Memoria y muerte. La dictadura de Pinochet en las películas de Pablo Larraín: Tony Manero (2007) y Post Mortem (2010)

The hegemonic memory of the seizure of power in Chile by the rebellion of General Augusto Pinochet, manifests a symmetrical ambivalent vision that supports the continuity under democracy of the neoliberal project imposed by the dictatorship. The films of Pablo Larraín, Tony Manero (2007) and Post Mo...

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Auteur principal:	Tzvi Tal
Format:	article
Langue:	EN FR PT
Publié:	Centre de Recherches sur les Mondes Américains 2012
Sujets:	21th century Chile cinema democracy memory transition Anthropology GN1-890 Latin America. Spanish America F1201-3799
Accès en ligne:	https://doaj.org/article/7a33400acd2445b096f925f3a7b2d1b6
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id	oai:doaj.org-article:7a33400acd2445b096f925f3a7b2d1b6
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spelling	oai:doaj.org-article:7a33400acd2445b096f925f3a7b2d1b62021-12-02T10:38:31ZMemoria y muerte. La dictadura de Pinochet en las películas de Pablo Larraín: Tony Manero (2007) y Post Mortem (2010)1626-025210.4000/nuevomundo.62884https://doaj.org/article/7a33400acd2445b096f925f3a7b2d1b62012-03-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/62884https://doaj.org/toc/1626-0252The hegemonic memory of the seizure of power in Chile by the rebellion of General Augusto Pinochet, manifests a symmetrical ambivalent vision that supports the continuity under democracy of the neoliberal project imposed by the dictatorship. The films of Pablo Larraín, Tony Manero (2007) and Post Mortem (2010), well received by critics and international festivals, did not had a public success in Chile. Despite they are consistent with the hegemonic discourse about memory, both violate the inclination to oblivion violence prioritized by it.Tzvi TalCentre de Recherches sur les Mondes Américainsarticle21th centuryChilecinemademocracymemorytransitionAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2012)
institution	DOAJ
collection	DOAJ
language	EN FR PT
topic	21th century Chile cinema democracy memory transition Anthropology GN1-890 Latin America. Spanish America F1201-3799
spellingShingle	21th century Chile cinema democracy memory transition Anthropology GN1-890 Latin America. Spanish America F1201-3799 Tzvi Tal Memoria y muerte. La dictadura de Pinochet en las películas de Pablo Larraín: Tony Manero (2007) y Post Mortem (2010)
description	The hegemonic memory of the seizure of power in Chile by the rebellion of General Augusto Pinochet, manifests a symmetrical ambivalent vision that supports the continuity under democracy of the neoliberal project imposed by the dictatorship. The films of Pablo Larraín, Tony Manero (2007) and Post Mortem (2010), well received by critics and international festivals, did not had a public success in Chile. Despite they are consistent with the hegemonic discourse about memory, both violate the inclination to oblivion violence prioritized by it.
format	article
author	Tzvi Tal
author_facet	Tzvi Tal
author_sort	Tzvi Tal
title	Memoria y muerte. La dictadura de Pinochet en las películas de Pablo Larraín: Tony Manero (2007) y Post Mortem (2010)
title_short	Memoria y muerte. La dictadura de Pinochet en las películas de Pablo Larraín: Tony Manero (2007) y Post Mortem (2010)
title_full	Memoria y muerte. La dictadura de Pinochet en las películas de Pablo Larraín: Tony Manero (2007) y Post Mortem (2010)
title_fullStr	Memoria y muerte. La dictadura de Pinochet en las películas de Pablo Larraín: Tony Manero (2007) y Post Mortem (2010)
title_full_unstemmed	Memoria y muerte. La dictadura de Pinochet en las películas de Pablo Larraín: Tony Manero (2007) y Post Mortem (2010)
title_sort	memoria y muerte. la dictadura de pinochet en las películas de pablo larraín: tony manero (2007) y post mortem (2010)
publisher	Centre de Recherches sur les Mondes Américains
publishDate	2012
url	https://doaj.org/article/7a33400acd2445b096f925f3a7b2d1b6
work_keys_str_mv	AT tzvital memoriaymuerteladictaduradepinochetenlaspeliculasdepablolarraintonymanero2007ypostmortem2010
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Memoria y muerte. La dictadura de Pinochet en las películas de Pablo Larraín: Tony Manero (2007) y Post Mortem (2010)

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