as real “texture of our environment” and “adjustive syndrome,” and Matthew Arnold’s “heedless democratization.” In addition, there are such definitions as “banality” (Elliot), “reduction of the individual to basic instincts,” “titillation of the superficial senses” (Whitman), and “an expression denied by persistent puritanism and bourgeois power” (Marx). Leavis also joined Arnold and Elliot in resisting the popular resistance to “authority” found in traditional culture ... Dilnawaz A. SiddiquiInternational Institute of Islamic ThoughtarticleIslamBP1-253ENAmerican Journal of Islam and Society, Vol 13, Iss 1 (1996) |
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DOAJ |
| collection |
DOAJ |
| language |
EN |
| topic |
Islam BP1-253 |
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Islam BP1-253 Dilnawaz A. Siddiqui Popular Culture in the Muslim World |
| description |
Popular Culture in Medieval Cairo. By Boaz Shoshan. Cambridge, UK and
New York Press Syndicate of the University of Cambridge, 1993.148 pp.
Struggle and Survival in the Modern Middle East. By Edmund Burke, III
(ed.). Berkeley, CA: University of California Press, 1993,400 pp.
Living Islam: From Samarkand to Stornoway. By Akbar Ahmed. New
York: Facts on File, Inc., 1994.224 pp.
One of the many expressions of the postmodernist revolt against the
modernist western establishment is said to be its popular culture. The theoretical
literature produced across this cultural divide often characterizes it
in terms of two extremes: as a supreme expression of the true aspirations of
the heretofore underprivileged masses or as a weapon in the hands of the
traditionally powerful political, social, and economic elites. The latter use
it as a tool with which to manipulate the masses for their own respective
agendas. A constant refrain of Hitler invoking Nazi supremacy over all
humanity, as well as our own self-serving politicians doing their own thing
in the name of the “intelligent and well-informed will of the American people,”
are only two of many examples of this instrument’s ubiquitous use.
The Multiple Uses of Popular Culture
The vast grey area between these two margins includes umpteen other
descriptions of popular culture, such as real “texture of our environment”
and “adjustive syndrome,” and Matthew Arnold’s “heedless democratization.”
In addition, there are such definitions as “banality” (Elliot), “reduction
of the individual to basic instincts,” “titillation of the superficial senses”
(Whitman), and “an expression denied by persistent puritanism and bourgeois
power” (Marx). Leavis also joined Arnold and Elliot in resisting the
popular resistance to “authority” found in traditional culture ...
|
| format |
article |
| author |
Dilnawaz A. Siddiqui |
| author_facet |
Dilnawaz A. Siddiqui |
| author_sort |
Dilnawaz A. Siddiqui |
| title |
Popular Culture in the Muslim World |
| title_short |
Popular Culture in the Muslim World |
| title_full |
Popular Culture in the Muslim World |
| title_fullStr |
Popular Culture in the Muslim World |
| title_full_unstemmed |
Popular Culture in the Muslim World |
| title_sort |
popular culture in the muslim world |
| publisher |
International Institute of Islamic Thought |
| publishDate |
1996 |
| url |
https://doaj.org/article/75c7a5dd1a024918a6c491147b89e2e4 |
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AT dilnawazasiddiqui popularcultureinthemuslimworld |
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