24 TECHNICAL SUGGESTIONS TO PERFORM “HOMMAGE À N. PAGANINI” FOR SOLO CLARINET BY BÉLA KOVÁCS

Abstract To perform a music better, knowing the life story of the composer and examining the creation period of the work are required pre studies. With the technical developments of the instruments, the concept of virtuoso artist emerged, and works such as solo, concerto, sonata and chamber music we...

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Autor principal: Halis Gürkan KIRANKAYA
Formato: article
Lenguaje:DE
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Publicado: Fırat University 2021
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Acceso en línea:https://doaj.org/article/881cced4001345ddb99a52b60d6d3926
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Sumario:Abstract To perform a music better, knowing the life story of the composer and examining the creation period of the work are required pre studies. With the technical developments of the instruments, the concept of virtuoso artist emerged, and works such as solo, concerto, sonata and chamber music were composed. Important virtuosos grew up in the 19th century. Italian violinist Niccolò Paganini is one of the most important virtuose. His works for the violin have inspired many composers. His contributions to the violin repertoire had an impact on virtuosity for other instruments as well. Hungarian Clarinet Professor Béla Kovács was also influenced by Paganini's technique and composed a work for the solo clarinet dedicated to him. The fact that Kovács is a composer and clarinetist is important in terms of containing details that will contribute to the development of the clarinet technique in the work. Reaching the virtuosity level on an instrument is a long and difficult process. When it is examined technically, the clarinet contains many unknowns. Mastery requires having the right technical knowledge and being able to use them. Since the technical positions used in the interpretation of the works vary according to the place of use, it is very important which one should be used and where. This study consists of 24 technical suggestions in the interpretation of Béla Kovács' life and the work "Hommage à N. Paganini'' written for Solo Clarinet. The purpose of this study is to help play "Hommage à N. Paganini'' at the virtuoso level and to provide a technically different perspective to the students and professional clarinet artists who will interpret the artwork with interest.