Memoria y muerte. La dictadura de Pinochet en las películas de Pablo Larraín: Tony Manero (2007) y Post Mortem (2010)
The hegemonic memory of the seizure of power in Chile by the rebellion of General Augusto Pinochet, manifests a symmetrical ambivalent vision that supports the continuity under democracy of the neoliberal project imposed by the dictatorship. The films of Pablo Larraín, Tony Manero (2007) and Post Mo...
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Centre de Recherches sur les Mondes Américains
2012
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oai:doaj.org-article:7a33400acd2445b096f925f3a7b2d1b62021-12-02T10:38:31ZMemoria y muerte. La dictadura de Pinochet en las películas de Pablo Larraín: Tony Manero (2007) y Post Mortem (2010)1626-025210.4000/nuevomundo.62884https://doaj.org/article/7a33400acd2445b096f925f3a7b2d1b62012-03-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/62884https://doaj.org/toc/1626-0252The hegemonic memory of the seizure of power in Chile by the rebellion of General Augusto Pinochet, manifests a symmetrical ambivalent vision that supports the continuity under democracy of the neoliberal project imposed by the dictatorship. The films of Pablo Larraín, Tony Manero (2007) and Post Mortem (2010), well received by critics and international festivals, did not had a public success in Chile. Despite they are consistent with the hegemonic discourse about memory, both violate the inclination to oblivion violence prioritized by it.Tzvi TalCentre de Recherches sur les Mondes Américainsarticle21th centuryChilecinemademocracymemorytransitionAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2012) |
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21th century Chile cinema democracy memory transition Anthropology GN1-890 Latin America. Spanish America F1201-3799 |
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21th century Chile cinema democracy memory transition Anthropology GN1-890 Latin America. Spanish America F1201-3799 Tzvi Tal Memoria y muerte. La dictadura de Pinochet en las películas de Pablo Larraín: Tony Manero (2007) y Post Mortem (2010) |
description |
The hegemonic memory of the seizure of power in Chile by the rebellion of General Augusto Pinochet, manifests a symmetrical ambivalent vision that supports the continuity under democracy of the neoliberal project imposed by the dictatorship. The films of Pablo Larraín, Tony Manero (2007) and Post Mortem (2010), well received by critics and international festivals, did not had a public success in Chile. Despite they are consistent with the hegemonic discourse about memory, both violate the inclination to oblivion violence prioritized by it. |
format |
article |
author |
Tzvi Tal |
author_facet |
Tzvi Tal |
author_sort |
Tzvi Tal |
title |
Memoria y muerte. La dictadura de Pinochet en las películas de Pablo Larraín: Tony Manero (2007) y Post Mortem (2010) |
title_short |
Memoria y muerte. La dictadura de Pinochet en las películas de Pablo Larraín: Tony Manero (2007) y Post Mortem (2010) |
title_full |
Memoria y muerte. La dictadura de Pinochet en las películas de Pablo Larraín: Tony Manero (2007) y Post Mortem (2010) |
title_fullStr |
Memoria y muerte. La dictadura de Pinochet en las películas de Pablo Larraín: Tony Manero (2007) y Post Mortem (2010) |
title_full_unstemmed |
Memoria y muerte. La dictadura de Pinochet en las películas de Pablo Larraín: Tony Manero (2007) y Post Mortem (2010) |
title_sort |
memoria y muerte. la dictadura de pinochet en las películas de pablo larraín: tony manero (2007) y post mortem (2010) |
publisher |
Centre de Recherches sur les Mondes Américains |
publishDate |
2012 |
url |
https://doaj.org/article/7a33400acd2445b096f925f3a7b2d1b6 |
work_keys_str_mv |
AT tzvital memoriaymuerteladictaduradepinochetenlaspeliculasdepablolarraintonymanero2007ypostmortem2010 |
_version_ |
1718396887152721920 |