Tensiones entre arte / política en la Asociación Arte Concreto Invención. Entre el comunismo, el peronismo y el diseño
This excerpt corresponds to the penultimate chapter of my thesis. There, I present a study of the genealogy of the Argentine concrete art: their denied and trudge referents, the tradition from which artists make their aesthetic proposal, the original form that retrieves the inheritance of the Soviet...
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| Formato: | article |
| Lenguaje: | EN FR PT |
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Centre de Recherches sur les Mondes Américains
2012
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| Acceso en línea: | https://doaj.org/article/76922cca05e141eea2b895b79cffe31b |
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| Sumario: | This excerpt corresponds to the penultimate chapter of my thesis. There, I present a study of the genealogy of the Argentine concrete art: their denied and trudge referents, the tradition from which artists make their aesthetic proposal, the original form that retrieves the inheritance of the Soviet avant-garde and the close connection, almost always minimized, between the latter and the aesthetic-political program of the Argentine concretism. Also I discuss the dissolution of the Art Concrete Invention Association and the particular trajectory of Tomás Maldonado, who begins to be interested in new disciplines outside the art field and develop a series of reflections and undertakings of utmost importance for the development of design in our country from the year 1948. |
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