L’odyssée africaine d’un cordophone rudimentaire, le « luth à pique intérieure »
In the so-called « innerspike lute », the handle is fixed to the resonance chamber in a specific way. It does not cross the resonance chamber the whole way through, but it stops at the level of a hole in the skin covering the chamber. From there, the strings stretch to the other end of the handle, w...
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2011
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oai:doaj.org-article:78f69ad24c944ec2aa9084d6077b69122021-12-02T10:47:56ZL’odyssée africaine d’un cordophone rudimentaire, le « luth à pique intérieure »2431-204510.4000/aaa.625https://doaj.org/article/78f69ad24c944ec2aa9084d6077b69122011-12-01T00:00:00Zhttp://journals.openedition.org/aaa/625https://doaj.org/toc/2431-2045In the so-called « innerspike lute », the handle is fixed to the resonance chamber in a specific way. It does not cross the resonance chamber the whole way through, but it stops at the level of a hole in the skin covering the chamber. From there, the strings stretch to the other end of the handle, where they are tied with straps. Data and hypotheses are presented over these most likely very old African lutes. Depending on the shape of the bridge, a fan or a cylinder, one can divide these lutes in two different types. Their contemporary geographical distribution is different, which leads to new assumptions as to the origin and dissemination of these instruments, as compared with the harp and lyre.Catherine BaroinOpenEditionarticleorganologychordophonesluteharplyreloanArchaeologyCC1-960History of the artsNX440-632ENFRAfrique Archéologie Arts, Vol 7, Pp 55-72 (2011) |
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DOAJ |
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DOAJ |
| language |
EN FR |
| topic |
organology chordophones lute harp lyre loan Archaeology CC1-960 History of the arts NX440-632 |
| spellingShingle |
organology chordophones lute harp lyre loan Archaeology CC1-960 History of the arts NX440-632 Catherine Baroin L’odyssée africaine d’un cordophone rudimentaire, le « luth à pique intérieure » |
| description |
In the so-called « innerspike lute », the handle is fixed to the resonance chamber in a specific way. It does not cross the resonance chamber the whole way through, but it stops at the level of a hole in the skin covering the chamber. From there, the strings stretch to the other end of the handle, where they are tied with straps. Data and hypotheses are presented over these most likely very old African lutes. Depending on the shape of the bridge, a fan or a cylinder, one can divide these lutes in two different types. Their contemporary geographical distribution is different, which leads to new assumptions as to the origin and dissemination of these instruments, as compared with the harp and lyre. |
| format |
article |
| author |
Catherine Baroin |
| author_facet |
Catherine Baroin |
| author_sort |
Catherine Baroin |
| title |
L’odyssée africaine d’un cordophone rudimentaire, le « luth à pique intérieure » |
| title_short |
L’odyssée africaine d’un cordophone rudimentaire, le « luth à pique intérieure » |
| title_full |
L’odyssée africaine d’un cordophone rudimentaire, le « luth à pique intérieure » |
| title_fullStr |
L’odyssée africaine d’un cordophone rudimentaire, le « luth à pique intérieure » |
| title_full_unstemmed |
L’odyssée africaine d’un cordophone rudimentaire, le « luth à pique intérieure » |
| title_sort |
l’odyssée africaine d’un cordophone rudimentaire, le « luth à pique intérieure » |
| publisher |
OpenEdition |
| publishDate |
2011 |
| url |
https://doaj.org/article/78f69ad24c944ec2aa9084d6077b6912 |
| work_keys_str_mv |
AT catherinebaroin lodysseeafricaineduncordophonerudimentaireleluthapiqueinterieure |
| _version_ |
1718396718810136576 |