“Narrative Transformations” in Texts of Non-Classical Artistic Paradigm (Cinema, Literature)

The principles and methods of violation of the narrative statements of the text are examined. Typologically similar trends in the use of “narrative transformations” in literature and cinema are shown. The fundamental difference of their implementation in various symbolic systems is commented. The pa...

Descripción completa

Guardado en:

Detalles Bibliográficos
Autor principal:	E. V. Abramovskikh
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2018
Materias:	«нарративные трансформации» narrativity non-narrativity “narrative transformations” cinema text rhizome plot polysemy polysubjectness gaps Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/7e7bc8dcf0324260bb428537d70ee17d
Etiquetas:	Agregar Etiqueta Sin Etiquetas, Sea el primero en etiquetar este registro!

id	oai:doaj.org-article:7e7bc8dcf0324260bb428537d70ee17d
record_format	dspace
spelling	oai:doaj.org-article:7e7bc8dcf0324260bb428537d70ee17d2021-12-02T07:58:03Z“Narrative Transformations” in Texts of Non-Classical Artistic Paradigm (Cinema, Literature)2225-756X2227-129510.24224/2227-1295-2018-1-71-82https://doaj.org/article/7e7bc8dcf0324260bb428537d70ee17d2018-01-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/689https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The principles and methods of violation of the narrative statements of the text are examined. Typologically similar trends in the use of “narrative transformations” in literature and cinema are shown. The fundamental difference of their implementation in various symbolic systems is commented. The paper shows that the narrative transformations in the film text are: openness of composite construction (violation of the order of the parts, skip parts, open end), fragmentation; plot polysemy (multiplicity); polysubjectness; gaps (space of uncertainty). Special attention is paid to non-narrativity as the main strategy of non-classical artistic paradigm, defined as a lack of event experience of being. This problem is related to the crisis of I-consciousness, for which the destruction of the personal event experience means the loss of self-identity. Narrative transformations are discussed in the following films: “Irreversible” (dir. Gaspar Noé), “Descended from heaven” (dir. V. Kunin), “Lock, Stock and Two Smoking Barrels” (dir. Guy Ritchie), “Rashomon” (dir. A. Kurosawa), “Trans-Europ-Express” (dir. A. Robbe-Grillet), “Reconstruction” (dir. Christoffer Boe), “Groundhog Day” (dir. X. Ramis), “Run, Lola, run” (dir. T. Tykwer), “Empty house” (dir. Kim Ki-Duk), “No trains, no planes” (dir. Jos Stelling), “Amelie” (dir. Jean-Pierre Jeunet), etc.E. V. AbramovskikhTsentr nauchnykh i obrazovatelnykh proektovarticle«нарративные трансформации»narrativitynon-narrativity“narrative transformations”cinema textrhizomeplot polysemypolysubjectnessgapsSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 1, Pp 71-82 (2018)
institution	DOAJ
collection	DOAJ
language	RU
topic	«нарративные трансформации» narrativity non-narrativity “narrative transformations” cinema text rhizome plot polysemy polysubjectness gaps Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	«нарративные трансформации» narrativity non-narrativity “narrative transformations” cinema text rhizome plot polysemy polysubjectness gaps Slavic languages. Baltic languages. Albanian languages PG1-9665 E. V. Abramovskikh “Narrative Transformations” in Texts of Non-Classical Artistic Paradigm (Cinema, Literature)
description	The principles and methods of violation of the narrative statements of the text are examined. Typologically similar trends in the use of “narrative transformations” in literature and cinema are shown. The fundamental difference of their implementation in various symbolic systems is commented. The paper shows that the narrative transformations in the film text are: openness of composite construction (violation of the order of the parts, skip parts, open end), fragmentation; plot polysemy (multiplicity); polysubjectness; gaps (space of uncertainty). Special attention is paid to non-narrativity as the main strategy of non-classical artistic paradigm, defined as a lack of event experience of being. This problem is related to the crisis of I-consciousness, for which the destruction of the personal event experience means the loss of self-identity. Narrative transformations are discussed in the following films: “Irreversible” (dir. Gaspar Noé), “Descended from heaven” (dir. V. Kunin), “Lock, Stock and Two Smoking Barrels” (dir. Guy Ritchie), “Rashomon” (dir. A. Kurosawa), “Trans-Europ-Express” (dir. A. Robbe-Grillet), “Reconstruction” (dir. Christoffer Boe), “Groundhog Day” (dir. X. Ramis), “Run, Lola, run” (dir. T. Tykwer), “Empty house” (dir. Kim Ki-Duk), “No trains, no planes” (dir. Jos Stelling), “Amelie” (dir. Jean-Pierre Jeunet), etc.
format	article
author	E. V. Abramovskikh
author_facet	E. V. Abramovskikh
author_sort	E. V. Abramovskikh
title	“Narrative Transformations” in Texts of Non-Classical Artistic Paradigm (Cinema, Literature)
title_short	“Narrative Transformations” in Texts of Non-Classical Artistic Paradigm (Cinema, Literature)
title_full	“Narrative Transformations” in Texts of Non-Classical Artistic Paradigm (Cinema, Literature)
title_fullStr	“Narrative Transformations” in Texts of Non-Classical Artistic Paradigm (Cinema, Literature)
title_full_unstemmed	“Narrative Transformations” in Texts of Non-Classical Artistic Paradigm (Cinema, Literature)
title_sort	“narrative transformations” in texts of non-classical artistic paradigm (cinema, literature)
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2018
url	https://doaj.org/article/7e7bc8dcf0324260bb428537d70ee17d
work_keys_str_mv	AT evabramovskikh narrativetransformationsintextsofnonclassicalartisticparadigmcinemaliterature
_version_	1718398994179162112

“Narrative Transformations” in Texts of Non-Classical Artistic Paradigm (Cinema, Literature)

Ejemplares similares