The night watch: Filipino TV journalists and Oplan Tokhang

Filipino journalists covering the graveyard shift were the first recorders of violence and brutality under Philippine President Duterte’s anti-illegal drugs campaign. The first phase in 2016, called Oplan Tokhang, was executed ruthlessly and relentlessly. This study aims to explore how graveyard-sh...

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Autor principal: Mariquit Almario-Gonzalez
Formato: article
Lenguaje:EN
Publicado: Asia Pacific Network 2018
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Acceso en línea:https://doaj.org/article/790e2913eee247658fa1a4487bafc61e
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spelling oai:doaj.org-article:790e2913eee247658fa1a4487bafc61e2021-12-02T12:50:19ZThe night watch: Filipino TV journalists and Oplan Tokhang10.24135/pjr.v24i2.4501023-94992324-2035https://doaj.org/article/790e2913eee247658fa1a4487bafc61e2018-11-01T00:00:00Zhttps://ojs.aut.ac.nz/pacific-journalism-review/article/view/450https://doaj.org/toc/1023-9499https://doaj.org/toc/2324-2035 Filipino journalists covering the graveyard shift were the first recorders of violence and brutality under Philippine President Duterte’s anti-illegal drugs campaign. The first phase in 2016, called Oplan Tokhang, was executed ruthlessly and relentlessly. This study aims to explore how graveyard-shift TV journalists experienced covering Oplan Tokhang. The intention is to get a deeper understanding of how the experience impacted on the way they reported on the Oplan Tokhang stories. To get the essence of the Oplan Tokhang coverage experience, the study used a phenomenological research approach. Four graveyard-shift TV journalists agreed to face-to-face in-depth interviews. The participants came from major TV networks in the Philippines. Analysis of the results was framed within the lens of symbolic interactionism and discussions of past literature. The study presented constructed realities of four television journalists who described their nightly struggles to perform their duties, surrounded by a climate of death and suffering, in the violent world of Oplan Tokhang. Four themes emerged describing the experience: a) A ‘horror fest’ of violence, brutality and suffering; b) A constrained and controlled coverage; c) Objectivity and the truth; and d) Post-mortem: Falling short of fulfilling journalistic duties. These themes revealed ethical dilemmas encountered by the television journalists. They faced realities of intimidation and threat, resorting to self-censorship. Repeated exposure to violence desensitised the television journalists. The rush to meet nightly deadlines resulted in simplified treatment of stories, missing the context of the issue. In reflection, the TV journalists realised they fell short in fulfilling the journalist’s obligation to search for the truth and to report it. Mariquit Almario-GonzalezAsia Pacific NetworkarticleDuterte's war on drugsgraveyard-shift newsintimidationjournalism ethicsjournalism traumamedia harassmentCommunication. Mass mediaP87-96Journalism. The periodical press, etc.PN4699-5650ENPacific Journalism Review, Vol 24, Iss 2 (2018)
institution DOAJ
collection DOAJ
language EN
topic Duterte's war on drugs
graveyard-shift news
intimidation
journalism ethics
journalism trauma
media harassment
Communication. Mass media
P87-96
Journalism. The periodical press, etc.
PN4699-5650
spellingShingle Duterte's war on drugs
graveyard-shift news
intimidation
journalism ethics
journalism trauma
media harassment
Communication. Mass media
P87-96
Journalism. The periodical press, etc.
PN4699-5650
Mariquit Almario-Gonzalez
The night watch: Filipino TV journalists and Oplan Tokhang
description Filipino journalists covering the graveyard shift were the first recorders of violence and brutality under Philippine President Duterte’s anti-illegal drugs campaign. The first phase in 2016, called Oplan Tokhang, was executed ruthlessly and relentlessly. This study aims to explore how graveyard-shift TV journalists experienced covering Oplan Tokhang. The intention is to get a deeper understanding of how the experience impacted on the way they reported on the Oplan Tokhang stories. To get the essence of the Oplan Tokhang coverage experience, the study used a phenomenological research approach. Four graveyard-shift TV journalists agreed to face-to-face in-depth interviews. The participants came from major TV networks in the Philippines. Analysis of the results was framed within the lens of symbolic interactionism and discussions of past literature. The study presented constructed realities of four television journalists who described their nightly struggles to perform their duties, surrounded by a climate of death and suffering, in the violent world of Oplan Tokhang. Four themes emerged describing the experience: a) A ‘horror fest’ of violence, brutality and suffering; b) A constrained and controlled coverage; c) Objectivity and the truth; and d) Post-mortem: Falling short of fulfilling journalistic duties. These themes revealed ethical dilemmas encountered by the television journalists. They faced realities of intimidation and threat, resorting to self-censorship. Repeated exposure to violence desensitised the television journalists. The rush to meet nightly deadlines resulted in simplified treatment of stories, missing the context of the issue. In reflection, the TV journalists realised they fell short in fulfilling the journalist’s obligation to search for the truth and to report it.
format article
author Mariquit Almario-Gonzalez
author_facet Mariquit Almario-Gonzalez
author_sort Mariquit Almario-Gonzalez
title The night watch: Filipino TV journalists and Oplan Tokhang
title_short The night watch: Filipino TV journalists and Oplan Tokhang
title_full The night watch: Filipino TV journalists and Oplan Tokhang
title_fullStr The night watch: Filipino TV journalists and Oplan Tokhang
title_full_unstemmed The night watch: Filipino TV journalists and Oplan Tokhang
title_sort night watch: filipino tv journalists and oplan tokhang
publisher Asia Pacific Network
publishDate 2018
url https://doaj.org/article/790e2913eee247658fa1a4487bafc61e
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