FATMA ALIYE HANIM WOMEN'S CHARACTERS AND LOVE APPROACH

Fatma Aliye Hanım is considered to be the first female novelist in Turkish literature. With his novel Hayâl ve Hakikat (1891), which he wrote with Ahmet Mithat Efendi, he wrote a memorandum for his period with his novels Muhâzarât (1892), Refet (1896), Udî (1898), Levâyih-i Hayât (1898) and Enîn (19...

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Autor principal:	Canan OLPAK KOÇ
Formato:	article
Lenguaje:	DE EN FR TR
Publicado:	Fırat University 2021
Materias:	fatma aliye hanım, novel characters, self awareness, love Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/7cb0a294945c435388899646ea2334cc
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spelling	oai:doaj.org-article:7cb0a294945c435388899646ea2334cc2021-11-24T09:20:34ZFATMA ALIYE HANIM WOMEN'S CHARACTERS AND LOVE APPROACH2148-416310.29228/JASSS.42206https://doaj.org/article/7cb0a294945c435388899646ea2334cc2021-01-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=09a53520-0ac6-4762-919e-fd636fc3cc87.pdf&key=42206https://doaj.org/toc/2148-4163Fatma Aliye Hanım is considered to be the first female novelist in Turkish literature. With his novel Hayâl ve Hakikat (1891), which he wrote with Ahmet Mithat Efendi, he wrote a memorandum for his period with his novels Muhâzarât (1892), Refet (1896), Udî (1898), Levâyih-i Hayât (1898) and Enîn (1910). value works left. The approach of female characters to love is as important as their references to the “female problem” in their novels. It is difficult for a woman to not be able to take a decisive position in social life in her century, to be “self” in fiction. The concept of self refers to a concept that corresponds to "I". This concept can be accepted as a stage of maturation that enables individuals to define their feelings, express their desires and wishes as well as their rejection. The person who approaches or reaches the threshold of maturation also begins to regulate his emotions. This enables it to develop healthier relationships with other people, especially the opposite sex. In this article, the approaches of female characters who are in the position of other people in all novels of Fatma Aliye Hanım will be examined. The hysterical nature of other people deepens this problem. In this context, as well as the comparison of female characters with each other, their internal inquiries provide important clues. The main ontological problem in their view of love is the weakness of their self-perception. Because Fatma Aliye cannot leave them to their own state while establishing their characters, religious, social and cultural factors are determinant in women's decisions. This requires that both the writer and the characters are read outside of common concepts.Canan OLPAK KOÇFırat Universityarticlefatma aliye hanım, novel characters, selfawareness, loveSocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 13, Iss 82, Pp 245-262 (2021)
institution	DOAJ
collection	DOAJ
language	DE EN FR TR
topic	fatma aliye hanım, novel characters, self awareness, love Social Sciences H Social sciences (General) H1-99
spellingShingle	fatma aliye hanım, novel characters, self awareness, love Social Sciences H Social sciences (General) H1-99 Canan OLPAK KOÇ FATMA ALIYE HANIM WOMEN'S CHARACTERS AND LOVE APPROACH
description	Fatma Aliye Hanım is considered to be the first female novelist in Turkish literature. With his novel Hayâl ve Hakikat (1891), which he wrote with Ahmet Mithat Efendi, he wrote a memorandum for his period with his novels Muhâzarât (1892), Refet (1896), Udî (1898), Levâyih-i Hayât (1898) and Enîn (1910). value works left. The approach of female characters to love is as important as their references to the “female problem” in their novels. It is difficult for a woman to not be able to take a decisive position in social life in her century, to be “self” in fiction. The concept of self refers to a concept that corresponds to "I". This concept can be accepted as a stage of maturation that enables individuals to define their feelings, express their desires and wishes as well as their rejection. The person who approaches or reaches the threshold of maturation also begins to regulate his emotions. This enables it to develop healthier relationships with other people, especially the opposite sex. In this article, the approaches of female characters who are in the position of other people in all novels of Fatma Aliye Hanım will be examined. The hysterical nature of other people deepens this problem. In this context, as well as the comparison of female characters with each other, their internal inquiries provide important clues. The main ontological problem in their view of love is the weakness of their self-perception. Because Fatma Aliye cannot leave them to their own state while establishing their characters, religious, social and cultural factors are determinant in women's decisions. This requires that both the writer and the characters are read outside of common concepts.
format	article
author	Canan OLPAK KOÇ
author_facet	Canan OLPAK KOÇ
author_sort	Canan OLPAK KOÇ
title	FATMA ALIYE HANIM WOMEN'S CHARACTERS AND LOVE APPROACH
title_short	FATMA ALIYE HANIM WOMEN'S CHARACTERS AND LOVE APPROACH
title_full	FATMA ALIYE HANIM WOMEN'S CHARACTERS AND LOVE APPROACH
title_fullStr	FATMA ALIYE HANIM WOMEN'S CHARACTERS AND LOVE APPROACH
title_full_unstemmed	FATMA ALIYE HANIM WOMEN'S CHARACTERS AND LOVE APPROACH
title_sort	fatma aliye hanim women's characters and love approach
publisher	Fırat University
publishDate	2021
url	https://doaj.org/article/7cb0a294945c435388899646ea2334cc
work_keys_str_mv	AT cananolpakkoc fatmaaliyehanimwomenscharactersandloveapproach
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FATMA ALIYE HANIM WOMEN'S CHARACTERS AND LOVE APPROACH

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