Fantasías urbanas: México D.F. por Rafael Ramírez Heredia (La jaula de Dios), Guillermo Fadanelli (La otra cara de Rock Hudson) y Roberto Bolaño ("Jim")

The article is devoted to three recently created literary works, the novels La jaula de Dios by Rafael Ramírez Heredia (1989) and La otra cara de Rock Hudson by Guillermo Fadanelli (1997), as well as the short story «Jim» by Roberto Bolaño (2003). The texts serve to highlight how the city is represe...

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Autor principal:	Verena Dolle
Formato:	article
Lenguaje:	EN ES
Publicado:	Prof. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Rings 2012
Materias:	city-text aestheticization of the city anthropological place urban violence partial vision totalizing vision Language and Literature P
Acceso en línea:	https://doi.org/10.23692/imex.1.9 https://doaj.org/article/87cb9df6f64941caa865e20cd1b7a8dc
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spelling	oai:doaj.org-article:87cb9df6f64941caa865e20cd1b7a8dc2021-11-23T13:19:19ZFantasías urbanas: México D.F. por Rafael Ramírez Heredia (La jaula de Dios), Guillermo Fadanelli (La otra cara de Rock Hudson) y Roberto Bolaño ("Jim")https://doi.org/10.23692/imex.1.92193-9756https://doaj.org/article/87cb9df6f64941caa865e20cd1b7a8dc2012-01-01T00:00:00Zhttps://www.imex-revista.com/fantasias-urbanas1/https://doaj.org/toc/2193-9756The article is devoted to three recently created literary works, the novels La jaula de Dios by Rafael Ramírez Heredia (1989) and La otra cara de Rock Hudson by Guillermo Fadanelli (1997), as well as the short story «Jim» by Roberto Bolaño (2003). The texts serve to highlight how the city is represented in them, understood as a city-text, which plays the role of protagonist. Imitating the form of a musical fugue, Ramírez Heredia gives a totalizing vision of Mexico City, remembered with nostalgia as an anthropological place (Augé), and highlights the 1985 earthquake as a decisive moment for the beginning of the formation of a civil society in view of an inactive city government overwhelmed by the event. Renouncing every totalizing vision of the city, Fadanelli concentrates on a partial homogeneous vision of a ruined neighborhood of Mexico City, characterized by the absence of identity-giving features of anthropological places. The vision of a vicious circle of violence and crime is conveyed to all inhabitants, where even the heterotopias – highly ironized – are mere dead ends. Bolaño takes as his point of departure elements of this almost topical discourse of the negatively impregnated city; however, what he accentuates is the aesthetic quality of the city-text. «Jim» allows for an allegorical reading that conceives the encounter between the characters as an encounter with the secret of poetry.Verena Dolle Prof. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Ringsarticlecity-textaestheticization of the cityanthropological placeurban violencepartial visiontotalizing visionLanguage and LiteraturePENESiMex. México Interdisciplinario/Interdisciplinary Mexico, Vol 1, Iss 1, Pp 127-141 (2012)
institution	DOAJ
collection	DOAJ
language	EN ES
topic	city-text aestheticization of the city anthropological place urban violence partial vision totalizing vision Language and Literature P
spellingShingle	city-text aestheticization of the city anthropological place urban violence partial vision totalizing vision Language and Literature P Verena Dolle Fantasías urbanas: México D.F. por Rafael Ramírez Heredia (La jaula de Dios), Guillermo Fadanelli (La otra cara de Rock Hudson) y Roberto Bolaño ("Jim")
description	The article is devoted to three recently created literary works, the novels La jaula de Dios by Rafael Ramírez Heredia (1989) and La otra cara de Rock Hudson by Guillermo Fadanelli (1997), as well as the short story «Jim» by Roberto Bolaño (2003). The texts serve to highlight how the city is represented in them, understood as a city-text, which plays the role of protagonist. Imitating the form of a musical fugue, Ramírez Heredia gives a totalizing vision of Mexico City, remembered with nostalgia as an anthropological place (Augé), and highlights the 1985 earthquake as a decisive moment for the beginning of the formation of a civil society in view of an inactive city government overwhelmed by the event. Renouncing every totalizing vision of the city, Fadanelli concentrates on a partial homogeneous vision of a ruined neighborhood of Mexico City, characterized by the absence of identity-giving features of anthropological places. The vision of a vicious circle of violence and crime is conveyed to all inhabitants, where even the heterotopias – highly ironized – are mere dead ends. Bolaño takes as his point of departure elements of this almost topical discourse of the negatively impregnated city; however, what he accentuates is the aesthetic quality of the city-text. «Jim» allows for an allegorical reading that conceives the encounter between the characters as an encounter with the secret of poetry.
format	article
author	Verena Dolle
author_facet	Verena Dolle
author_sort	Verena Dolle
title	Fantasías urbanas: México D.F. por Rafael Ramírez Heredia (La jaula de Dios), Guillermo Fadanelli (La otra cara de Rock Hudson) y Roberto Bolaño ("Jim")
title_short	Fantasías urbanas: México D.F. por Rafael Ramírez Heredia (La jaula de Dios), Guillermo Fadanelli (La otra cara de Rock Hudson) y Roberto Bolaño ("Jim")
title_full	Fantasías urbanas: México D.F. por Rafael Ramírez Heredia (La jaula de Dios), Guillermo Fadanelli (La otra cara de Rock Hudson) y Roberto Bolaño ("Jim")
title_fullStr	Fantasías urbanas: México D.F. por Rafael Ramírez Heredia (La jaula de Dios), Guillermo Fadanelli (La otra cara de Rock Hudson) y Roberto Bolaño ("Jim")
title_full_unstemmed	Fantasías urbanas: México D.F. por Rafael Ramírez Heredia (La jaula de Dios), Guillermo Fadanelli (La otra cara de Rock Hudson) y Roberto Bolaño ("Jim")
title_sort	fantasías urbanas: méxico d.f. por rafael ramírez heredia (la jaula de dios), guillermo fadanelli (la otra cara de rock hudson) y roberto bolaño ("jim")
publisher	Prof. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Rings
publishDate	2012
url	https://doi.org/10.23692/imex.1.9 https://doaj.org/article/87cb9df6f64941caa865e20cd1b7a8dc
work_keys_str_mv	AT verenadolle fantasiasurbanasmexicodfporrafaelramirezheredialajauladediosguillermofadanellilaotracaraderockhudsonyrobertobolanojim
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Fantasías urbanas: México D.F. por Rafael Ramírez Heredia (La jaula de Dios), Guillermo Fadanelli (La otra cara de Rock Hudson) y Roberto Bolaño ("Jim")

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