Inbetween the Worlds – Gastarbeiter Novel Taxi Driver of Munich: An Anthropological Analysis

From the perspective of the anthropology of migrations and literature, the paper analyzes The Taxi Driver of München, a novel with autobiographical elements by the Croatian author and gastarbeiter Romano Mrkić. After outlining the basic genre characteristics of "migrant literature" and th...

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Autor principal: Ana Banić Grubišić
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Publicado: University of Belgrade 2020
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spelling oai:doaj.org-article:82f55267f3cf4e94adf255856ea4991c2021-12-02T11:59:55ZInbetween the Worlds – Gastarbeiter Novel Taxi Driver of Munich: An Anthropological Analysis10.21301/eap.v15i1.40353-15892334-8801https://doaj.org/article/82f55267f3cf4e94adf255856ea4991c2020-04-01T00:00:00Zhttps://eap-iea.org/index.php/eap/article/view/1036https://doaj.org/toc/0353-1589https://doaj.org/toc/2334-8801 From the perspective of the anthropology of migrations and literature, the paper analyzes The Taxi Driver of München, a novel with autobiographical elements by the Croatian author and gastarbeiter Romano Mrkić. After outlining the basic genre characteristics of "migrant literature" and the so-called gastarbeiter novel, the paper proceeds to analyze the dominant themes and motifs in the novel The Taxi Driver of München. This work, written in the tradition of realist narration, deals with the immediate experience of migranthood and represents a prototype of the first-generation gastarbeiter novel. It is narrated from the perspective of a "guest worker" in Germany – through the character of the protagonist, the taxi driver Marko Mandić, Romano Mrkić writes about himself and his immigrant experience, about important Others and the complex modalities of migrant identity and (non)belonging. In addition to depicting the everyday experience of the gastarbeiter in Germany and their struggle to integrate into a new and different social environment, and describing the native population's ethnic prejudice and stereotypes in relation to the guest workers, Mrkić speaks from an insider perspective of "Yugo-Germans'" "adversities" of identity. His characters remain perpetually stuck between "two worlds", between "here" and "there", and between the past and the present, while the "myth of return" expressed through an overemphatic nostalgia for the homeland is the foundation of Mrkić's narrative. Through a thematic analysis of the novel, the paper explores the ideas of integration and assimilation of guest workers, as well as the cultural meanings that the author assigns to these processes. Ana Banić GrubišićUniversity of Belgradearticlemigrations and literaturethe gastarbeiter novelethnographic fictionThe Taxi Driver of MünchenRomano MrkićAnthropologyGN1-890ENFRSREtnoantropološki Problemi, Vol 15, Iss 1 (2020)
institution DOAJ
collection DOAJ
language EN
FR
SR
topic migrations and literature
the gastarbeiter novel
ethnographic fiction
The Taxi Driver of München
Romano Mrkić
Anthropology
GN1-890
spellingShingle migrations and literature
the gastarbeiter novel
ethnographic fiction
The Taxi Driver of München
Romano Mrkić
Anthropology
GN1-890
Ana Banić Grubišić
Inbetween the Worlds – Gastarbeiter Novel Taxi Driver of Munich: An Anthropological Analysis
description From the perspective of the anthropology of migrations and literature, the paper analyzes The Taxi Driver of München, a novel with autobiographical elements by the Croatian author and gastarbeiter Romano Mrkić. After outlining the basic genre characteristics of "migrant literature" and the so-called gastarbeiter novel, the paper proceeds to analyze the dominant themes and motifs in the novel The Taxi Driver of München. This work, written in the tradition of realist narration, deals with the immediate experience of migranthood and represents a prototype of the first-generation gastarbeiter novel. It is narrated from the perspective of a "guest worker" in Germany – through the character of the protagonist, the taxi driver Marko Mandić, Romano Mrkić writes about himself and his immigrant experience, about important Others and the complex modalities of migrant identity and (non)belonging. In addition to depicting the everyday experience of the gastarbeiter in Germany and their struggle to integrate into a new and different social environment, and describing the native population's ethnic prejudice and stereotypes in relation to the guest workers, Mrkić speaks from an insider perspective of "Yugo-Germans'" "adversities" of identity. His characters remain perpetually stuck between "two worlds", between "here" and "there", and between the past and the present, while the "myth of return" expressed through an overemphatic nostalgia for the homeland is the foundation of Mrkić's narrative. Through a thematic analysis of the novel, the paper explores the ideas of integration and assimilation of guest workers, as well as the cultural meanings that the author assigns to these processes.
format article
author Ana Banić Grubišić
author_facet Ana Banić Grubišić
author_sort Ana Banić Grubišić
title Inbetween the Worlds – Gastarbeiter Novel Taxi Driver of Munich: An Anthropological Analysis
title_short Inbetween the Worlds – Gastarbeiter Novel Taxi Driver of Munich: An Anthropological Analysis
title_full Inbetween the Worlds – Gastarbeiter Novel Taxi Driver of Munich: An Anthropological Analysis
title_fullStr Inbetween the Worlds – Gastarbeiter Novel Taxi Driver of Munich: An Anthropological Analysis
title_full_unstemmed Inbetween the Worlds – Gastarbeiter Novel Taxi Driver of Munich: An Anthropological Analysis
title_sort inbetween the worlds – gastarbeiter novel taxi driver of munich: an anthropological analysis
publisher University of Belgrade
publishDate 2020
url https://doaj.org/article/82f55267f3cf4e94adf255856ea4991c
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