Peregrinaciones al santuario del arte moderno. Obras, artistas e intelectuales de América Latina en el taller de Auguste Rodin

At the beginning of the twentieth century, many Latin-Americans traveled to Paris. Settled there or in transit, they sought an education and an artistic life difficult to achieve in their countries of origin. Individual or collective visits to "lighthouse artists" constituted an important...

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Autor principal:	María Isabel Baldasarre
Formato:	article
Lenguaje:	EN FR PT
Publicado:	Centre de Recherches sur les Mondes Américains 2017
Materias:	Rodin (Auguste) Latin America 1900 Modernism archeology Anthropology GN1-890 Latin America. Spanish America F1201-3799
Acceso en línea:	https://doaj.org/article/7f8a5dc4f350487d95b660e69edd542c
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id	oai:doaj.org-article:7f8a5dc4f350487d95b660e69edd542c
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spelling	oai:doaj.org-article:7f8a5dc4f350487d95b660e69edd542c2021-12-02T10:28:00ZPeregrinaciones al santuario del arte moderno. Obras, artistas e intelectuales de América Latina en el taller de Auguste Rodin1626-025210.4000/nuevomundo.70720https://doaj.org/article/7f8a5dc4f350487d95b660e69edd542c2017-06-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/70720https://doaj.org/toc/1626-0252At the beginning of the twentieth century, many Latin-Americans traveled to Paris. Settled there or in transit, they sought an education and an artistic life difficult to achieve in their countries of origin. Individual or collective visits to "lighthouse artists" constituted an important part of their sociability and bohemia. The sculptor Auguste Rodin was among the best incarnations of the ideals of the modern "genius". After his big exhibition of 1900, a commercial success and its launching in the international arena, its workshop in Meudon and its Parisian residence became must-sees for every intellectual or artist in Paris. This article analyzes the traces that the workshop and the figure of the sculptor left in the Latin American artists and intellectuals who knew him in Paris. His figure had big relevance for a generation of artists responsible for the introduction of modernism in their native countries. The exchanges, product of these encounters, and the texts of those who expressed their passionate impressions about him are examples of an early moment of internationalization of modern sculpture.María Isabel BaldasarreCentre de Recherches sur les Mondes AméricainsarticleRodin (Auguste)Latin America1900ModernismarcheologyAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2017)
institution	DOAJ
collection	DOAJ
language	EN FR PT
topic	Rodin (Auguste) Latin America 1900 Modernism archeology Anthropology GN1-890 Latin America. Spanish America F1201-3799
spellingShingle	Rodin (Auguste) Latin America 1900 Modernism archeology Anthropology GN1-890 Latin America. Spanish America F1201-3799 María Isabel Baldasarre Peregrinaciones al santuario del arte moderno. Obras, artistas e intelectuales de América Latina en el taller de Auguste Rodin
description	At the beginning of the twentieth century, many Latin-Americans traveled to Paris. Settled there or in transit, they sought an education and an artistic life difficult to achieve in their countries of origin. Individual or collective visits to "lighthouse artists" constituted an important part of their sociability and bohemia. The sculptor Auguste Rodin was among the best incarnations of the ideals of the modern "genius". After his big exhibition of 1900, a commercial success and its launching in the international arena, its workshop in Meudon and its Parisian residence became must-sees for every intellectual or artist in Paris. This article analyzes the traces that the workshop and the figure of the sculptor left in the Latin American artists and intellectuals who knew him in Paris. His figure had big relevance for a generation of artists responsible for the introduction of modernism in their native countries. The exchanges, product of these encounters, and the texts of those who expressed their passionate impressions about him are examples of an early moment of internationalization of modern sculpture.
format	article
author	María Isabel Baldasarre
author_facet	María Isabel Baldasarre
author_sort	María Isabel Baldasarre
title	Peregrinaciones al santuario del arte moderno. Obras, artistas e intelectuales de América Latina en el taller de Auguste Rodin
title_short	Peregrinaciones al santuario del arte moderno. Obras, artistas e intelectuales de América Latina en el taller de Auguste Rodin
title_full	Peregrinaciones al santuario del arte moderno. Obras, artistas e intelectuales de América Latina en el taller de Auguste Rodin
title_fullStr	Peregrinaciones al santuario del arte moderno. Obras, artistas e intelectuales de América Latina en el taller de Auguste Rodin
title_full_unstemmed	Peregrinaciones al santuario del arte moderno. Obras, artistas e intelectuales de América Latina en el taller de Auguste Rodin
title_sort	peregrinaciones al santuario del arte moderno. obras, artistas e intelectuales de américa latina en el taller de auguste rodin
publisher	Centre de Recherches sur les Mondes Américains
publishDate	2017
url	https://doaj.org/article/7f8a5dc4f350487d95b660e69edd542c
work_keys_str_mv	AT mariaisabelbaldasarre peregrinacionesalsantuariodelartemodernoobrasartistaseintelectualesdeamericalatinaeneltallerdeaugusterodin
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Peregrinaciones al santuario del arte moderno. Obras, artistas e intelectuales de América Latina en el taller de Auguste Rodin

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