The Phonographic Author of Milton, Edison and Uzanne

This paper maps the connection of Milton and Edison in the late Victorian imagination as examples of geniuses. I argue that their juxtaposition is rooted in the voice hearing etymology of the genius, but more importantly in the notion of what I call the phonographic author. Drawing on nineteenth-cen...

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Autor principal: Larisa Kocic-Zámbó
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Publicado: Presses Universitaires de la Méditerranée 2021
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Acceso en línea:https://doaj.org/article/80c1b4566e8a468384a8dc7fbfd3a2d6
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spelling oai:doaj.org-article:80c1b4566e8a468384a8dc7fbfd3a2d62021-12-02T10:09:00ZThe Phonographic Author of Milton, Edison and Uzanne0220-56102271-614910.4000/cve.9713https://doaj.org/article/80c1b4566e8a468384a8dc7fbfd3a2d62021-11-01T00:00:00Zhttp://journals.openedition.org/cve/9713https://doaj.org/toc/0220-5610https://doaj.org/toc/2271-6149This paper maps the connection of Milton and Edison in the late Victorian imagination as examples of geniuses. I argue that their juxtaposition is rooted in the voice hearing etymology of the genius, but more importantly in the notion of what I call the phonographic author. Drawing on nineteenth-century periodicals and books, I will be comparing Edison’s own vision of the phonograph in authoring books and the Victorian popular imagination elaboration on the same, especially in Uzanne’s short story ‘The End of Books’ (1894) while showing Milton’s own role in making such an idea of the phonographic author feasible.Larisa Kocic-ZámbóPresses Universitaires de la Méditerranéearticlephonographic authorsecondary oralitysolitary geniusMilton (John)Edison (Thomas)Uzanne (Octave)History of Great BritainDA1-995ENFRCahiers Victoriens et Edouardiens, Vol 94 (2021)
institution DOAJ
collection DOAJ
language EN
FR
topic phonographic author
secondary orality
solitary genius
Milton (John)
Edison (Thomas)
Uzanne (Octave)
History of Great Britain
DA1-995
spellingShingle phonographic author
secondary orality
solitary genius
Milton (John)
Edison (Thomas)
Uzanne (Octave)
History of Great Britain
DA1-995
Larisa Kocic-Zámbó
The Phonographic Author of Milton, Edison and Uzanne
description This paper maps the connection of Milton and Edison in the late Victorian imagination as examples of geniuses. I argue that their juxtaposition is rooted in the voice hearing etymology of the genius, but more importantly in the notion of what I call the phonographic author. Drawing on nineteenth-century periodicals and books, I will be comparing Edison’s own vision of the phonograph in authoring books and the Victorian popular imagination elaboration on the same, especially in Uzanne’s short story ‘The End of Books’ (1894) while showing Milton’s own role in making such an idea of the phonographic author feasible.
format article
author Larisa Kocic-Zámbó
author_facet Larisa Kocic-Zámbó
author_sort Larisa Kocic-Zámbó
title The Phonographic Author of Milton, Edison and Uzanne
title_short The Phonographic Author of Milton, Edison and Uzanne
title_full The Phonographic Author of Milton, Edison and Uzanne
title_fullStr The Phonographic Author of Milton, Edison and Uzanne
title_full_unstemmed The Phonographic Author of Milton, Edison and Uzanne
title_sort phonographic author of milton, edison and uzanne
publisher Presses Universitaires de la Méditerranée
publishDate 2021
url https://doaj.org/article/80c1b4566e8a468384a8dc7fbfd3a2d6
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