Sappo: Sulapa Eppa Walasuji as the Ideas of Creation Three Dimensional Painting

Lontara is a traditional script of the Bugis-Makassar community, derived from the word lontar, a type of plant in South Sulawesi, which is still used and maintained. Sappo (Bugis): fence used to limit (surround, insulate) land and houses. The Bugis-Makassar community as a whole always has a Sappo /...

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Autor principal:	Hasbi Hasbi
Formato:	article
Lenguaje:	ID
Publicado:	Institut Seni Indonesia Surakarta 2021
Materias:	sappo, sulapa eppa walasudji, symbolic expression, three-dimensional painting Fine Arts N
Acceso en línea:	https://doaj.org/article/7e965739f79f473bbd8b732c91ec3d7e
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spelling	oai:doaj.org-article:7e965739f79f473bbd8b732c91ec3d7e2021-11-26T03:24:11ZSappo: Sulapa Eppa Walasuji as the Ideas of Creation Three Dimensional Painting1412-41812685-287X10.33153/dewaruci.v16i1.3234https://doaj.org/article/7e965739f79f473bbd8b732c91ec3d7e2021-05-01T00:00:00Zhttps://jurnal.isi-ska.ac.id/index.php/dewaruci/article/view/3234https://doaj.org/toc/1412-4181https://doaj.org/toc/2685-287XLontara is a traditional script of the Bugis-Makassar community, derived from the word lontar, a type of plant in South Sulawesi, which is still used and maintained. Sappo (Bugis): fence used to limit (surround, insulate) land and houses. The Bugis-Makassar community as a whole always has a Sappo / fence to protect themselves, their families, and their nation. Sulapa eppa (four sides) is a mystical form of classical Bugis-Makassar belief that symbolizes the universe’s composition, wind-fire-water-earth. Walasuji is a kind of bamboo fence in a rhombic ritual. Walasuji comes from the word wala, which means separator/fence/guard, and suji means daughter (metaphor of something of value, which must be under protection). The research aims to create three-dimensional paintings with the idea of creation, Sappo: Sulapa eppa walasuji. The symbolic expression concept borrows the Lontara tradition’s idioms, making works of metaphorical Sappo (montage) titles; Posi’ Symbolic expressions are used as research methods to create works. Researchers borrow traditional idioms as a place of expression. Symbolic abstraction works are conceptually a form of modern art by utilizing the Lontara tradition's idiom as a basic element of preparing the work. The contextual use of idioms is no longer intact because there is a degradation in the artists’ processing when interpreting symbolic forms. The expression of tradition is no longer a thematic pouring of ideas, still, as a textual symbol offered by artists to provide freedom of interpretation, Sappo: Sulapa eppa walasuji as the idea of creating paintings. The results of the study explore the elements of form and express the message conveyed through the work of three-dimensional images with the concept of creation, Sappo: Sulapa eppa walasuji, a work of metaphorical painting Sappo (montage) title: Posi, which is essentially God, as the protector of everything from the whole Sappo metaphor. Sappo, an idiom of tradition, is portrayed as a form of the symbolism of reflections on researchers’ lives visualized in the entire artwork. The visual elements used, stone, wood, bamboo, and paint, are at the same time a metaphor for the universe, which is God’s creation.Hasbi HasbiInstitut Seni Indonesia Surakartaarticlesappo, sulapa eppa walasudji, symbolic expression, three-dimensional paintingFine ArtsNIDDewa Ruci: Jurnal Pengkajian dan Penciptaan Seni, Vol 16, Iss 1, Pp 37-46 (2021)
institution	DOAJ
collection	DOAJ
language	ID
topic	sappo, sulapa eppa walasudji, symbolic expression, three-dimensional painting Fine Arts N
spellingShingle	sappo, sulapa eppa walasudji, symbolic expression, three-dimensional painting Fine Arts N Hasbi Hasbi Sappo: Sulapa Eppa Walasuji as the Ideas of Creation Three Dimensional Painting
description	Lontara is a traditional script of the Bugis-Makassar community, derived from the word lontar, a type of plant in South Sulawesi, which is still used and maintained. Sappo (Bugis): fence used to limit (surround, insulate) land and houses. The Bugis-Makassar community as a whole always has a Sappo / fence to protect themselves, their families, and their nation. Sulapa eppa (four sides) is a mystical form of classical Bugis-Makassar belief that symbolizes the universe’s composition, wind-fire-water-earth. Walasuji is a kind of bamboo fence in a rhombic ritual. Walasuji comes from the word wala, which means separator/fence/guard, and suji means daughter (metaphor of something of value, which must be under protection). The research aims to create three-dimensional paintings with the idea of creation, Sappo: Sulapa eppa walasuji. The symbolic expression concept borrows the Lontara tradition’s idioms, making works of metaphorical Sappo (montage) titles; Posi’ Symbolic expressions are used as research methods to create works. Researchers borrow traditional idioms as a place of expression. Symbolic abstraction works are conceptually a form of modern art by utilizing the Lontara tradition's idiom as a basic element of preparing the work. The contextual use of idioms is no longer intact because there is a degradation in the artists’ processing when interpreting symbolic forms. The expression of tradition is no longer a thematic pouring of ideas, still, as a textual symbol offered by artists to provide freedom of interpretation, Sappo: Sulapa eppa walasuji as the idea of creating paintings. The results of the study explore the elements of form and express the message conveyed through the work of three-dimensional images with the concept of creation, Sappo: Sulapa eppa walasuji, a work of metaphorical painting Sappo (montage) title: Posi, which is essentially God, as the protector of everything from the whole Sappo metaphor. Sappo, an idiom of tradition, is portrayed as a form of the symbolism of reflections on researchers’ lives visualized in the entire artwork. The visual elements used, stone, wood, bamboo, and paint, are at the same time a metaphor for the universe, which is God’s creation.
format	article
author	Hasbi Hasbi
author_facet	Hasbi Hasbi
author_sort	Hasbi Hasbi
title	Sappo: Sulapa Eppa Walasuji as the Ideas of Creation Three Dimensional Painting
title_short	Sappo: Sulapa Eppa Walasuji as the Ideas of Creation Three Dimensional Painting
title_full	Sappo: Sulapa Eppa Walasuji as the Ideas of Creation Three Dimensional Painting
title_fullStr	Sappo: Sulapa Eppa Walasuji as the Ideas of Creation Three Dimensional Painting
title_full_unstemmed	Sappo: Sulapa Eppa Walasuji as the Ideas of Creation Three Dimensional Painting
title_sort	sappo: sulapa eppa walasuji as the ideas of creation three dimensional painting
publisher	Institut Seni Indonesia Surakarta
publishDate	2021
url	https://doaj.org/article/7e965739f79f473bbd8b732c91ec3d7e
work_keys_str_mv	AT hasbihasbi sapposulapaeppawalasujiastheideasofcreationthreedimensionalpainting
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Sappo: Sulapa Eppa Walasuji as the Ideas of Creation Three Dimensional Painting

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