Formes vagabondes. Précarité du médium et pratiques filmiques vernaculaires en cinéma romani

From a perspective that combines film history and the anthropology of Roma/Gypsies, this text proposes an analysis of the practices and technical constraints experienced by artists and filmmakers, both amateur and professional, in describing the mobility and living conditions of the Roma populations...

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Autor principal: Jonathan Larcher
Formato: article
Lenguaje:FR
Publicado: Centre d´Histoire et Théorie des Arts 2021
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Acceso en línea:https://doaj.org/article/8708dc18e1204feca667ff6c81af9bc9
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spelling oai:doaj.org-article:8708dc18e1204feca667ff6c81af9bc92021-12-02T09:54:20ZFormes vagabondes. Précarité du médium et pratiques filmiques vernaculaires en cinéma romani1778-380110.4000/imagesrevues.11350https://doaj.org/article/8708dc18e1204feca667ff6c81af9bc92021-10-01T00:00:00Zhttp://journals.openedition.org/imagesrevues/11350https://doaj.org/toc/1778-3801From a perspective that combines film history and the anthropology of Roma/Gypsies, this text proposes an analysis of the practices and technical constraints experienced by artists and filmmakers, both amateur and professional, in describing the mobility and living conditions of the Roma populations in Western Europe over the past 50 years. The films of this historical experience, of this life of itinerancy, of migration and circulation, necessarily match these forms of life with the particular utilitarian filmic techniques and formats. This genealogy of a Romani cinema – made of bricolage, low-resolution videos and “poor images” (Steyerl) – is a direct contribution to a visual history of Romani political movements and to recent works in the field of film studies that apprehend filmic practices as an ecosystem.Jonathan LarcherCentre d´Histoire et Théorie des ArtsarticleFilmtechniqueRoma/Gypsiesmediafilm historysocial movementFine ArtsNFRImages Re-Vues, Vol 18 (2021)
institution DOAJ
collection DOAJ
language FR
topic Film
technique
Roma/Gypsies
media
film history
social movement
Fine Arts
N
spellingShingle Film
technique
Roma/Gypsies
media
film history
social movement
Fine Arts
N
Jonathan Larcher
Formes vagabondes. Précarité du médium et pratiques filmiques vernaculaires en cinéma romani
description From a perspective that combines film history and the anthropology of Roma/Gypsies, this text proposes an analysis of the practices and technical constraints experienced by artists and filmmakers, both amateur and professional, in describing the mobility and living conditions of the Roma populations in Western Europe over the past 50 years. The films of this historical experience, of this life of itinerancy, of migration and circulation, necessarily match these forms of life with the particular utilitarian filmic techniques and formats. This genealogy of a Romani cinema – made of bricolage, low-resolution videos and “poor images” (Steyerl) – is a direct contribution to a visual history of Romani political movements and to recent works in the field of film studies that apprehend filmic practices as an ecosystem.
format article
author Jonathan Larcher
author_facet Jonathan Larcher
author_sort Jonathan Larcher
title Formes vagabondes. Précarité du médium et pratiques filmiques vernaculaires en cinéma romani
title_short Formes vagabondes. Précarité du médium et pratiques filmiques vernaculaires en cinéma romani
title_full Formes vagabondes. Précarité du médium et pratiques filmiques vernaculaires en cinéma romani
title_fullStr Formes vagabondes. Précarité du médium et pratiques filmiques vernaculaires en cinéma romani
title_full_unstemmed Formes vagabondes. Précarité du médium et pratiques filmiques vernaculaires en cinéma romani
title_sort formes vagabondes. précarité du médium et pratiques filmiques vernaculaires en cinéma romani
publisher Centre d´Histoire et Théorie des Arts
publishDate 2021
url https://doaj.org/article/8708dc18e1204feca667ff6c81af9bc9
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