Post-Disaster Memoryscapes
This essay enters the Covid-19 pandemic activated discourse in a sympoietic manner by drawing parallels to the architectural response to the 3.11 Disaster in Tohoku, Japan as a lens to reflect on architecture’s broader response-ability towards matters of human displacement, collective trauma, loss,...
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Rosenberg & Sellier
2021
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oai:doaj.org-article:7a1a4b914a9340cc9fe95b1ff87db9072021-12-02T10:08:14ZPost-Disaster Memoryscapes2532-64572611-934Xhttps://doaj.org/article/7a1a4b914a9340cc9fe95b1ff87db9072021-11-01T00:00:00Zhttp://journals.openedition.org/ardeth/2299https://doaj.org/toc/2532-6457https://doaj.org/toc/2611-934XThis essay enters the Covid-19 pandemic activated discourse in a sympoietic manner by drawing parallels to the architectural response to the 3.11 Disaster in Tohoku, Japan as a lens to reflect on architecture’s broader response-ability towards matters of human displacement, collective trauma, loss, and memory. It explores the notion of burn-out through the scope of disaster-stricken Japan and the road towards recovery by examining three cases of architectural and curatorial projects to illustrate architectural skills and media – drawing, model-making and fieldwork. All of them were characteristically deployed and instigated community transformation through conversational platforms and trust-building. These platforms are referred to as post-disaster memoryscapes, to illustrate the result of fusing community collaboration with architectural mediums in a distinct ethnographical mode capable of reconciling past, present and future. The paper argues that such ethnographical modes of operating expand architecture’s role from a limited sense of building (re)construction, towards the Harawayian notion of sympoietic caring.Anastasia GkoliomytiYoshiharu TsukamotoRosenberg & Sellierarticle3.11 disastercarecovid-19JapanArts in generalNX1-820ENITArdeth, Vol 8, Pp 77-95 (2021) |
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3.11 disaster care covid-19 Japan Arts in general NX1-820 |
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3.11 disaster care covid-19 Japan Arts in general NX1-820 Anastasia Gkoliomyti Yoshiharu Tsukamoto Post-Disaster Memoryscapes |
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This essay enters the Covid-19 pandemic activated discourse in a sympoietic manner by drawing parallels to the architectural response to the 3.11 Disaster in Tohoku, Japan as a lens to reflect on architecture’s broader response-ability towards matters of human displacement, collective trauma, loss, and memory. It explores the notion of burn-out through the scope of disaster-stricken Japan and the road towards recovery by examining three cases of architectural and curatorial projects to illustrate architectural skills and media – drawing, model-making and fieldwork. All of them were characteristically deployed and instigated community transformation through conversational platforms and trust-building. These platforms are referred to as post-disaster memoryscapes, to illustrate the result of fusing community collaboration with architectural mediums in a distinct ethnographical mode capable of reconciling past, present and future. The paper argues that such ethnographical modes of operating expand architecture’s role from a limited sense of building (re)construction, towards the Harawayian notion of sympoietic caring. |
format |
article |
author |
Anastasia Gkoliomyti Yoshiharu Tsukamoto |
author_facet |
Anastasia Gkoliomyti Yoshiharu Tsukamoto |
author_sort |
Anastasia Gkoliomyti |
title |
Post-Disaster Memoryscapes |
title_short |
Post-Disaster Memoryscapes |
title_full |
Post-Disaster Memoryscapes |
title_fullStr |
Post-Disaster Memoryscapes |
title_full_unstemmed |
Post-Disaster Memoryscapes |
title_sort |
post-disaster memoryscapes |
publisher |
Rosenberg & Sellier |
publishDate |
2021 |
url |
https://doaj.org/article/7a1a4b914a9340cc9fe95b1ff87db907 |
work_keys_str_mv |
AT anastasiagkoliomyti postdisastermemoryscapes AT yoshiharutsukamoto postdisastermemoryscapes |
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1718397643497930752 |