Política, representación fílmica y discurso. Diálogos (y más diálogos) en torno del film Now, de Santiago Álvarez
Political intervention in the field of art seems to have found in the twentieth century a privileged way in the form of documentary film. This encounter between art and politics is an expression of a way of interpretation-action of the reality. This statement invites the abandonment of any perspecti...
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| Formato: | article |
| Lenguaje: | EN FR PT |
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Centre de Recherches sur les Mondes Américains
2014
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| Acceso en línea: | https://doaj.org/article/785816b11106463fb1bed37a9692c062 |
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| Sumario: | Political intervention in the field of art seems to have found in the twentieth century a privileged way in the form of documentary film. This encounter between art and politics is an expression of a way of interpretation-action of the reality. This statement invites the abandonment of any perspective of realistic representation. But also invites to think about the forms of subjectivity that involves both the author´s perspective as well as the excesses of meaning and re-actualizations which can be woven around a film in the light of new scenarios, new subjects. Almost half a century after its premiere, Now (S. Alvarez, 1965) is a text which, for their expressive strategies and the thickness of its subject, allows to put into play in a particular way some of these issues. |
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