Iron Age craftworks in the southeast of the Iberian Peninsula. An approach based in Cultural Inheritance Theory
The aim of this paper is to examine the craftwork on hard materials of animal origin from the Iron Age of the southeast of the Iberian Peninsula. We deal with the processes of craftsmanship, transmission of knowledge and the circulation of ivory combs and perforated bone plates. The Cultural Inherit...
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Sociedad de Ciencias Aranzadi
2021
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oai:doaj.org-article:7caabb293f014f7e9908bfefb05e79dc2021-12-02T10:27:12ZIron Age craftworks in the southeast of the Iberian Peninsula. An approach based in Cultural Inheritance Theory10.21630/maa.2021.72.111132-22172172-4555https://doaj.org/article/7caabb293f014f7e9908bfefb05e79dc2021-11-01T00:00:00Zhttps://www.aranzadi.eus/fileadmin/docs/Munibe/maa.2021.72.11.pdfhttps://doaj.org/toc/1132-2217https://doaj.org/toc/2172-4555The aim of this paper is to examine the craftwork on hard materials of animal origin from the Iron Age of the southeast of the Iberian Peninsula. We deal with the processes of craftsmanship, transmission of knowledge and the circulation of ivory combs and perforated bone plates. The Cultural Inheritance Theory offers a framework to help identify social dynamics in the craft productions and the transmission of the cultural knowledge between and among individuals (vertical, horizontal or oblique). Therefore, the consequences of these cultural transmission processes will be different for each artefact. This could be used to investigate relative levels of standardization within and between groups. For this we use various morphometric measurements related to the technological process of making combs and perforated plates. The results point to an oblique transmission with particularities linked to each object related to their formal and decorative characteristics and owing to their raw materials. RESUMEN : El objetivo de este artículo es examinar la artesanía sobre materias duras de origen animal de la Edad del Hierro en el sureste la Península Ibérica. Trataremos los procesos de artesanía, transmisión de conocimientos y circulación de peines de marfil y placas perforadas de hueso. La Teoría de la Herencia Cultural ofrece un marco teórico para ayudar en la identificación de la dinámica social de la producción artesanal y las formas de transmisión del conocimiento cultural (vertical, horizontal u oblicua). Por tanto, las consecuencias de estos procesos de transmisión cultural serán diferentes para cada artefacto. Esto puede utilizarse, también, para investigar los niveles relativos de estandarización dentro y entre grupos. Para ello utilizamos varias medidas morfométricas relacionadas con el proceso tecnológico de elaboración de peines y placas perforadas. Los resultados apuntan a una transmisión oblicua con particularidades ligadas a cada objeto, relacionadas con sus características formales y decorativas y sus materias primas.Lucía Soria CombadieraMarta Blasco MartínElena Mora GarcíaMercedes Fuentes AlberoJoan Bernabeu AubanSociedad de Ciencias Aranzadiarticletransmission of cultural knowledgeivory combsperforated platescraftspeopleiberian culturetransmisión cultural del conocimientopeines de marfilplacas perforadasartesanoscultura ibéricaAuxiliary sciences of historyCArchaeologyCC1-960DEENESEUFRMunibe Antropologia-Arkeologia, Vol 72 (2021) |
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DE EN ES EU FR |
topic |
transmission of cultural knowledge ivory combs perforated plates craftspeople iberian culture transmisión cultural del conocimiento peines de marfil placas perforadas artesanos cultura ibérica Auxiliary sciences of history C Archaeology CC1-960 |
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transmission of cultural knowledge ivory combs perforated plates craftspeople iberian culture transmisión cultural del conocimiento peines de marfil placas perforadas artesanos cultura ibérica Auxiliary sciences of history C Archaeology CC1-960 Lucía Soria Combadiera Marta Blasco Martín Elena Mora García Mercedes Fuentes Albero Joan Bernabeu Auban Iron Age craftworks in the southeast of the Iberian Peninsula. An approach based in Cultural Inheritance Theory |
description |
The aim of this paper is to examine the craftwork on hard materials of animal origin from the Iron Age of the southeast of the Iberian Peninsula. We deal with the processes of craftsmanship, transmission of knowledge and the circulation of ivory combs and perforated bone plates. The Cultural Inheritance Theory offers a framework to help identify social dynamics in the craft productions and the transmission of the cultural knowledge between and among individuals (vertical, horizontal or oblique). Therefore, the consequences of these cultural transmission processes will be different for each artefact. This could be used to investigate relative levels of standardization within and between groups. For this we use various morphometric measurements related to the technological process of making combs and perforated plates. The results point to an oblique transmission with particularities linked to each object related to their formal and decorative characteristics and owing to their raw materials.
RESUMEN : El objetivo de este artículo es examinar la artesanía sobre materias duras de origen animal de la Edad del Hierro en el sureste la Península Ibérica. Trataremos los procesos de artesanía, transmisión de conocimientos y circulación de peines de marfil y placas perforadas de hueso. La Teoría de la Herencia Cultural ofrece un marco teórico para ayudar en la identificación de la dinámica social de la producción artesanal y las formas de transmisión del conocimiento cultural (vertical, horizontal u oblicua). Por tanto, las consecuencias de estos procesos de transmisión cultural serán diferentes para cada artefacto. Esto puede utilizarse, también, para investigar los niveles relativos de estandarización dentro y entre grupos. Para ello utilizamos varias medidas morfométricas relacionadas con el proceso tecnológico de elaboración de peines y placas perforadas. Los resultados apuntan a una transmisión oblicua con particularidades ligadas a cada objeto, relacionadas con sus características formales y decorativas y sus materias primas. |
format |
article |
author |
Lucía Soria Combadiera Marta Blasco Martín Elena Mora García Mercedes Fuentes Albero Joan Bernabeu Auban |
author_facet |
Lucía Soria Combadiera Marta Blasco Martín Elena Mora García Mercedes Fuentes Albero Joan Bernabeu Auban |
author_sort |
Lucía Soria Combadiera |
title |
Iron Age craftworks in the southeast of the Iberian Peninsula. An approach based in Cultural Inheritance Theory |
title_short |
Iron Age craftworks in the southeast of the Iberian Peninsula. An approach based in Cultural Inheritance Theory |
title_full |
Iron Age craftworks in the southeast of the Iberian Peninsula. An approach based in Cultural Inheritance Theory |
title_fullStr |
Iron Age craftworks in the southeast of the Iberian Peninsula. An approach based in Cultural Inheritance Theory |
title_full_unstemmed |
Iron Age craftworks in the southeast of the Iberian Peninsula. An approach based in Cultural Inheritance Theory |
title_sort |
iron age craftworks in the southeast of the iberian peninsula. an approach based in cultural inheritance theory |
publisher |
Sociedad de Ciencias Aranzadi |
publishDate |
2021 |
url |
https://doaj.org/article/7caabb293f014f7e9908bfefb05e79dc |
work_keys_str_mv |
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