El Fenómeno "Lambada": Globalización e Identidad
This paper analyses the “Lambada” musical hit inside the globalization context of the end of the 20th century, by treating its expansion through the socio-political changes and the post-modernism of the nineties. In fact, besides being a commercial “summer hit”, “Lambada” can also be associated to t...
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Centre de Recherches sur les Mondes Américains
2008
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oai:doaj.org-article:7d66a5f1d28d437ab892f9dd419736942021-12-02T10:36:13ZEl Fenómeno "Lambada": Globalización e Identidad1626-025210.4000/nuevomundo.5644https://doaj.org/article/7d66a5f1d28d437ab892f9dd419736942008-06-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/5644https://doaj.org/toc/1626-0252This paper analyses the “Lambada” musical hit inside the globalization context of the end of the 20th century, by treating its expansion through the socio-political changes and the post-modernism of the nineties. In fact, besides being a commercial “summer hit”, “Lambada” can also be associated to the claim of the minorities as well as to the development of a serial music industry. We will analyze the genre lambada from its Brazilian origins to its global commercial success, by evocating the marginality of some handcrafted productions as well as its integration into the genesis of a new global Latin-American imaginary. May “Lambada” be, besides the musical success, a messianic symbol of the end of the Cold War and the millenary?Leonardo GarcíaCentre de Recherches sur les Mondes AméricainsarticlelambadadancemusicglobalizationidentityimaginaryAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2008) |
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EN FR PT |
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lambada dance music globalization identity imaginary Anthropology GN1-890 Latin America. Spanish America F1201-3799 |
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lambada dance music globalization identity imaginary Anthropology GN1-890 Latin America. Spanish America F1201-3799 Leonardo García El Fenómeno "Lambada": Globalización e Identidad |
| description |
This paper analyses the “Lambada” musical hit inside the globalization context of the end of the 20th century, by treating its expansion through the socio-political changes and the post-modernism of the nineties. In fact, besides being a commercial “summer hit”, “Lambada” can also be associated to the claim of the minorities as well as to the development of a serial music industry. We will analyze the genre lambada from its Brazilian origins to its global commercial success, by evocating the marginality of some handcrafted productions as well as its integration into the genesis of a new global Latin-American imaginary. May “Lambada” be, besides the musical success, a messianic symbol of the end of the Cold War and the millenary? |
| format |
article |
| author |
Leonardo García |
| author_facet |
Leonardo García |
| author_sort |
Leonardo García |
| title |
El Fenómeno "Lambada": Globalización e Identidad |
| title_short |
El Fenómeno "Lambada": Globalización e Identidad |
| title_full |
El Fenómeno "Lambada": Globalización e Identidad |
| title_fullStr |
El Fenómeno "Lambada": Globalización e Identidad |
| title_full_unstemmed |
El Fenómeno "Lambada": Globalización e Identidad |
| title_sort |
el fenómeno "lambada": globalización e identidad |
| publisher |
Centre de Recherches sur les Mondes Américains |
| publishDate |
2008 |
| url |
https://doaj.org/article/7d66a5f1d28d437ab892f9dd41973694 |
| work_keys_str_mv |
AT leonardogarcia elfenomenolambadaglobalizacioneidentidad |
| _version_ |
1718396941142851584 |