Bend, Blur, Color, Pour: Glass and Identity in Architecture

In contemporary architecture, glass often takes the pretentious role of something that is absent, a fully transparent, non-existent material where one can look right trough. However, a mute material that says "I'm not there" refuses to establish a relationship with the people that li...

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Autor principal: W.-J. Neutelings
Formato: article
Lenguaje:EN
Publicado: Challenging Glass Conference 2016
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Acceso en línea:https://doaj.org/article/7fad18f245e740538baf34e401f1fb84
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spelling oai:doaj.org-article:7fad18f245e740538baf34e401f1fb842021-12-04T05:12:32ZBend, Blur, Color, Pour: Glass and Identity in Architecture10.7480/cgc.5.22922589-8019https://doaj.org/article/7fad18f245e740538baf34e401f1fb842016-06-01T00:00:00Zhttps://proceedings.challengingglass.com/index.php/cgc/article/view/181https://doaj.org/toc/2589-8019 In contemporary architecture, glass often takes the pretentious role of something that is absent, a fully transparent, non-existent material where one can look right trough. However, a mute material that says "I'm not there" refuses to establish a relationship with the people that live in the building. This might be one of the reasons people often feel alienated in contemporary buildings. Neutelings Riedijk Architects follow a radical opposite path. In their projects they bend, blur color, or pour glass to make it a robust and characteristic material. A glass that tells stories, that obstructs the view, that speaks to the visitors. These interventions give a specific identity to a building. It involves the development of new glass production techniques and intense collaborations with artists, as demonstrated in public buildings such as Beeld en Geluid in Hilversum or the MAS Museum in Antwerp. W.-J. NeutelingsChallenging Glass ConferencearticleArchitectureMaterializationGlass TreatmentClay industries. Ceramics. GlassTP785-869ENChallenging Glass Conference Proceedings, Vol 5 (2016)
institution DOAJ
collection DOAJ
language EN
topic Architecture
Materialization
Glass Treatment
Clay industries. Ceramics. Glass
TP785-869
spellingShingle Architecture
Materialization
Glass Treatment
Clay industries. Ceramics. Glass
TP785-869
W.-J. Neutelings
Bend, Blur, Color, Pour: Glass and Identity in Architecture
description In contemporary architecture, glass often takes the pretentious role of something that is absent, a fully transparent, non-existent material where one can look right trough. However, a mute material that says "I'm not there" refuses to establish a relationship with the people that live in the building. This might be one of the reasons people often feel alienated in contemporary buildings. Neutelings Riedijk Architects follow a radical opposite path. In their projects they bend, blur color, or pour glass to make it a robust and characteristic material. A glass that tells stories, that obstructs the view, that speaks to the visitors. These interventions give a specific identity to a building. It involves the development of new glass production techniques and intense collaborations with artists, as demonstrated in public buildings such as Beeld en Geluid in Hilversum or the MAS Museum in Antwerp.
format article
author W.-J. Neutelings
author_facet W.-J. Neutelings
author_sort W.-J. Neutelings
title Bend, Blur, Color, Pour: Glass and Identity in Architecture
title_short Bend, Blur, Color, Pour: Glass and Identity in Architecture
title_full Bend, Blur, Color, Pour: Glass and Identity in Architecture
title_fullStr Bend, Blur, Color, Pour: Glass and Identity in Architecture
title_full_unstemmed Bend, Blur, Color, Pour: Glass and Identity in Architecture
title_sort bend, blur, color, pour: glass and identity in architecture
publisher Challenging Glass Conference
publishDate 2016
url https://doaj.org/article/7fad18f245e740538baf34e401f1fb84
work_keys_str_mv AT wjneutelings bendblurcolorpourglassandidentityinarchitecture
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