The Story of Stenka Razin and the Persian Princess in Direct and Inverse Projections: Yevgeny Zamyatin and Anna Barkova

The article considers two cases of the creative reception of the legend about Stenka Razin and the Persian princess in Russian literature of the 1920s – in Yevgeny Zamyatin’s tragedy Atilla (1925–1928) and screenplay Stenka Razin (1932–1933), on the one hand, and in the play by A. Barkova Nastasya...

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Autor principal:	Veronika Zuseva-Özkan
Formato:	article
Lenguaje:	DE EN FR LT RU
Publicado:	Vilnius University 2021
Materias:	Stenka Razin Persian princess woman warrior Alyona of Arzamas Zamyatin Barkova Literature (General) PN1-6790 Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/830c738cb2474356b05ecb943cc3b2aa
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spelling	oai:doaj.org-article:830c738cb2474356b05ecb943cc3b2aa2021-11-23T09:31:14ZThe Story of Stenka Razin and the Persian Princess in Direct and Inverse Projections: Yevgeny Zamyatin and Anna Barkova10.15388/Litera.2021.63.2.60258-08021648-1143https://doaj.org/article/830c738cb2474356b05ecb943cc3b2aa2021-11-01T00:00:00Zhttps://www.zurnalai.vu.lt/literatura/article/view/25069https://doaj.org/toc/0258-0802https://doaj.org/toc/1648-1143 The article considers two cases of the creative reception of the legend about Stenka Razin and the Persian princess in Russian literature of the 1920s – in Yevgeny Zamyatin’s tragedy Atilla (1925–1928) and screenplay Stenka Razin (1932–1933), on the one hand, and in the play by A. Barkova Nastasya Kostyor (1923), on the other hand. The direct and inverse projections of Razin’s plot are represented: in Zamyatin’s case the roles of Razin and the princess are distributed in the traditional way, as they are typical for the long history of this plot in Russian culture – both in folklore and in literature, and in Barkova’s case these roles are reversed in the gender aspect. This peculiarity is considered as connected to Barkova’s interest toward “woman question”, the problem of female emancipation, women’s equality. The plot of Stenka Razin and the Persian princess is analyzed in the article together with another one – the plot featuring the woman warrior, since they are closely interrelated in Russian literature of the 1920s. The hypothesis is that this relationship is due to the active demolition of the old gender order during this period. Veronika Zuseva-ÖzkanVilnius University articleStenka RazinPersian princesswoman warriorAlyona of ArzamasZamyatinBarkovaLiterature (General)PN1-6790Slavic languages. Baltic languages. Albanian languagesPG1-9665DEENFRLTRULiteratūra (Vilnius), Vol 63, Iss 2 (2021)
institution	DOAJ
collection	DOAJ
language	DE EN FR LT RU
topic	Stenka Razin Persian princess woman warrior Alyona of Arzamas Zamyatin Barkova Literature (General) PN1-6790 Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	Stenka Razin Persian princess woman warrior Alyona of Arzamas Zamyatin Barkova Literature (General) PN1-6790 Slavic languages. Baltic languages. Albanian languages PG1-9665 Veronika Zuseva-Özkan The Story of Stenka Razin and the Persian Princess in Direct and Inverse Projections: Yevgeny Zamyatin and Anna Barkova
description	The article considers two cases of the creative reception of the legend about Stenka Razin and the Persian princess in Russian literature of the 1920s – in Yevgeny Zamyatin’s tragedy Atilla (1925–1928) and screenplay Stenka Razin (1932–1933), on the one hand, and in the play by A. Barkova Nastasya Kostyor (1923), on the other hand. The direct and inverse projections of Razin’s plot are represented: in Zamyatin’s case the roles of Razin and the princess are distributed in the traditional way, as they are typical for the long history of this plot in Russian culture – both in folklore and in literature, and in Barkova’s case these roles are reversed in the gender aspect. This peculiarity is considered as connected to Barkova’s interest toward “woman question”, the problem of female emancipation, women’s equality. The plot of Stenka Razin and the Persian princess is analyzed in the article together with another one – the plot featuring the woman warrior, since they are closely interrelated in Russian literature of the 1920s. The hypothesis is that this relationship is due to the active demolition of the old gender order during this period.
format	article
author	Veronika Zuseva-Özkan
author_facet	Veronika Zuseva-Özkan
author_sort	Veronika Zuseva-Özkan
title	The Story of Stenka Razin and the Persian Princess in Direct and Inverse Projections: Yevgeny Zamyatin and Anna Barkova
title_short	The Story of Stenka Razin and the Persian Princess in Direct and Inverse Projections: Yevgeny Zamyatin and Anna Barkova
title_full	The Story of Stenka Razin and the Persian Princess in Direct and Inverse Projections: Yevgeny Zamyatin and Anna Barkova
title_fullStr	The Story of Stenka Razin and the Persian Princess in Direct and Inverse Projections: Yevgeny Zamyatin and Anna Barkova
title_full_unstemmed	The Story of Stenka Razin and the Persian Princess in Direct and Inverse Projections: Yevgeny Zamyatin and Anna Barkova
title_sort	story of stenka razin and the persian princess in direct and inverse projections: yevgeny zamyatin and anna barkova
publisher	Vilnius University
publishDate	2021
url	https://doaj.org/article/830c738cb2474356b05ecb943cc3b2aa
work_keys_str_mv	AT veronikazusevaozkan thestoryofstenkarazinandthepersianprincessindirectandinverseprojectionsyevgenyzamyatinandannabarkova AT veronikazusevaozkan storyofstenkarazinandthepersianprincessindirectandinverseprojectionsyevgenyzamyatinandannabarkova
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The Story of Stenka Razin and the Persian Princess in Direct and Inverse Projections: Yevgeny Zamyatin and Anna Barkova

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