Francophone perspectives on creative industries and the creative economy

Research on the socioeconomics of culture, the collaborative Web and the creative economy have converged today in an ideological construct: the notions of creative industries and the creative economy, at least as they are presented by national and supranational institutions and experts. Most of the...

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Autor principal: Philippe Bouquillion
Formato: article
Lenguaje:PT
Publicado: Centro de Estudos Latino-Americanos sobre Cultura e Comunicação 2021
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Acceso en línea:https://doaj.org/article/8b01de82d40243cb8f80e8e7fe475226
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spelling oai:doaj.org-article:8b01de82d40243cb8f80e8e7fe4752262021-11-24T03:55:39ZFrancophone perspectives on creative industries and the creative economy1519-68952236-3467https://doaj.org/article/8b01de82d40243cb8f80e8e7fe4752262021-11-01T00:00:00Zhttps://www.revistas.usp.br/extraprensa/article/view/189645https://doaj.org/toc/1519-6895https://doaj.org/toc/2236-3467 Research on the socioeconomics of culture, the collaborative Web and the creative economy have converged today in an ideological construct: the notions of creative industries and the creative economy, at least as they are presented by national and supranational institutions and experts. Most of these themes were introduced into Francophone research through Anglophone works. In this regard, the distinction between various forms of critical research on the one hand and non-critical research on the other seems much more fundamental. As a consequence, we propose to take the notion of creative industries seriously, deviating from the definitions given by experts so as to build a critical theory of creative industries that reflects the dynamics of the economy of symbolic goods. Philippe BouquillionCentro de Estudos Latino-Americanos sobre Cultura e ComunicaçãoarticleCultural industriesCreative economyWeb 2.0Book publishingMass communicationCommunication. Mass mediaP87-96PTExtraprensa, Vol 14, Iss 2 (2021)
institution DOAJ
collection DOAJ
language PT
topic Cultural industries
Creative economy
Web 2.0
Book publishing
Mass communication
Communication. Mass media
P87-96
spellingShingle Cultural industries
Creative economy
Web 2.0
Book publishing
Mass communication
Communication. Mass media
P87-96
Philippe Bouquillion
Francophone perspectives on creative industries and the creative economy
description Research on the socioeconomics of culture, the collaborative Web and the creative economy have converged today in an ideological construct: the notions of creative industries and the creative economy, at least as they are presented by national and supranational institutions and experts. Most of these themes were introduced into Francophone research through Anglophone works. In this regard, the distinction between various forms of critical research on the one hand and non-critical research on the other seems much more fundamental. As a consequence, we propose to take the notion of creative industries seriously, deviating from the definitions given by experts so as to build a critical theory of creative industries that reflects the dynamics of the economy of symbolic goods.
format article
author Philippe Bouquillion
author_facet Philippe Bouquillion
author_sort Philippe Bouquillion
title Francophone perspectives on creative industries and the creative economy
title_short Francophone perspectives on creative industries and the creative economy
title_full Francophone perspectives on creative industries and the creative economy
title_fullStr Francophone perspectives on creative industries and the creative economy
title_full_unstemmed Francophone perspectives on creative industries and the creative economy
title_sort francophone perspectives on creative industries and the creative economy
publisher Centro de Estudos Latino-Americanos sobre Cultura e Comunicação
publishDate 2021
url https://doaj.org/article/8b01de82d40243cb8f80e8e7fe475226
work_keys_str_mv AT philippebouquillion francophoneperspectivesoncreativeindustriesandthecreativeeconomy
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