“Russian poetry mechanism” in the context of historical poetics

The article is a detailed commentary on the expression “Russian poetry mechanism” used by A.S. Pushkin in “Eugene Onegin”. Basing on works of predecessors (V.S. Baevsky, S.I. Panov), the author denotes the genesis and semantics of this expression in the context of historical poetics. The field of it...

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Autor principal:	Sergey Nikolaev
Formato:	article
Lenguaje:	EN RU
Publicado:	Russian Academy of Sciences. A.M. Gorky Institute of World Literature 2019
Materias:	alexander pushkin “eugene onegin” metaphor author’s identity Literature (General) PN1-6790 Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/7676c3b1b25d43a1b066996e9ce93f7d
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id	oai:doaj.org-article:7676c3b1b25d43a1b066996e9ce93f7d
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spelling	oai:doaj.org-article:7676c3b1b25d43a1b066996e9ce93f7d2021-11-23T12:38:22Z“Russian poetry mechanism” in the context of historical poetics10.22455/2541-8297-2019-14-269-2812541-82972542-2421https://doaj.org/article/7676c3b1b25d43a1b066996e9ce93f7d2019-12-01T00:00:00Zhttp://litfact.ru/images/2019-14/LF-2019-4-14_269-281_Nikolaev.pdfhttps://doaj.org/toc/2541-8297https://doaj.org/toc/2542-2421The article is a detailed commentary on the expression “Russian poetry mechanism” used by A.S. Pushkin in “Eugene Onegin”. Basing on works of predecessors (V.S. Baevsky, S.I. Panov), the author denotes the genesis and semantics of this expression in the context of historical poetics. The field of its application in Russian literature of the early 19th century — lyrical and dramatic work — is revealed. As one of the first examples where the expression appears, a poem by Euthymius Chudovsky (17th century) is given. The formation of the metaphor of a clock as a model of the world’s structure, and then of God as a great watchmaker, in the Western European tradition is dated by this period. On the basis of texts by Euthymius Chudovsky and Simeon Polotsky, it is concluded that works of Moscow scribes can be included in the context of pan-European discussions of this period. Antique sources of the metaphor in question are indicated on the material of translations-transcriptions by А. Kantemir and V. Trediakovsky. In conclusion, the author connects the formation and development of the metaphor of creativity as a “mechanism” with a complex process of developing a new type of author’s identity in Russian literature of the 17th–18th centuries. In the literary culture of the New Age, the writer arranges the words at his own discretion, creating the work as a complex verbal mechanism, the work of which depends only on the inventiveness of the author.Sergey NikolaevRussian Academy of Sciences. A.M. Gorky Institute of World Literaturearticlealexander pushkin“eugene onegin”metaphorauthor’s identityLiterature (General)PN1-6790Slavic languages. Baltic languages. Albanian languagesPG1-9665ENRUЛитературный факт, Iss 4 (14), Pp 269-281 (2019)
institution	DOAJ
collection	DOAJ
language	EN RU
topic	alexander pushkin “eugene onegin” metaphor author’s identity Literature (General) PN1-6790 Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	alexander pushkin “eugene onegin” metaphor author’s identity Literature (General) PN1-6790 Slavic languages. Baltic languages. Albanian languages PG1-9665 Sergey Nikolaev “Russian poetry mechanism” in the context of historical poetics
description	The article is a detailed commentary on the expression “Russian poetry mechanism” used by A.S. Pushkin in “Eugene Onegin”. Basing on works of predecessors (V.S. Baevsky, S.I. Panov), the author denotes the genesis and semantics of this expression in the context of historical poetics. The field of its application in Russian literature of the early 19th century — lyrical and dramatic work — is revealed. As one of the first examples where the expression appears, a poem by Euthymius Chudovsky (17th century) is given. The formation of the metaphor of a clock as a model of the world’s structure, and then of God as a great watchmaker, in the Western European tradition is dated by this period. On the basis of texts by Euthymius Chudovsky and Simeon Polotsky, it is concluded that works of Moscow scribes can be included in the context of pan-European discussions of this period. Antique sources of the metaphor in question are indicated on the material of translations-transcriptions by А. Kantemir and V. Trediakovsky. In conclusion, the author connects the formation and development of the metaphor of creativity as a “mechanism” with a complex process of developing a new type of author’s identity in Russian literature of the 17th–18th centuries. In the literary culture of the New Age, the writer arranges the words at his own discretion, creating the work as a complex verbal mechanism, the work of which depends only on the inventiveness of the author.
format	article
author	Sergey Nikolaev
author_facet	Sergey Nikolaev
author_sort	Sergey Nikolaev
title	“Russian poetry mechanism” in the context of historical poetics
title_short	“Russian poetry mechanism” in the context of historical poetics
title_full	“Russian poetry mechanism” in the context of historical poetics
title_fullStr	“Russian poetry mechanism” in the context of historical poetics
title_full_unstemmed	“Russian poetry mechanism” in the context of historical poetics
title_sort	“russian poetry mechanism” in the context of historical poetics
publisher	Russian Academy of Sciences. A.M. Gorky Institute of World Literature
publishDate	2019
url	https://doaj.org/article/7676c3b1b25d43a1b066996e9ce93f7d
work_keys_str_mv	AT sergeynikolaev russianpoetrymechanisminthecontextofhistoricalpoetics
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“Russian poetry mechanism” in the context of historical poetics

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