Reflection of “Philosophy of Unreal” in Tragedy of O. Wilde “Duchess of Padua”

The analysis of O. Wilde’s early tragedy “The Duchess of Padua” was made in the light of the “unrealistic philosophy” and the writer’s complex of representations of irrational power. Attention is paid to the reasons for Wilde's appeal to the genre of tragedy, which lies in the desire for popula...

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Autor principal:	Olga M. Valova
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2020
Materias:	уайльд «герцогиня падуанская» философия нереального трагедия новая драма конфликт душа wilde “duchess of padua” philosophy of the unreal tragedy new drama conflict soul Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/89a49ee704a240faa01131184143265b
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spelling	oai:doaj.org-article:89a49ee704a240faa01131184143265b2021-12-02T07:58:11ZReflection of “Philosophy of Unreal” in Tragedy of O. Wilde “Duchess of Padua”2225-756X2227-129510.24224/2227-1295-2020-7-226-240https://doaj.org/article/89a49ee704a240faa01131184143265b2020-07-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/1728https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The analysis of O. Wilde’s early tragedy “The Duchess of Padua” was made in the light of the “unrealistic philosophy” and the writer’s complex of representations of irrational power. Attention is paid to the reasons for Wilde's appeal to the genre of tragedy, which lies in the desire for popularity, in the aspiration to show the talent of the playwright, and in the implementation of philosophical and aesthetic principles. The novelty of the research results is seen in the fact that the play, deprived of the attention of Russian literary critics, is shown as meaningful and ideologically significant. A review of works studying the traditions of the Renaissance tragedy, including Shakespearean, romantic is performed. The provision on the formation of the principles of the "new" drama, combined in the “Duchess of Padua” with the scale of the philosophical problems of ancient texts, is substantiated. The topics identified in the play by domestic and foreign literary scholars are named. The main elements of the plot in the framework of external and internal conflicts are considered. Particular attention is paid to internal conflict, reflecting Wilde’s philosophical views. Studying the tragedy from the perspective of the “unrealistic philosophy” made it possible to reveal Wilde’s ideas about the pressing issues of the contemporary world. It is proved that the most significant problem for him is the victory of pragmatism, the rational principle over spirituality.Olga M. ValovaTsentr nauchnykh i obrazovatelnykh proektovarticleуайльд«герцогиня падуанская»философия нереальноготрагедияновая драмаконфликтдушаwilde“duchess of padua”philosophy of the unrealtragedynew dramaconflictsoulSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 7, Pp 226-240 (2020)
institution	DOAJ
collection	DOAJ
language	RU
topic	уайльд «герцогиня падуанская» философия нереального трагедия новая драма конфликт душа wilde “duchess of padua” philosophy of the unreal tragedy new drama conflict soul Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	уайльд «герцогиня падуанская» философия нереального трагедия новая драма конфликт душа wilde “duchess of padua” philosophy of the unreal tragedy new drama conflict soul Slavic languages. Baltic languages. Albanian languages PG1-9665 Olga M. Valova Reflection of “Philosophy of Unreal” in Tragedy of O. Wilde “Duchess of Padua”
description	The analysis of O. Wilde’s early tragedy “The Duchess of Padua” was made in the light of the “unrealistic philosophy” and the writer’s complex of representations of irrational power. Attention is paid to the reasons for Wilde's appeal to the genre of tragedy, which lies in the desire for popularity, in the aspiration to show the talent of the playwright, and in the implementation of philosophical and aesthetic principles. The novelty of the research results is seen in the fact that the play, deprived of the attention of Russian literary critics, is shown as meaningful and ideologically significant. A review of works studying the traditions of the Renaissance tragedy, including Shakespearean, romantic is performed. The provision on the formation of the principles of the "new" drama, combined in the “Duchess of Padua” with the scale of the philosophical problems of ancient texts, is substantiated. The topics identified in the play by domestic and foreign literary scholars are named. The main elements of the plot in the framework of external and internal conflicts are considered. Particular attention is paid to internal conflict, reflecting Wilde’s philosophical views. Studying the tragedy from the perspective of the “unrealistic philosophy” made it possible to reveal Wilde’s ideas about the pressing issues of the contemporary world. It is proved that the most significant problem for him is the victory of pragmatism, the rational principle over spirituality.
format	article
author	Olga M. Valova
author_facet	Olga M. Valova
author_sort	Olga M. Valova
title	Reflection of “Philosophy of Unreal” in Tragedy of O. Wilde “Duchess of Padua”
title_short	Reflection of “Philosophy of Unreal” in Tragedy of O. Wilde “Duchess of Padua”
title_full	Reflection of “Philosophy of Unreal” in Tragedy of O. Wilde “Duchess of Padua”
title_fullStr	Reflection of “Philosophy of Unreal” in Tragedy of O. Wilde “Duchess of Padua”
title_full_unstemmed	Reflection of “Philosophy of Unreal” in Tragedy of O. Wilde “Duchess of Padua”
title_sort	reflection of “philosophy of unreal” in tragedy of o. wilde “duchess of padua”
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2020
url	https://doaj.org/article/89a49ee704a240faa01131184143265b
work_keys_str_mv	AT olgamvalova reflectionofphilosophyofunrealintragedyofowildeduchessofpadua
_version_	1718398861131644928

Reflection of “Philosophy of Unreal” in Tragedy of O. Wilde “Duchess of Padua”

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