Persephone's Descent
This essay argues that The Skin Between Us (2006), Kym Ragusa's memoir of her upbringing as the daughter of an African-American fashion model and a working-class southern Italian father, writes beyond a patchwork heritage account of multiracial, multicultural identity. The book's cover, w...
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Università degli Studi di Torino
2021
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oai:doaj.org-article:84c46c90ec864cfd9c7eb7ef9c79a7102021-11-23T14:16:48ZPersephone's Descent10.13135/2612-5641/52872612-5641https://doaj.org/article/84c46c90ec864cfd9c7eb7ef9c79a7102021-05-01T00:00:00Zhttps://www.ojs.unito.it/index.php/jamit/article/view/5287https://doaj.org/toc/2612-5641 This essay argues that The Skin Between Us (2006), Kym Ragusa's memoir of her upbringing as the daughter of an African-American fashion model and a working-class southern Italian father, writes beyond a patchwork heritage account of multiracial, multicultural identity. The book's cover, which features white hands folded into and over black hands, is misleading, as the memoir underscores how racial difference complicates ethnic affiliations. Tensions between Ragusa's two families are never resolved, nor is Kym ever fully accepted by her Italian-American grandmother, from whom her birth had been kept a secret by her father for years. The Skin Between Us is less the narration of an identity quest than it is a reflection on its transformation through writing: the hybridity Ragusa celebrates, the cross-cultural connections she makes between her Italian-American and her African-American female ancestors, are products of a journey of memory that is associated with Persephone’s descent at the end of the book. Since place plays a crucial role in Ragusa’s project of self-fashioning, I use Kandiyoti’s notion of “migrant sites,” as well as Homi Bhabha’s notion of a Third Space, to explain how Ragusa creates diasporic alternatives to the patchwork heritage narrative. Arguing for the centrality of place in diaspora narratives, Kandiyoti uses the term “migrant sites” to refer to an irreconcilable tension between enclosure, “the confinement and containment of ethnoracialized diaspora populations in bordered areas” and translocality, “a sense of place produced by the imagining of overlapping locales.” While Harlem functions as a migrant site in Ragusa’s memoir, Sicily is represented as a third space of hybridity, one that permits the autobiographer to map affinities between Italian and African diasporas and reconstitute her relationship with each. Ragusa mobilizes cross-cultural identifications through gender, linking women on both sides of her family through their experience of patriarchal violence as well as through the myth of Demeter and Persephone, whose separation and reunion resonates with the experience of migration and resettlement of women across various diasporas. Displacement and the desire to recuperate losses incurred by migration through storytelling constitute the "shared skin" or common heritage of African-American and Italian-American women. Victoria TomasuloUniversità degli Studi di TorinoarticleRagusaThe Skin Between UsdiasporaItalian-AmericanAfrican-AmericangenderAmericaE11-143American literaturePS1-3576ENITJAm It!, Iss 4 (2021) |
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Ragusa The Skin Between Us diaspora Italian-American African-American gender America E11-143 American literature PS1-3576 |
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Ragusa The Skin Between Us diaspora Italian-American African-American gender America E11-143 American literature PS1-3576 Victoria Tomasulo Persephone's Descent |
| description |
This essay argues that The Skin Between Us (2006), Kym Ragusa's memoir of her upbringing as the daughter of an African-American fashion model and a working-class southern Italian father, writes beyond a patchwork heritage account of multiracial, multicultural identity. The book's cover, which features white hands folded into and over black hands, is misleading, as the memoir underscores how racial difference complicates ethnic affiliations. Tensions between Ragusa's two families are never resolved, nor is Kym ever fully accepted by her Italian-American grandmother, from whom her birth had been kept a secret by her father for years. The Skin Between Us is less the narration of an identity quest than it is a reflection on its transformation through writing: the hybridity Ragusa celebrates, the cross-cultural connections she makes between her Italian-American and her African-American female ancestors, are products of a journey of memory that is associated with Persephone’s descent at the end of the book.
Since place plays a crucial role in Ragusa’s project of self-fashioning, I use Kandiyoti’s notion of “migrant sites,” as well as Homi Bhabha’s notion of a Third Space, to explain how Ragusa creates diasporic alternatives to the patchwork heritage narrative. Arguing for the centrality of place in diaspora narratives, Kandiyoti uses the term “migrant sites” to refer to an irreconcilable tension between enclosure, “the confinement and containment of ethnoracialized diaspora populations in bordered areas” and translocality, “a sense of place produced by the imagining of overlapping locales.” While Harlem functions as a migrant site in Ragusa’s memoir, Sicily is represented as a third space of hybridity, one that permits the autobiographer to map affinities between Italian and African diasporas and reconstitute her relationship with each. Ragusa mobilizes cross-cultural identifications through gender, linking women on both sides of her family through their experience of patriarchal violence as well as through the myth of Demeter and Persephone, whose separation and reunion resonates with the experience of migration and resettlement of women across various diasporas. Displacement and the desire to recuperate losses incurred by migration through storytelling constitute the "shared skin" or common heritage of African-American and Italian-American women.
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| format |
article |
| author |
Victoria Tomasulo |
| author_facet |
Victoria Tomasulo |
| author_sort |
Victoria Tomasulo |
| title |
Persephone's Descent |
| title_short |
Persephone's Descent |
| title_full |
Persephone's Descent |
| title_fullStr |
Persephone's Descent |
| title_full_unstemmed |
Persephone's Descent |
| title_sort |
persephone's descent |
| publisher |
Università degli Studi di Torino |
| publishDate |
2021 |
| url |
https://doaj.org/article/84c46c90ec864cfd9c7eb7ef9c79a710 |
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AT victoriatomasulo persephonesdescent |
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