ORAL HISTORY AS POLITICAL RESISTANCE: Posse and Once Upon a Time in Mexico
In the introduction to his The Western Reader Jim Kitses observes that the Western film, a genre long-heralded as the “cornerstone of American identity,” (16) is itself not exempt from an undertaking of racial and cultural revisionism. He points to a resurgence of films from the 1990’s that, in an e...
Guardado en:
Autor principal: | Adam Wadenius |
---|---|
Formato: | article |
Lenguaje: | EN |
Publicado: |
University of Edinburgh
2009
|
Materias: | |
Acceso en línea: | https://doaj.org/article/7abcdc5156c44c949d51af4b3466dc80 |
Etiquetas: |
Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
|
Ejemplares similares
-
Politics of Play: Situationism, Détournement, and Anti-Art
por: Christie Ko
Publicado: (2008) -
The Politics of Dancing: Les Ballets Trockadero de Monte Carlo
por: Selby Wynn Schwartz
Publicado: (2007) -
Exploring the Representation of History and 'Slow Violence' in "Philadelphia Fire" and "The Lone Ranger and Tonto Fistfight in Heaven"
por: Alice F. Orr
Publicado: (2021) -
Tracing Cinema as Anticolonial Resistance through the Archives of "Présence Africaine"
por: Abigail Carter
Publicado: (2021) -
Technology and Perception in Wim Wenders’ Wings of Desire: A Reflection on Time, Space and Memory in the Postmodern Metropolis
por: Silia Kaplan
Publicado: (2009)