Creative Works of S. Beckett in the Context of “Notes from the Underground” by F. M. Dostoevsky

The results of a comparative analysis of the story “Notes from the Underground” by F. M. Dostoevsky and the works of S. Beckett are presented in the article. It is shown how Beckett critically interprets the main novels of the Russian writer. The novelty of the work is seen in the fact that the prob...

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Autor principal:	E. A. Markova
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2020
Materias:	dostoevsky beckett underground reception Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/862e09f5c98c4c659bdab46aa0918f37
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id	oai:doaj.org-article:862e09f5c98c4c659bdab46aa0918f37
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spelling	oai:doaj.org-article:862e09f5c98c4c659bdab46aa0918f372021-12-02T07:58:13ZCreative Works of S. Beckett in the Context of “Notes from the Underground” by F. M. Dostoevsky2225-756X2227-129510.24224/2227-1295-2020-12-174-184https://doaj.org/article/862e09f5c98c4c659bdab46aa0918f372020-12-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/2217https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The results of a comparative analysis of the story “Notes from the Underground” by F. M. Dostoevsky and the works of S. Beckett are presented in the article. It is shown how Beckett critically interprets the main novels of the Russian writer. The novelty of the work is seen in the fact that the problem of Beckett as the “heir” of Dostoevsky and his “Notes from the Underground” is considered in Russian literary criticism for almost the fi time. Based on the plays “Waiting for Godot”, “All that Fall”, the novel “Molloy” and the story “First Love”, the author demonstrates how Dostoevsky’s themes, motives and images are refracted in Beckett’s work. Particular attention is paid to the motive of “underground” love. A similarity was found between Dostoevsky’s story and Beckett’s works in spatial and temporal characteristics (uncertainty of the scene, nonlinearity of time, repetition of situations). It has been proven that these characteristics serve to designate a world without God, in which landmarks and goals are lost, positive and rational foundations are broken. It has been established that for Dostoevsky the Underground remains a “dark corner” behind which there is a “big world”, while for Beckett it fi the whole world.E. A. MarkovaTsentr nauchnykh i obrazovatelnykh proektovarticledostoevskybeckettundergroundreceptionSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 12, Pp 174-184 (2020)
institution	DOAJ
collection	DOAJ
language	RU
topic	dostoevsky beckett underground reception Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	dostoevsky beckett underground reception Slavic languages. Baltic languages. Albanian languages PG1-9665 E. A. Markova Creative Works of S. Beckett in the Context of “Notes from the Underground” by F. M. Dostoevsky
description	The results of a comparative analysis of the story “Notes from the Underground” by F. M. Dostoevsky and the works of S. Beckett are presented in the article. It is shown how Beckett critically interprets the main novels of the Russian writer. The novelty of the work is seen in the fact that the problem of Beckett as the “heir” of Dostoevsky and his “Notes from the Underground” is considered in Russian literary criticism for almost the fi time. Based on the plays “Waiting for Godot”, “All that Fall”, the novel “Molloy” and the story “First Love”, the author demonstrates how Dostoevsky’s themes, motives and images are refracted in Beckett’s work. Particular attention is paid to the motive of “underground” love. A similarity was found between Dostoevsky’s story and Beckett’s works in spatial and temporal characteristics (uncertainty of the scene, nonlinearity of time, repetition of situations). It has been proven that these characteristics serve to designate a world without God, in which landmarks and goals are lost, positive and rational foundations are broken. It has been established that for Dostoevsky the Underground remains a “dark corner” behind which there is a “big world”, while for Beckett it fi the whole world.
format	article
author	E. A. Markova
author_facet	E. A. Markova
author_sort	E. A. Markova
title	Creative Works of S. Beckett in the Context of “Notes from the Underground” by F. M. Dostoevsky
title_short	Creative Works of S. Beckett in the Context of “Notes from the Underground” by F. M. Dostoevsky
title_full	Creative Works of S. Beckett in the Context of “Notes from the Underground” by F. M. Dostoevsky
title_fullStr	Creative Works of S. Beckett in the Context of “Notes from the Underground” by F. M. Dostoevsky
title_full_unstemmed	Creative Works of S. Beckett in the Context of “Notes from the Underground” by F. M. Dostoevsky
title_sort	creative works of s. beckett in the context of “notes from the underground” by f. m. dostoevsky
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2020
url	https://doaj.org/article/862e09f5c98c4c659bdab46aa0918f37
work_keys_str_mv	AT eamarkova creativeworksofsbeckettinthecontextofnotesfromtheundergroundbyfmdostoevsky
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Creative Works of S. Beckett in the Context of “Notes from the Underground” by F. M. Dostoevsky

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