Museus, liberalismo e indústria cultural
This article analyzes cultural practices developed by museums in different periods in order to understand the different dimensions of the institutions and the contradictions inherent in them. Initially, it highlights the social role of museums in reinforcing the national-popular imaginary in the ...
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Universidade do Vale do Rio dos Sinos (UNISINOS)
2011
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oai:doaj.org-article:7e3297476bc24c31a4504de442cb27652021-11-11T15:41:58ZMuseus, liberalismo e indústria cultural2177-6229https://doaj.org/article/7e3297476bc24c31a4504de442cb27652011-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=93821299002https://doaj.org/toc/2177-6229This article analyzes cultural practices developed by museums in different periods in order to understand the different dimensions of the institutions and the contradictions inherent in them. Initially, it highlights the social role of museums in reinforcing the national-popular imaginary in the '1930s, in the postwar period and during the military dictatorship. Then is discusses the intertwinement between museums and the laws of the market, as well as their economic potential as they fulfill functions of social inclusion and strengthening of particular identities. The main question is about the possibility of coexistence between the museum's different dimensions and aesthetic values.Myrian Sepúlveda dos SantosUniversidade do Vale do Rio dos Sinos (UNISINOS)articlemuseumscultural policymarketidentitynationSocial SciencesHSocial sciences (General)H1-99PTCiências Sociais Unisinos, Vol 47, Iss 3, Pp 189-198 (2011) |
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museums cultural policy market identity nation Social Sciences H Social sciences (General) H1-99 |
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museums cultural policy market identity nation Social Sciences H Social sciences (General) H1-99 Myrian Sepúlveda dos Santos Museus, liberalismo e indústria cultural |
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This article analyzes cultural practices developed by museums in different periods in order to understand the different dimensions of the institutions and the contradictions inherent in them. Initially, it highlights the social role of museums in reinforcing the national-popular imaginary in the '1930s, in the postwar period and during the military dictatorship. Then is discusses the intertwinement between museums and the laws of the market, as well as their economic potential as they fulfill functions of social inclusion and strengthening of particular identities. The main question is about the possibility of coexistence between the museum's different dimensions and aesthetic values. |
format |
article |
author |
Myrian Sepúlveda dos Santos |
author_facet |
Myrian Sepúlveda dos Santos |
author_sort |
Myrian Sepúlveda dos Santos |
title |
Museus, liberalismo e indústria cultural |
title_short |
Museus, liberalismo e indústria cultural |
title_full |
Museus, liberalismo e indústria cultural |
title_fullStr |
Museus, liberalismo e indústria cultural |
title_full_unstemmed |
Museus, liberalismo e indústria cultural |
title_sort |
museus, liberalismo e indústria cultural |
publisher |
Universidade do Vale do Rio dos Sinos (UNISINOS) |
publishDate |
2011 |
url |
https://doaj.org/article/7e3297476bc24c31a4504de442cb2765 |
work_keys_str_mv |
AT myriansepulvedadossantos museusliberalismoeindustriacultural |
_version_ |
1718434156273205248 |