Les natures du jardin d’installation

Through garden festivals such as the International Garden Festival (Reford Gardens), in Grand-Métis, Québec, professional landscapers and landscape architects have founded a new form of expression. As to knowing whether we are in the presence of a garden or a work of art, considering that, theoretic...

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Autor principal: Nicole Valois
Formato: article
Lenguaje:FR
Publicado: Agrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lille 2011
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Acceso en línea:https://doaj.org/article/863cc2cbb1774756adc8ad57a45f4e70
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spelling oai:doaj.org-article:863cc2cbb1774756adc8ad57a45f4e702021-12-02T09:55:11ZLes natures du jardin d’installation1969-612410.4000/paysage.21310https://doaj.org/article/863cc2cbb1774756adc8ad57a45f4e702011-01-01T00:00:00Zhttp://journals.openedition.org/paysage/21310https://doaj.org/toc/1969-6124Through garden festivals such as the International Garden Festival (Reford Gardens), in Grand-Métis, Québec, professional landscapers and landscape architects have founded a new form of expression. As to knowing whether we are in the presence of a garden or a work of art, considering that, theoretically, each is examined differently, there is much to cover on the subject. This article addresses the meaning of installation gardens by using a model which opens on a multidimensional reading cross-referencing the disciplines of art, garden art, and landscape architecture. This is John Dixon Hunt’s theory of the gradation of three natures, specific to the study of Renaissance and Baroque gardens. The article examines two cases and shows how their creators use traditional garden or art processes to express a contemporary vision of nature and the environment, at the first and second degrees.Nicole ValoisAgrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lillearticleinstallation gardensgarden festivalslandscape architecturethree naturesJohn Dixon HuntSocial SciencesHFRProjets de Paysage, Vol 5 (2011)
institution DOAJ
collection DOAJ
language FR
topic installation gardens
garden festivals
landscape architecture
three natures
John Dixon Hunt
Social Sciences
H
spellingShingle installation gardens
garden festivals
landscape architecture
three natures
John Dixon Hunt
Social Sciences
H
Nicole Valois
Les natures du jardin d’installation
description Through garden festivals such as the International Garden Festival (Reford Gardens), in Grand-Métis, Québec, professional landscapers and landscape architects have founded a new form of expression. As to knowing whether we are in the presence of a garden or a work of art, considering that, theoretically, each is examined differently, there is much to cover on the subject. This article addresses the meaning of installation gardens by using a model which opens on a multidimensional reading cross-referencing the disciplines of art, garden art, and landscape architecture. This is John Dixon Hunt’s theory of the gradation of three natures, specific to the study of Renaissance and Baroque gardens. The article examines two cases and shows how their creators use traditional garden or art processes to express a contemporary vision of nature and the environment, at the first and second degrees.
format article
author Nicole Valois
author_facet Nicole Valois
author_sort Nicole Valois
title Les natures du jardin d’installation
title_short Les natures du jardin d’installation
title_full Les natures du jardin d’installation
title_fullStr Les natures du jardin d’installation
title_full_unstemmed Les natures du jardin d’installation
title_sort les natures du jardin d’installation
publisher Agrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lille
publishDate 2011
url https://doaj.org/article/863cc2cbb1774756adc8ad57a45f4e70
work_keys_str_mv AT nicolevalois lesnaturesdujardindinstallation
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