"Seguir ardiendo y no sentir el mal": un acercamiento a la poética de Gaspara Stampa

"Seguir ardiendo y no sentir el mal": un acercamiento a la poética de Gaspara Stampa

This article carries out a metapoetic reading of Gaspara Stampa’s Rime, one of the most important voices in sixteenth-century Venetian manierism. This interpretation of his love songs allows us to question some of the analytical topics which, at least from the Romantic period, have determined Stampa...

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Autor principal: María do Cebreiro Rábade Villar
Formato: article
Lenguaje:CA
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Publicado: Universitat de Barcelona 2010
Materias:
Women. Feminism
HQ1101-2030.7
Acceso en línea:https://doaj.org/article/76180127c4aa41d68c59704000f1f945
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spelling oai:doaj.org-article:76180127c4aa41d68c59704000f1f9452021-12-02T19:42:38Z"Seguir ardiendo y no sentir el mal": un acercamiento a la poética de Gaspara Stampa1136-57812013-9470https://doaj.org/article/76180127c4aa41d68c59704000f1f9452010-07-01T00:00:00Zhttp://revistes.ub.edu/index.php/lectora/article/view/6552https://doaj.org/toc/1136-5781https://doaj.org/toc/2013-9470This article carries out a metapoetic reading of Gaspara Stampa’s Rime, one of the most important voices in sixteenth-century Venetian manierism. This interpretation of his love songs allows us to question some of the analytical topics which, at least from the Romantic period, have determined Stampa’s critical reception, and which, in being projected onto female writing, acquire new shades of meaning, open to questioning to a great extent. The Rime present an ambiguous and complex poetry, because in them (sexual) gender becomes (anti)Petrarchal genre. The authoress’ voice “arde sin sentir el mal” [“burns without pain”], like the voices of those women who dare say anything between one line and another, because they have nothing to lose.María do Cebreiro Rábade VillarUniversitat de BarcelonaarticleWomen. FeminismHQ1101-2030.7CAENESEUFRGLITPTLectora: Revista de Dones i Textualitat, Iss 8 (2010)
institution DOAJ
collection DOAJ
language CA
EN
ES
EU
FR
GL
IT
PT
topic Women. Feminism
HQ1101-2030.7
spellingShingle Women. Feminism
HQ1101-2030.7
María do Cebreiro Rábade Villar
"Seguir ardiendo y no sentir el mal": un acercamiento a la poética de Gaspara Stampa
description This article carries out a metapoetic reading of Gaspara Stampa’s Rime, one of the most important voices in sixteenth-century Venetian manierism. This interpretation of his love songs allows us to question some of the analytical topics which, at least from the Romantic period, have determined Stampa’s critical reception, and which, in being projected onto female writing, acquire new shades of meaning, open to questioning to a great extent. The Rime present an ambiguous and complex poetry, because in them (sexual) gender becomes (anti)Petrarchal genre. The authoress’ voice “arde sin sentir el mal” [“burns without pain”], like the voices of those women who dare say anything between one line and another, because they have nothing to lose.
format article
author María do Cebreiro Rábade Villar
author_facet María do Cebreiro Rábade Villar
author_sort María do Cebreiro Rábade Villar
title "Seguir ardiendo y no sentir el mal": un acercamiento a la poética de Gaspara Stampa
title_short "Seguir ardiendo y no sentir el mal": un acercamiento a la poética de Gaspara Stampa
title_full "Seguir ardiendo y no sentir el mal": un acercamiento a la poética de Gaspara Stampa
title_fullStr "Seguir ardiendo y no sentir el mal": un acercamiento a la poética de Gaspara Stampa
title_full_unstemmed "Seguir ardiendo y no sentir el mal": un acercamiento a la poética de Gaspara Stampa
title_sort "seguir ardiendo y no sentir el mal": un acercamiento a la poética de gaspara stampa
publisher Universitat de Barcelona
publishDate 2010
url https://doaj.org/article/76180127c4aa41d68c59704000f1f945
work_keys_str_mv AT mariadocebreirorabadevillar seguirardiendoynosentirelmalunacercamientoalapoeticadegasparastampa
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