O Teatro Efémero na América Portuguesa: do teatro do Siglo de Oro ao teatro “ao gosto português”

The theatrical activity developed in Portuguese America during the 18th century can be divided into three categories: the Jesuits theatre, performed in churches, colleges and villages with the goal of converting native Indians to the Christian faith and reinforcing the faith of those already baptize...

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Autor principal:	Rosana Marreco Brescia
Formato:	article
Lenguaje:	EN FR PT
Publicado:	Centre de Recherches sur les Mondes Américains 2010
Materias:	ephemeral theatres opera portuguese America public festivities spanish theatre Anthropology GN1-890 Latin America. Spanish America F1201-3799
Acceso en línea:	https://doaj.org/article/7778b9bbe9374fc18d521024b0ba8509
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id	oai:doaj.org-article:7778b9bbe9374fc18d521024b0ba8509
record_format	dspace
spelling	oai:doaj.org-article:7778b9bbe9374fc18d521024b0ba85092021-12-02T10:39:44ZO Teatro Efémero na América Portuguesa: do teatro do Siglo de Oro ao teatro “ao gosto português”1626-025210.4000/nuevomundo.60143https://doaj.org/article/7778b9bbe9374fc18d521024b0ba85092010-11-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/60143https://doaj.org/toc/1626-0252The theatrical activity developed in Portuguese America during the 18th century can be divided into three categories: the Jesuits theatre, performed in churches, colleges and villages with the goal of converting native Indians to the Christian faith and reinforcing the faith of those already baptized; the theatre performed in permanent opera houses built in Portuguese America from 1719 and used for the purposes of financial gain by theatrical impresarios; and theatre performed in ephemeral stages built in public squares to celebrate the most important events related to the Kingdom, such as those concerning the private life of the royal family or relevant political events. These three categories of dramatic performance are distinct from one another in the way the performances were organized, the actors who were engaged, the public these theatrical works targeted and the desired objective of the performance. This article intends to approach the ephemeral theatre performed in Portuguese America, especially in the 18th century, with an emphasis on the repertoire performed and the artists engaged in these performances through the study of the panegyrics printed in Lisbon throughout the century.Rosana Marreco BresciaCentre de Recherches sur les Mondes Américainsarticleephemeral theatresoperaportuguese Americapublic festivitiesspanish theatreAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2010)
institution	DOAJ
collection	DOAJ
language	EN FR PT
topic	ephemeral theatres opera portuguese America public festivities spanish theatre Anthropology GN1-890 Latin America. Spanish America F1201-3799
spellingShingle	ephemeral theatres opera portuguese America public festivities spanish theatre Anthropology GN1-890 Latin America. Spanish America F1201-3799 Rosana Marreco Brescia O Teatro Efémero na América Portuguesa: do teatro do Siglo de Oro ao teatro “ao gosto português”
description	The theatrical activity developed in Portuguese America during the 18th century can be divided into three categories: the Jesuits theatre, performed in churches, colleges and villages with the goal of converting native Indians to the Christian faith and reinforcing the faith of those already baptized; the theatre performed in permanent opera houses built in Portuguese America from 1719 and used for the purposes of financial gain by theatrical impresarios; and theatre performed in ephemeral stages built in public squares to celebrate the most important events related to the Kingdom, such as those concerning the private life of the royal family or relevant political events. These three categories of dramatic performance are distinct from one another in the way the performances were organized, the actors who were engaged, the public these theatrical works targeted and the desired objective of the performance. This article intends to approach the ephemeral theatre performed in Portuguese America, especially in the 18th century, with an emphasis on the repertoire performed and the artists engaged in these performances through the study of the panegyrics printed in Lisbon throughout the century.
format	article
author	Rosana Marreco Brescia
author_facet	Rosana Marreco Brescia
author_sort	Rosana Marreco Brescia
title	O Teatro Efémero na América Portuguesa: do teatro do Siglo de Oro ao teatro “ao gosto português”
title_short	O Teatro Efémero na América Portuguesa: do teatro do Siglo de Oro ao teatro “ao gosto português”
title_full	O Teatro Efémero na América Portuguesa: do teatro do Siglo de Oro ao teatro “ao gosto português”
title_fullStr	O Teatro Efémero na América Portuguesa: do teatro do Siglo de Oro ao teatro “ao gosto português”
title_full_unstemmed	O Teatro Efémero na América Portuguesa: do teatro do Siglo de Oro ao teatro “ao gosto português”
title_sort	o teatro efémero na américa portuguesa: do teatro do siglo de oro ao teatro “ao gosto português”
publisher	Centre de Recherches sur les Mondes Américains
publishDate	2010
url	https://doaj.org/article/7778b9bbe9374fc18d521024b0ba8509
work_keys_str_mv	AT rosanamarrecobrescia oteatroefemeronaamericaportuguesadoteatrodosiglodeoroaoteatroaogostoportugues
_version_	1718396885727707136

O Teatro Efémero na América Portuguesa: do teatro do Siglo de Oro ao teatro “ao gosto português”

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