La (re)presentación de la violencia a través de la fotografía. Mostrar, ocultar, retener, reconducir y utilizar la imagen de la mujer durante la Guerra Civil Española en Madrid (1936-1939)

Images are powerful tools of communication that must be properly used so that they do not become self-defeating to those who resort them, especially by Countries during difficult periods of their History. During the wars of the late Nineteenth Century, visual propaganda obtained a quite interesting...

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Autor principal: Beatriz de las Heras
Formato: article
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Publicado: Centre de Recherches sur les Mondes Américains 2014
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Acceso en línea:https://doaj.org/article/856ab97c84404bbcbe39befdf58485cb
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spelling oai:doaj.org-article:856ab97c84404bbcbe39befdf58485cb2021-12-02T10:31:12ZLa (re)presentación de la violencia a través de la fotografía. Mostrar, ocultar, retener, reconducir y utilizar la imagen de la mujer durante la Guerra Civil Española en Madrid (1936-1939)1626-025210.4000/nuevomundo.66880https://doaj.org/article/856ab97c84404bbcbe39befdf58485cb2014-06-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/66880https://doaj.org/toc/1626-0252Images are powerful tools of communication that must be properly used so that they do not become self-defeating to those who resort them, especially by Countries during difficult periods of their History. During the wars of the late Nineteenth Century, visual propaganda obtained a quite interesting field of experimentation since the “now I show, now I don’t” game became one more resource in the conflict. In order to develop some ideas about the use and abuse of violent images emitted during a war, we will focus on a selection of photographs taken in the City of Madrid during the Spanish Civil War (1936-1939). That war turned visual control into a weapon not only to win in the front line but also in the rear using it as political propaganda. To narrow down our study, the (re)presentation of the prototype of the traditional woman shown as an active subject or as a victim of the enemies will be analyzed. Before that, and to make our point, we will reflect on the capacity of the photograph as a recovery document of the memory or, rather, as the memory itself of the events and the possibilities that arose during the uprising of July 1936.Beatriz de las HerasCentre de Recherches sur les Mondes AméricainsarticleSpainphotographymemoryrepresentationwomanvictimAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2014)
institution DOAJ
collection DOAJ
language EN
FR
PT
topic Spain
photography
memory
representation
woman
victim
Anthropology
GN1-890
Latin America. Spanish America
F1201-3799
spellingShingle Spain
photography
memory
representation
woman
victim
Anthropology
GN1-890
Latin America. Spanish America
F1201-3799
Beatriz de las Heras
La (re)presentación de la violencia a través de la fotografía. Mostrar, ocultar, retener, reconducir y utilizar la imagen de la mujer durante la Guerra Civil Española en Madrid (1936-1939)
description Images are powerful tools of communication that must be properly used so that they do not become self-defeating to those who resort them, especially by Countries during difficult periods of their History. During the wars of the late Nineteenth Century, visual propaganda obtained a quite interesting field of experimentation since the “now I show, now I don’t” game became one more resource in the conflict. In order to develop some ideas about the use and abuse of violent images emitted during a war, we will focus on a selection of photographs taken in the City of Madrid during the Spanish Civil War (1936-1939). That war turned visual control into a weapon not only to win in the front line but also in the rear using it as political propaganda. To narrow down our study, the (re)presentation of the prototype of the traditional woman shown as an active subject or as a victim of the enemies will be analyzed. Before that, and to make our point, we will reflect on the capacity of the photograph as a recovery document of the memory or, rather, as the memory itself of the events and the possibilities that arose during the uprising of July 1936.
format article
author Beatriz de las Heras
author_facet Beatriz de las Heras
author_sort Beatriz de las Heras
title La (re)presentación de la violencia a través de la fotografía. Mostrar, ocultar, retener, reconducir y utilizar la imagen de la mujer durante la Guerra Civil Española en Madrid (1936-1939)
title_short La (re)presentación de la violencia a través de la fotografía. Mostrar, ocultar, retener, reconducir y utilizar la imagen de la mujer durante la Guerra Civil Española en Madrid (1936-1939)
title_full La (re)presentación de la violencia a través de la fotografía. Mostrar, ocultar, retener, reconducir y utilizar la imagen de la mujer durante la Guerra Civil Española en Madrid (1936-1939)
title_fullStr La (re)presentación de la violencia a través de la fotografía. Mostrar, ocultar, retener, reconducir y utilizar la imagen de la mujer durante la Guerra Civil Española en Madrid (1936-1939)
title_full_unstemmed La (re)presentación de la violencia a través de la fotografía. Mostrar, ocultar, retener, reconducir y utilizar la imagen de la mujer durante la Guerra Civil Española en Madrid (1936-1939)
title_sort la (re)presentación de la violencia a través de la fotografía. mostrar, ocultar, retener, reconducir y utilizar la imagen de la mujer durante la guerra civil española en madrid (1936-1939)
publisher Centre de Recherches sur les Mondes Américains
publishDate 2014
url https://doaj.org/article/856ab97c84404bbcbe39befdf58485cb
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