From Book Poetry to Digital Poetry

In the article, I will discuss the relationship between ‘book poetry’ and ‘digital poetry.’ I examine the differences, as well as the similarities, between poetry as presented in these two media. Research on the transition from book poetry to digital poetry has mainly focussed on the significant cha...

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Autor principal:	Peter Stein Larsen
Formato:	article
Lenguaje:	DE EN
Publicado:	Universität Trier 2021
Materias:	digital poetry multimodality montage form network structure serial form apollinaire pound mallarmé eliot heldén Language and Literature P
Acceso en línea:	https://doaj.org/article/7a92d02a2df94ee980fa70427b4e049e
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spelling	oai:doaj.org-article:7a92d02a2df94ee980fa70427b4e049e2021-11-19T13:35:35ZFrom Book Poetry to Digital Poetry10.25353/ubtr-izfk-4732-aead2698-492X2698-4938https://doaj.org/article/7a92d02a2df94ee980fa70427b4e049e2021-04-01T00:00:00Zhttps://izfk.uni-trier.de/index.php/izfk/article/view/IZfK-Vol-2-From-Book-Poetry-to-Digital-Poetryhttps://doaj.org/toc/2698-492Xhttps://doaj.org/toc/2698-4938In the article, I will discuss the relationship between ‘book poetry’ and ‘digital poetry.’ I examine the differences, as well as the similarities, between poetry as presented in these two media. Research on the transition from book poetry to digital poetry has mainly focussed on the significant changes in genre and work con cepts as well as in the author and reader roles. However, several trends within the tradition of poetry have intensified and have further developed since the emergence of the digital media. The focus in this paper will thus be on four key features, which were founded in book poetry as far back as early Modernism and the avant-garde movements, but, to a great extent, those features have unfolded in digital poetry. The four features are the multimodality, the montage form, the network structure, and the serial form. The artistic opportunities offered by digital poetry are not only due to technological opportunities in the new media. Such opportunities are just as much due to the innovations in multimodality, montages, network structures, and seriality realized by avant-garde and symbolist poets like Mallarmé, Apollinaire, Schwitters, Eliot, and Pound in early modernism. My article concludes with an example of how the four features form the basis for a work of digital poetry, namely Johannes Heldén’s “The Primary Directive” (2008).Peter Stein LarsenUniversität Trierarticledigital poetrymultimodalitymontage formnetwork structureserial formapollinairepoundmallarméeliotheldénLanguage and LiteraturePDEENInternationale Zeitschrift für Kulturkomparatistik, Vol 2, Pp 227-247 (2021)
institution	DOAJ
collection	DOAJ
language	DE EN
topic	digital poetry multimodality montage form network structure serial form apollinaire pound mallarmé eliot heldén Language and Literature P
spellingShingle	digital poetry multimodality montage form network structure serial form apollinaire pound mallarmé eliot heldén Language and Literature P Peter Stein Larsen From Book Poetry to Digital Poetry
description	In the article, I will discuss the relationship between ‘book poetry’ and ‘digital poetry.’ I examine the differences, as well as the similarities, between poetry as presented in these two media. Research on the transition from book poetry to digital poetry has mainly focussed on the significant changes in genre and work con cepts as well as in the author and reader roles. However, several trends within the tradition of poetry have intensified and have further developed since the emergence of the digital media. The focus in this paper will thus be on four key features, which were founded in book poetry as far back as early Modernism and the avant-garde movements, but, to a great extent, those features have unfolded in digital poetry. The four features are the multimodality, the montage form, the network structure, and the serial form. The artistic opportunities offered by digital poetry are not only due to technological opportunities in the new media. Such opportunities are just as much due to the innovations in multimodality, montages, network structures, and seriality realized by avant-garde and symbolist poets like Mallarmé, Apollinaire, Schwitters, Eliot, and Pound in early modernism. My article concludes with an example of how the four features form the basis for a work of digital poetry, namely Johannes Heldén’s “The Primary Directive” (2008).
format	article
author	Peter Stein Larsen
author_facet	Peter Stein Larsen
author_sort	Peter Stein Larsen
title	From Book Poetry to Digital Poetry
title_short	From Book Poetry to Digital Poetry
title_full	From Book Poetry to Digital Poetry
title_fullStr	From Book Poetry to Digital Poetry
title_full_unstemmed	From Book Poetry to Digital Poetry
title_sort	from book poetry to digital poetry
publisher	Universität Trier
publishDate	2021
url	https://doaj.org/article/7a92d02a2df94ee980fa70427b4e049e
work_keys_str_mv	AT petersteinlarsen frombookpoetrytodigitalpoetry
_version_	1718420076720291840

From Book Poetry to Digital Poetry

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