Rito extinto: recolonización neovanguardista de Tierra del Fuego
This essay critically reflects on practices of cultural extraction and reappropriation in the context of late capitalism. Based on the case observed in the Rito extinto project by the artist collective formed by Josefina Dagorret and Sebastián Escalona, we propose an analysis around the production o...
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Centre de Recherches sur les Mondes Américains
2019
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oai:doaj.org-article:8a7cf6316e6b47b6a149cd9c933266d92021-12-02T10:35:17ZRito extinto: recolonización neovanguardista de Tierra del Fuego1626-025210.4000/nuevomundo.77240https://doaj.org/article/8a7cf6316e6b47b6a149cd9c933266d92019-10-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/77240https://doaj.org/toc/1626-0252This essay critically reflects on practices of cultural extraction and reappropriation in the context of late capitalism. Based on the case observed in the Rito extinto project by the artist collective formed by Josefina Dagorret and Sebastián Escalona, we propose an analysis around the production of knowledge in the academy and how the fetishization of alterity resurfaces. Taking a second case, we analyze the merchandising created around Selk’nam Indians as an operation similar to the previous one but outside of the academic framework.Julián Farías HurtadoAntonio Urrutia LuxoroCentre de Recherches sur les Mondes Américainsarticlecontemporary artarchivefetishismSelk’namneocolonialismAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2019) |
| institution |
DOAJ |
| collection |
DOAJ |
| language |
EN FR PT |
| topic |
contemporary art archive fetishism Selk’nam neocolonialism Anthropology GN1-890 Latin America. Spanish America F1201-3799 |
| spellingShingle |
contemporary art archive fetishism Selk’nam neocolonialism Anthropology GN1-890 Latin America. Spanish America F1201-3799 Julián Farías Hurtado Antonio Urrutia Luxoro Rito extinto: recolonización neovanguardista de Tierra del Fuego |
| description |
This essay critically reflects on practices of cultural extraction and reappropriation in the context of late capitalism. Based on the case observed in the Rito extinto project by the artist collective formed by Josefina Dagorret and Sebastián Escalona, we propose an analysis around the production of knowledge in the academy and how the fetishization of alterity resurfaces. Taking a second case, we analyze the merchandising created around Selk’nam Indians as an operation similar to the previous one but outside of the academic framework. |
| format |
article |
| author |
Julián Farías Hurtado Antonio Urrutia Luxoro |
| author_facet |
Julián Farías Hurtado Antonio Urrutia Luxoro |
| author_sort |
Julián Farías Hurtado |
| title |
Rito extinto: recolonización neovanguardista de Tierra del Fuego |
| title_short |
Rito extinto: recolonización neovanguardista de Tierra del Fuego |
| title_full |
Rito extinto: recolonización neovanguardista de Tierra del Fuego |
| title_fullStr |
Rito extinto: recolonización neovanguardista de Tierra del Fuego |
| title_full_unstemmed |
Rito extinto: recolonización neovanguardista de Tierra del Fuego |
| title_sort |
rito extinto: recolonización neovanguardista de tierra del fuego |
| publisher |
Centre de Recherches sur les Mondes Américains |
| publishDate |
2019 |
| url |
https://doaj.org/article/8a7cf6316e6b47b6a149cd9c933266d9 |
| work_keys_str_mv |
AT julianfariashurtado ritoextintorecolonizacionneovanguardistadetierradelfuego AT antoniourrutialuxoro ritoextintorecolonizacionneovanguardistadetierradelfuego |
| _version_ |
1718397006899052544 |