Screaming through the century: The female voice as cathartic/transformative force, from Berg's Lulu to Tykwer's Run Lola Run
Alban Berg's opera Lulu, dating from the early part of the twentieth century, and Tom Tykwer's film from the end of the century, Lola rennt, (known to English-speaking audiences as Run Lola Run), have one striking feature in common: both culminate in an ear-splitting scream. At first glanc...
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| Formato: | article |
| Lenguaje: | EN |
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University of Edinburgh
2006
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| Acceso en línea: | https://doaj.org/article/789629a8d4ed41c096d3c274a353de9a |
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