The sounds and tastes of colours : hue and saturation in Isluga textiles

With an emphasis on the concept of hue, this article examines colour qualities in ethnographic textiles from Isluga, in northern Chile, according to ideas concerning synaesthesia and chromaticism. It explores correspondences between light, colours, sound and taste against a historical trajectory in...

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Autor principal: Penelope Dransart
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Publicado: Centre de Recherches sur les Mondes Américains 2016
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Acceso en línea:https://doaj.org/article/8391960ea45248ccbaf9d7c1dd9717a9
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spelling oai:doaj.org-article:8391960ea45248ccbaf9d7c1dd9717a92021-12-02T10:31:45ZThe sounds and tastes of colours : hue and saturation in Isluga textiles1626-025210.4000/nuevomundo.69188https://doaj.org/article/8391960ea45248ccbaf9d7c1dd9717a92016-07-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/69188https://doaj.org/toc/1626-0252With an emphasis on the concept of hue, this article examines colour qualities in ethnographic textiles from Isluga, in northern Chile, according to ideas concerning synaesthesia and chromaticism. It explores correspondences between light, colours, sound and taste against a historical trajectory in which industrially manufactured yarns bought in the marketplace replaced the dyeing of threads at the homestead. Attention is drawn to notions of saturation and how weavers exploit contrasts of hue, using extensive amounts of naturally coloured camelid fleece and narrow stripes of dyed colours. During much of the twentieth century, Isluga weavers restricted their use of intense colours compared to those used by weavers in other parts of the Andes. This article addresses anthropological theories of colour in the light of weavers’ metaphysical appreciation of the concept of colour saturation as their willingness to incorporate more extensive amounts of bright colours changed. It is based on the author’s fieldwork in Isluga conducted since the mid-1980s.Penelope DransartCentre de Recherches sur les Mondes Américainsarticlecolour saturationsynaesthesiachromaticismmicrotonal risingIsluga (Chile)AnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2016)
institution DOAJ
collection DOAJ
language EN
FR
PT
topic colour saturation
synaesthesia
chromaticism
microtonal rising
Isluga (Chile)
Anthropology
GN1-890
Latin America. Spanish America
F1201-3799
spellingShingle colour saturation
synaesthesia
chromaticism
microtonal rising
Isluga (Chile)
Anthropology
GN1-890
Latin America. Spanish America
F1201-3799
Penelope Dransart
The sounds and tastes of colours : hue and saturation in Isluga textiles
description With an emphasis on the concept of hue, this article examines colour qualities in ethnographic textiles from Isluga, in northern Chile, according to ideas concerning synaesthesia and chromaticism. It explores correspondences between light, colours, sound and taste against a historical trajectory in which industrially manufactured yarns bought in the marketplace replaced the dyeing of threads at the homestead. Attention is drawn to notions of saturation and how weavers exploit contrasts of hue, using extensive amounts of naturally coloured camelid fleece and narrow stripes of dyed colours. During much of the twentieth century, Isluga weavers restricted their use of intense colours compared to those used by weavers in other parts of the Andes. This article addresses anthropological theories of colour in the light of weavers’ metaphysical appreciation of the concept of colour saturation as their willingness to incorporate more extensive amounts of bright colours changed. It is based on the author’s fieldwork in Isluga conducted since the mid-1980s.
format article
author Penelope Dransart
author_facet Penelope Dransart
author_sort Penelope Dransart
title The sounds and tastes of colours : hue and saturation in Isluga textiles
title_short The sounds and tastes of colours : hue and saturation in Isluga textiles
title_full The sounds and tastes of colours : hue and saturation in Isluga textiles
title_fullStr The sounds and tastes of colours : hue and saturation in Isluga textiles
title_full_unstemmed The sounds and tastes of colours : hue and saturation in Isluga textiles
title_sort sounds and tastes of colours : hue and saturation in isluga textiles
publisher Centre de Recherches sur les Mondes Américains
publishDate 2016
url https://doaj.org/article/8391960ea45248ccbaf9d7c1dd9717a9
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