A criatividade como um habitus regionalizado no campo artístico bourdieusiano

The artistic field is delimited by a discourse that imposes forms of interpreting, consecrat- ing and producing art according to the rules that have been imposed. This imposition is questioned, because it is not explicit who holds the power to authorize or name what art is. The producers of art ar...

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Autores principales:	Jacques Haruo Fukushigue Jan-Chiba, Letícia Luriko Tadeo, Rafael Borim-de-Souza
Formato:	article
Lenguaje:	PT
Publicado:	Universidade do Vale do Rio dos Sinos (UNISINOS) 2017
Materias:	art creativity bourdieu artistic field symbolic power habitus region Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/87643648aa29407598afcf5278ff9b74
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spelling	oai:doaj.org-article:87643648aa29407598afcf5278ff9b742021-11-11T15:42:01ZA criatividade como um habitus regionalizado no campo artístico bourdieusiano2177-6229https://doaj.org/article/87643648aa29407598afcf5278ff9b742017-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=93854911009https://doaj.org/toc/2177-6229The artistic field is delimited by a discourse that imposes forms of interpreting, consecrat- ing and producing art according to the rules that have been imposed. This imposition is questioned, because it is not explicit who holds the power to authorize or name what art is. The producers of art are submissive to a field of force delimited by means of an artistic field’s regionalist speech. A device in the form of habitus becomes necessary, so that the artistic creation out of the dominant region’s limits has enough force of transformation through its factor of distinction. This device of distinction is creativity. As answer to the censorship imposed on creative action by means of dominant regionalist speeches, this article was developed with the objective of defending the creativity as a habitus of the artistic field. For that, we used Pierre Bourdieu’s theories of field (and more specifically, the artistic), symbolic power, region and habitus. It was concluded that the habitus theory represents the hidden side of the artistic goods market; that the struggles for a space in the artistic field are guerrillas among the artists themselves that seek for identity and reedom in the field and; that creativity as a habitus has several challenges in the artistic field, especially when delimited by a discourse.Jacques Haruo Fukushigue Jan-ChibaLetícia Luriko TadeoRafael Borim-de-SouzaUniversidade do Vale do Rio dos Sinos (UNISINOS)articleartcreativitybourdieuartistic fieldsymbolic powerhabitusregionSocial SciencesHSocial sciences (General)H1-99PTCiências Sociais Unisinos, Vol 53, Iss 3, Pp 478-488 (2017)
institution	DOAJ
collection	DOAJ
language	PT
topic	art creativity bourdieu artistic field symbolic power habitus region Social Sciences H Social sciences (General) H1-99
spellingShingle	art creativity bourdieu artistic field symbolic power habitus region Social Sciences H Social sciences (General) H1-99 Jacques Haruo Fukushigue Jan-Chiba Letícia Luriko Tadeo Rafael Borim-de-Souza A criatividade como um habitus regionalizado no campo artístico bourdieusiano
description	The artistic field is delimited by a discourse that imposes forms of interpreting, consecrat- ing and producing art according to the rules that have been imposed. This imposition is questioned, because it is not explicit who holds the power to authorize or name what art is. The producers of art are submissive to a field of force delimited by means of an artistic field’s regionalist speech. A device in the form of habitus becomes necessary, so that the artistic creation out of the dominant region’s limits has enough force of transformation through its factor of distinction. This device of distinction is creativity. As answer to the censorship imposed on creative action by means of dominant regionalist speeches, this article was developed with the objective of defending the creativity as a habitus of the artistic field. For that, we used Pierre Bourdieu’s theories of field (and more specifically, the artistic), symbolic power, region and habitus. It was concluded that the habitus theory represents the hidden side of the artistic goods market; that the struggles for a space in the artistic field are guerrillas among the artists themselves that seek for identity and reedom in the field and; that creativity as a habitus has several challenges in the artistic field, especially when delimited by a discourse.
format	article
author	Jacques Haruo Fukushigue Jan-Chiba Letícia Luriko Tadeo Rafael Borim-de-Souza
author_facet	Jacques Haruo Fukushigue Jan-Chiba Letícia Luriko Tadeo Rafael Borim-de-Souza
author_sort	Jacques Haruo Fukushigue Jan-Chiba
title	A criatividade como um habitus regionalizado no campo artístico bourdieusiano
title_short	A criatividade como um habitus regionalizado no campo artístico bourdieusiano
title_full	A criatividade como um habitus regionalizado no campo artístico bourdieusiano
title_fullStr	A criatividade como um habitus regionalizado no campo artístico bourdieusiano
title_full_unstemmed	A criatividade como um habitus regionalizado no campo artístico bourdieusiano
title_sort	criatividade como um habitus regionalizado no campo artístico bourdieusiano
publisher	Universidade do Vale do Rio dos Sinos (UNISINOS)
publishDate	2017
url	https://doaj.org/article/87643648aa29407598afcf5278ff9b74
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A criatividade como um habitus regionalizado no campo artístico bourdieusiano

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