Music as a Cultural Phenomenon
From an anthropological perspective music is a cultural phenomenon. This means that in order to understand it, one must understand the meanings which are attributed to it through the interaction with the environment wherein it is practiced and produced. In this paper, the concept of music is interpr...
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University of Belgrade
2016
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oai:doaj.org-article:8904349f7c4d432cb0b9c6d36508fe502021-12-02T00:01:20ZMusic as a Cultural Phenomenon10.21301/eap.v8i2.50353-15892334-8801https://doaj.org/article/8904349f7c4d432cb0b9c6d36508fe502016-02-01T00:00:00Zhttps://eap-iea.org/index.php/eap/article/view/127https://doaj.org/toc/0353-1589https://doaj.org/toc/2334-8801From an anthropological perspective music is a cultural phenomenon. This means that in order to understand it, one must understand the meanings which are attributed to it through the interaction with the environment wherein it is practiced and produced. In this paper, the concept of music is interpreted through the double role it takes on as a result of that interplay. The first part of the analysis considers music as a cultural “product”, while the second part focuses on its role as a “producer” (of identity). A simple division like this is a useful methodological tool with which I endeavor to highlight not only the fluidity of meaning, but the importance and relevance of music in anthropological study.Marija RistivojevićUniversity of Belgradearticlemusiccultural phenomenon“product”“producer”identityanthropologyAnthropologyGN1-890ENFRSREtnoantropološki Problemi, Vol 8, Iss 2 (2016) |
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music cultural phenomenon “product” “producer” identity anthropology Anthropology GN1-890 |
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music cultural phenomenon “product” “producer” identity anthropology Anthropology GN1-890 Marija Ristivojević Music as a Cultural Phenomenon |
description |
From an anthropological perspective music is a cultural phenomenon. This means that in order to understand it, one must understand the meanings which are attributed to it through the interaction with the environment wherein it is practiced and produced. In this paper, the concept of music is interpreted through the double role it takes on as a result of that interplay. The first part of the analysis considers music as a cultural “product”, while the second part focuses on its role as a “producer” (of identity). A simple division like this is a useful methodological tool with which I endeavor to highlight not only the fluidity of meaning, but the importance and relevance of music in anthropological study. |
format |
article |
author |
Marija Ristivojević |
author_facet |
Marija Ristivojević |
author_sort |
Marija Ristivojević |
title |
Music as a Cultural Phenomenon |
title_short |
Music as a Cultural Phenomenon |
title_full |
Music as a Cultural Phenomenon |
title_fullStr |
Music as a Cultural Phenomenon |
title_full_unstemmed |
Music as a Cultural Phenomenon |
title_sort |
music as a cultural phenomenon |
publisher |
University of Belgrade |
publishDate |
2016 |
url |
https://doaj.org/article/8904349f7c4d432cb0b9c6d36508fe50 |
work_keys_str_mv |
AT marijaristivojevic musicasaculturalphenomenon |
_version_ |
1718403997066330112 |