MAKNA RAGAM HIAS SARUNG TENUN SUTERA MANDAR
This article summarized from the research report aimed at finding out the development of the ornament form of woven silk sarong of Mandar and its symbolic meanings. The method used was a descriptive qualitative one. The data was collected through observation, interviews and literature. Safri Sai...
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Institut Seni Indonesia Surakarta
2016
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oai:doaj.org-article:85e306f017264432b096c696412486de2021-11-26T03:25:50ZMAKNA RAGAM HIAS SARUNG TENUN SUTERA MANDAR1412-41812685-287X10.33153/dewaruci.v7i3.1051https://doaj.org/article/85e306f017264432b096c696412486de2016-02-01T00:00:00Zhttps://jurnal.isi-ska.ac.id/index.php/dewaruci/article/view/1051https://doaj.org/toc/1412-4181https://doaj.org/toc/2685-287XThis article summarized from the research report aimed at finding out the development of the ornament form of woven silk sarong of Mandar and its symbolic meanings. The method used was a descriptive qualitative one. The data was collected through observation, interviews and literature. Safri Sairin’s theory was used to study the development of the form of the ornament and Bagus Gede Triguna’s was used to study the symbolic meanings. The research results showed that the development of the ornament form of the woven silk sarong of Mandar had something to do with socio cultural changes, the economical level of the society, and the creativity of the weaver. The ornament in rectangle form in the society of Polewali Mandar symbolizes nature, glorious values of human characteristics and the concept of self-control.  Keywords:  woven cloth, silk sarong of  Mandar, and development.Amri -Institut Seni Indonesia SurakartaarticleFine ArtsNIDDewa Ruci: Jurnal Pengkajian dan Penciptaan Seni, Vol 7, Iss 3 (2016) |
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DOAJ |
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Fine Arts N |
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Fine Arts N Amri - MAKNA RAGAM HIAS SARUNG TENUN SUTERA MANDAR |
| description |
This article summarized from the research report aimed at finding out the development of the ornament form of woven silk sarong of Mandar and its symbolic meanings. The method used was a descriptive qualitative one. The data was collected through observation, interviews and literature. Safri Sairin’s theory was used to study the development of the form of the ornament and Bagus Gede Triguna’s was used to study the symbolic meanings. The research results showed that the development of the ornament form of the woven silk sarong of Mandar had something to do with socio cultural changes, the economical level of the society, and the creativity of the weaver. The ornament in rectangle form in the society of Polewali Mandar symbolizes nature, glorious values of human characteristics and the concept of self-control.
 Keywords:  woven cloth, silk sarong of  Mandar, and development. |
| format |
article |
| author |
Amri - |
| author_facet |
Amri - |
| author_sort |
Amri - |
| title |
MAKNA RAGAM HIAS SARUNG TENUN SUTERA MANDAR |
| title_short |
MAKNA RAGAM HIAS SARUNG TENUN SUTERA MANDAR |
| title_full |
MAKNA RAGAM HIAS SARUNG TENUN SUTERA MANDAR |
| title_fullStr |
MAKNA RAGAM HIAS SARUNG TENUN SUTERA MANDAR |
| title_full_unstemmed |
MAKNA RAGAM HIAS SARUNG TENUN SUTERA MANDAR |
| title_sort |
makna ragam hias sarung tenun sutera mandar |
| publisher |
Institut Seni Indonesia Surakarta |
| publishDate |
2016 |
| url |
https://doaj.org/article/85e306f017264432b096c696412486de |
| work_keys_str_mv |
AT amri maknaragamhiassarungtenunsuteramandar |
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1718409912326815744 |