Soviet Poetic Underground in Critical and Scientific Coverage (First Article)
The results of a research of literary critical works devoted to the study of Soviet under-ground poetry in the 1960s and 70s are presented in the review article. It is shown how the process of liberation of unofficial poetic culture from the collectivist attitudes of Soviet ideology and the search b...
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Tsentr nauchnykh i obrazovatelnykh proektov
2021
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oai:doaj.org-article:82970ec9e3ce4be695cde568b11c1cff2021-12-02T07:58:15ZSoviet Poetic Underground in Critical and Scientific Coverage (First Article)2225-756X2227-129510.24224/2227-1295-2021-8-221-247https://doaj.org/article/82970ec9e3ce4be695cde568b11c1cff2021-08-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/3034https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The results of a research of literary critical works devoted to the study of Soviet under-ground poetry in the 1960s and 70s are presented in the review article. It is shown how the process of liberation of unofficial poetic culture from the collectivist attitudes of Soviet ideology and the search by its representatives for the spiritual and moral foundations of life and creativity was highlighted in the sam- and tamizdat periodicals. Special attention in the review is payed to the reflection of uncensored criticism in relation to the problems of restoring the connection with the literary tradition of the Silver Age by nonconformist poets and the formation of new principles of artistic writing in their work. In the context of these processes, the value nature of the phenomenon of “Christian Renaissance” in underground poetry, its role in the development of modernist poetic culture in the second half of the 20th century is revealed. In the light of literary-critical reception, the concept of “cultural movement” is considered as a strategy for uniting creative forces in the literary underground, which determines the value horizons of unofficial poetry. It is substantiated that the “cultural movement” was interpreted by uncensored criticism from the standpoint of its ideological and institutional self-sufficiency, the ability to be an active subject of Russian and world culture.N. S. ChizhovTsentr nauchnykh i obrazovatelnykh proektovarticlescientific reviewuncensored poetrypoetic avant-gardeliterary critical receptionchristian neomythologismmodernist traditionculture of the silver ageSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 8, Pp 221-247 (2021) |
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scientific review uncensored poetry poetic avant-garde literary critical reception christian neomythologism modernist tradition culture of the silver age Slavic languages. Baltic languages. Albanian languages PG1-9665 |
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scientific review uncensored poetry poetic avant-garde literary critical reception christian neomythologism modernist tradition culture of the silver age Slavic languages. Baltic languages. Albanian languages PG1-9665 N. S. Chizhov Soviet Poetic Underground in Critical and Scientific Coverage (First Article) |
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The results of a research of literary critical works devoted to the study of Soviet under-ground poetry in the 1960s and 70s are presented in the review article. It is shown how the process of liberation of unofficial poetic culture from the collectivist attitudes of Soviet ideology and the search by its representatives for the spiritual and moral foundations of life and creativity was highlighted in the sam- and tamizdat periodicals. Special attention in the review is payed to the reflection of uncensored criticism in relation to the problems of restoring the connection with the literary tradition of the Silver Age by nonconformist poets and the formation of new principles of artistic writing in their work. In the context of these processes, the value nature of the phenomenon of “Christian Renaissance” in underground poetry, its role in the development of modernist poetic culture in the second half of the 20th century is revealed. In the light of literary-critical reception, the concept of “cultural movement” is considered as a strategy for uniting creative forces in the literary underground, which determines the value horizons of unofficial poetry. It is substantiated that the “cultural movement” was interpreted by uncensored criticism from the standpoint of its ideological and institutional self-sufficiency, the ability to be an active subject of Russian and world culture. |
format |
article |
author |
N. S. Chizhov |
author_facet |
N. S. Chizhov |
author_sort |
N. S. Chizhov |
title |
Soviet Poetic Underground in Critical and Scientific Coverage (First Article) |
title_short |
Soviet Poetic Underground in Critical and Scientific Coverage (First Article) |
title_full |
Soviet Poetic Underground in Critical and Scientific Coverage (First Article) |
title_fullStr |
Soviet Poetic Underground in Critical and Scientific Coverage (First Article) |
title_full_unstemmed |
Soviet Poetic Underground in Critical and Scientific Coverage (First Article) |
title_sort |
soviet poetic underground in critical and scientific coverage (first article) |
publisher |
Tsentr nauchnykh i obrazovatelnykh proektov |
publishDate |
2021 |
url |
https://doaj.org/article/82970ec9e3ce4be695cde568b11c1cff |
work_keys_str_mv |
AT nschizhov sovietpoeticundergroundincriticalandscientificcoveragefirstarticle |
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